(en) Stuart Anderson, « The Immigrant Who Directed The American Classic 'High Noon' », sur Forbes, (consulté le ) : « Fred Zinnemann brought with him to Hollywood a lifetime of experience as an outsider. He was born in Rzeszow, Poland in 1907 and moved to Vienna, Austria when he was 10. […] “Fred had grown up in a world where Jews were barely tolerated and often were subjected to discrimination and contempt, and it grated on his dignity and sense of justice,” according to Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic. »
(en-US) « Fred Zinnemann, Director of Many Classics, Dies at 89 », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Bosley Crowther, « Screen: A Sturdy Conscience, a Steadfast Heart:'A Man for All Seasons' Opens at Fine Arts Paul Scofield Excels in Film by Zinnemann », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Bosley Crowther, « THE SCREEN IN REVIEW; ' High Noon,' a Western of Rare Achievement, Is New Bill at the Mayfair Theatre », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Maria Cooper Janis, « The Tao of Cooper: Why High Noon Still Matters », Time, (ISSN0040-781X, lire en ligne, consulté le )
(en-US) « Fred Zinnemann, Director of Many Classics, Dies at 89 », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Bosley Crowther, « Screen: A Sturdy Conscience, a Steadfast Heart:'A Man for All Seasons' Opens at Fine Arts Paul Scofield Excels in Film by Zinnemann », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
(en-US) Bosley Crowther, « THE SCREEN IN REVIEW; ' High Noon,' a Western of Rare Achievement, Is New Bill at the Mayfair Theatre », The New York Times, (ISSN0362-4331, lire en ligne, consulté le )
