Gated reverb (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Gated reverb" in French language version.

refsWebsite

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3books.google.com

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2google.fr

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2youtube.com

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1doi.org

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1mixonline.com

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1musicradar.com

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1mentalfloss.com

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1theguardian.com

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1soundonsound.com

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1web.archive.org

1^st place

books.google.com

(en) Robert Fink, Melinda Latour et Zachary Wallmark, The Relentless Pursuit of Tone: Timbre in Popular Music, Oxford University Press, 18 septembre 2018 (ISBN 978-0-19-998525-8, lire en ligne)
(en) Robert Fink, Melinda Latour et Zachary Wallmark, The Relentless Pursuit of Tone: Timbre in Popular Music, Oxford University Press, 18 septembre 2018 (ISBN 978-0-19-998525-8, lire en ligne)
(en) Hank Bordowitz, Dirty Little Secrets of the Record Business: Why So Much Music You Hear Sucks, Chicago Review Press, 2007, 253 p. (ISBN 978-1-56976-391-9, lire en ligne)

doi.org

dx.doi.org

(no) Eirik Askerøi, « Sound i historisk perspektiv: oppdagelse, naturalisering, kanonisering », dans Ø. J. Eiksund, E. Angelo & J. Knigge, Music technology in education – Channeling and challenging perspectives, 2020 (DOI https://doi.org/10.23865/noasp.108.ch2)

google.fr

books.google.fr

Pierre-Louis de Nanteuil, Dictionnaire encyclopédique du son, Dunod, 2 avril 2008 (ISBN 978-2-10-053674-0, lire en ligne), p. 263
(en) Bill Gibson, The Ultimate Live Sound Operator's Handbook, Rowman & Littlefield, 1^er octobre 2020 (ISBN 978-1-5381-3465-8, lire en ligne), p. 214

mentalfloss.com

(en-US) « How Phil Collins Accidentally Created the Sound That Defined 1980s Music », sur Mental Floss, 20 août 2017 (consulté le 3 septembre 2023)

mixonline.com

(en) Flans, « Classic Tracks: Phil Collins' "In the Air Tonight" », Mix Professional Audio & Music Production, New Bay Media, mai 2005 (consulté le 11 juillet 2017)

musicradar.com

(en) David West, « Classic Drum Sounds: 'In The Air Tonight' », MusicRadar, 26 janvier 2017

soundonsound.com

White, « Canyons of The Mind: Psycoacoustics of Reverb », Sound on Sound,‎ juin 1996 (lire en ligne [archive du 10 mars 2005], consulté le 3 septembre 2023)

theguardian.com

(en-GB) Alexis Petridis, « Haim: Days Are Gone – review », The Guardian,‎ 26 septembre 2013 (lire en ligne, consulté le 19 octobre 2017)

web.archive.org

White, « Canyons of The Mind: Psycoacoustics of Reverb », Sound on Sound,‎ juin 1996 (lire en ligne [archive du 10 mars 2005], consulté le 3 septembre 2023)

youtube.com

« Steve Lillywhite : The John Robb interview », John Robb channel on YouTube, 14 août 2022 (consulté le 21 août 2022) : « I suppose the Peter Gabriel was that because he didn't want to use cymbals and I had been really experimenting with this ambience thing which actually started with Kenny Morris with the first [Siouxsie and the] Banshees' album. When you listen, you can hear elements of this gated room sound, big compressed room sound that I did on the Banshees. [...] Hugh Padgham was my engineer when we did the Peter Gabriel album which is where it first really showed its head in that form but I had been pushing and experimenting before with that like the Psychedelic Furs. You listen to "Sisters Europe" by Psychedelic Furs [...], all done before the Peter Gabriel album. [...] At least, my claim has some roots from before it happened. Hugh Padgham was just staff engineer. He could have done it any time before he worked with me but he didn't. »
(en) [vidéo] Vox, « How a recording-studio mishap shaped '80s music », sur YouTube, 18 août 2017