«some view Homer as an early bard who exercised a formative influence on Greek epic traditions; others as an inheritor of oral traditions who gave the Iliad and Odyssey their definitive shape; still others as the legendary embodiment of traditional authority.»: (en) David F. Elmer, «Trojan Horse», dans Richard F. Thomas et Jan M. Ziolkowski (dir.), The Virgil Encyclopedia, Blackwell, , 1p. (DOI10.1002/9781118351352.wbve1026)
«“Homer” is just a cover term for the poetry.»: Martin 2019, p.1 (en) Richard P. Martin, «Homer's Iliad and Odyssey: Poems of Many Turnings», dans Ken Seigneurie (dir.), A Companion to World Literature, vol.1: Third Millenium BCE to 600 CE, Wiley, , 11p. (DOI10.1002/9781118635193.ctwl0030)
(en) Martin L. West, «The Invention of Homer», The Classical Quarterly, vol.49, no2, , p.364-382 (DOI10.1093/cq/49.2.364)
(en) Adrian Kelly, «Biographies of Homer», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe0243)
Flore Kimmel, «Cultes d'Homère, aspects idéologiques», Gaia: revue interdisciplinaire sur la Grèce Archaïque, , p.171-186 (DOI10.3406/gaia.2006.1496)
(en) Deborah Lyons, «Women», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, (DOI10.1002/9781444350302.wbhe1508), p.1
(en) Andrew L. Ford, «Singer», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 1p. (DOI10.1002/9781444350302.wbhe0998)
(en) Jonathan S. Burgess, «Cycle, Epic», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe0582)
(en) Martin L. West, «Argonautica», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 1p. (DOI10.1002/9781444350302.wbhe0174)
(en) William Hansen, «Folktale», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe0506)
(en) Barry B. Powell, «Near East and Homer», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 1-4p. (DOI10.1002/9781444350302.wbhe0330)
«it is essential at the outset to put aside notions of single authorship, creative genius, and breakthrough productions that have been retrojected onto the epics by readers familiar with the processes of latter-day literacy. [...] Rather than being products of a momentous one-time authorial decision, the epics reflect a long series of conscious adjustments as to plots, characterization, and the aesthetics of mythopoeic storytelling»: Martin 2019, p.1-2. (en) Richard P. Martin, «Homer's Iliad and Odyssey: Poems of Many Turnings», dans Ken Seigneurie (dir.), A Companion to World Literature, vol.1: Third Millenium BCE to 600 CE, Wiley, , 11p. (DOI10.1002/9781118635193.ctwl0030)
(en) Gregory Nagy, «Editions», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 6p. (DOI10.1002/9781444350302.wbhe0391)
(en) Michael Haslam, «Text and Transmission», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, (DOI10.1002/9781444350302.wbhe1413), p.7
(en) Joseph Russo, «Formula», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 3p. (DOI10.1002/9781444350302.wbhe0509)
(en) Mark W. Edwards, «Rhetorical Figures of Speech», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe1281)
Christophe Pébarthe, «Lutte des classes et lutte des classements dans l’Iliade. Lecture historienne d’un agôn (Il., XXIII, 262‑652)», Gaia, vol.28, , p.3-7 (DOI10.4000/14bdg)
(en) Gregory Nagy, «Hero», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe0582).
(en) Jenny Strauss Clay, «Heroic Age», dans Margalit Finkelberg (dir.), The Homer Encyclopedia, Blackwell, , 2p. (DOI10.1002/9781444350302.wbhe0582)
Martin 2019, p.1. (en) Richard P. Martin, «Homer's Iliad and Odyssey: Poems of Many Turnings», dans Ken Seigneurie (dir.), A Companion to World Literature, vol.1: Third Millenium BCE to 600 CE, Wiley, , 11p. (DOI10.1002/9781118635193.ctwl0030)
Martin 2019, p.8-9. (en) Richard P. Martin, «Homer's Iliad and Odyssey: Poems of Many Turnings», dans Ken Seigneurie (dir.), A Companion to World Literature, vol.1: Third Millenium BCE to 600 CE, Wiley, , 11p. (DOI10.1002/9781118635193.ctwl0030)
Martin 2019, p.7-8. (en) Richard P. Martin, «Homer's Iliad and Odyssey: Poems of Many Turnings», dans Ken Seigneurie (dir.), A Companion to World Literature, vol.1: Third Millenium BCE to 600 CE, Wiley, , 11p. (DOI10.1002/9781118635193.ctwl0030)
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(en) Tyler Creer, The Iliad and the Heike monogatari and the Historical Ramifications, Charlottesville, University of Virginia, History - Graduate School of Arts and Sciences, PHD (Doctor of Philosophy), (lire en ligne), p.203-204
Mireille Labouret, «Portrait de Balzac en «Homère toujours inachevé»», Fabula / Les colloques, Représentations et réinterprétations de la guerre de Troie dans la littérature et la pensée occidentales (dir. Blandine Cuny-le-Calet, Elisabeth Le Corre), URL: http://www.fabula.org/colloques/document3814.php, page consultée le 17 August 2026.
(en) Walter Burkert, «The Making of Homer in the Sixth Century BC: Rhapsodes versus Stesichorus», dans Dietrich von Bothmer (dir.), Papers on the Amasis Painter and His World, Los Angeles, J. Paul Getty Museum, (lire en ligne), p.43-62
(en) Alexander Beecroft, «Blindness and Literacy in the Lives of Homer», The Classical Quarterly, New Series, vol.61, no1, , p.1-18 (JSTOR41301512)
(en) Adrian Kelly, «The Babylonian Captivity of Homer: the case of the Διὸς ἀπάτη», Rheinisches Museum für Philologie, Neue Folge, vol.151, nos3/4, , p.259-304 (JSTOR41234761)
(en) Alexander Kazhdan, Kenneth Snipes et Anthony Cutler, «Trojan War», dans Alexander Kazhdan (dir.), The Oxford Dictionary of Byzantium, vol.3, Oxford, Oxford University Press, (lire en ligne), p.2123-2124
Pierre Vidal-Naquet, «Valeurs religieuses et mythiques de la terre et du sacrifice dans l'Odyssée», Annales. Économies, Sociétés, Civilisations. 25ᵉ année, no5, , p.1283 (lire en ligne)
Jean-Luc Lamboley, «La coupe de Nestor. État de la question et essai de mise au point», Gaia: revue interdisciplinaire sur la Grèce Archaïque, no5, , p.29-39 (trad. p. 29) (lire en ligne)
Jean-Luc Lamboley, «La coupe de Nestor. État de la question et essai de mise au point», Gaia: revue interdisciplinaire sur la Grèce Archaïque, no5, , p.29-39 (trad. p. 29) (lire en ligne)
Jean-Luc Lamboley, «La coupe de Nestor. État de la question et essai de mise au point», Gaia: revue interdisciplinaire sur la Grèce Archaïque, no5, , p.29-39 (trad. p. 29) (lire en ligne)
«Some of these are moral; others penetrate into the dark recesses of the relationships that make us human. To what extent does our fate lie in our own hands? What makes a good leader, a good man, a good husband? What are the acceptable limits of revenge? What does a marriage consist of, and how can it survive the shocks of separation, of bifurcated experience and of ageing? How should you treat strangers when they arrive on your shores? How can a soldier returning from the blood-letting of the battlefield reintegrate into peaceful civilian life?»: (en) Charlotte Higgins, «‘More postmodern than ancient’: why the Odyssey is everywhere, from Oz to Westeros», The Guardian, (lire en ligne)
