(en) Osmund Bopearachchi, “Coin Production and Circulation in Central Asia and North-West India (Before and after Alexander’s Conquest)”, 300-301 p. (lire en ligne)
(en) Osmund Bopearachchi, “Coin Production and Circulation in Central Asia and North-West India (Before and after Alexander’s Conquest)”, 308- (lire en ligne)
(en) Collier, The Origin of the Buddha Image: Gandhara and Colonialism vs. Mathura and Anti-colonialism? (lire en ligne)
(en) Elizabeth Errington, Ancient India and Iran Trust et Fitzwilliam Museum, The Crossroads of Asia: transformation in image and symbol in the art of ancient Afghanistan and Pakistan, Ancient India and Iran Trust, , 57-59 p. (ISBN9780951839911, lire en ligne)
(en) Elizabeth Errington, Ancient India and Iran Trust et Fitzwilliam Museum, The Crossroads of Asia: transformation in image and symbol in the art of ancient Afghanistan and Pakistan, Ancient India and Iran Trust, (ISBN9780951839911, lire en ligne), p. 59
A Global History of Architecture, Francis D.K. Ching, Mark M. Jarzombek, Vikramaditya Prakash, John Wiley & Sons, 2017 p. 570ff
"Ashoka did build the Diamond throne at Bodh Gaya to stand in for the Buddha and to mark the place of his enlightenment" in A Global History of Architecture, Francis D.K. Ching, Mark M. Jarzombek, Vikramaditya Prakash, John Wiley & Sons, 2017 p. 570ff
Asoka, Mookerji Radhakumud Motilal Banarsidass Publisher, 1962 p. 18
Buddhist Architecture, Huu Phuoc Le, Grafikol, 2010 p. 240
Buddhist Architecture by Huu Phuoc Le, Grafikol, 2010 p. 44
Hellenism in Ancient India by Gauranga Nath Banerjee p. 90
(en) Falser, « The Graeco-Buddhist style of Gandhara – a ‘Storia ideologica’, or: how a discourse makes a global history of art », Journal of Art Historiography, vol. 13, (lire en ligne [PDF])