Le Monde de Narnia (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Le Monde de Narnia" in French language version.

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askfrance.me

crlamppost.org

  • (en-GB) « The Darkside of Narnia », The Guardian,‎ (lire en ligne).
  • (en-GB) « Susan, like Cinderella, is undergoing a transition from one phase of her life to another. Lewis didn't approve of that. He didn't like women in general, or sexuality at all, at least at the stage in his life when he wrote the Narnia books. He was frightened and appalled at the notion of wanting to grow up. » Pullman, Philip (1998), The Darkside of Narnia, The Guardian, [2].

elbakin.net

inklingsfocus.com

nottingham.ac.uk

scope.nottingham.ac.uk

  • Alec Charles, University of Bedfordshire, UK - 2007 « In his consideration of “Narnia as a Site of National Struggle”, Russell stressed that, for Anschutz, the decision 'to adapt C.S. Lewis's famous Christian allegory was emblematic of this agenda.' The film has posited itself as a 'selfless intervention' against an increasingly prevalent 'moral decay'. Lewis's tale comes therefore to be seen as an allegory not only of Christianity but also of the apocalyptic role of evangelical neoconservatives within an apparently divided America, and indeed of American crusaders within an apparently divided world: 'the children engage in a fraught battle for the spirit of the nation – which results in many years of benevolent rule. » (en-GB) [3]

sfgate.com

  • (en-US) Guthmann Edward, « 'Narnia' tries to cash in on dual audience », SFGate, San Francisco Chronicle,‎ (lire en ligne).

spu.edu

  • (en-US) Clint Kelly, « Dear Mr. Lewis : The Narnia Author and His Young Readers », Response, vol. 29, no 1,‎ (lire en ligne, consulté le ) :

    « The seven books of Narnia have sold more than 100 million copies in 30 languages, nearly 20 million in the last 10 years alone. »

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theguardian.com

  • (en-GB) Polly Toynbee, « 'Narnia represents everything that is most hateful about religion' », The Guardian,‎ (lire en ligne).

time.com

  • (en-GB) « There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex, I have a big problem with that. » Grossman, Lev (2005), J. K. Rowling Hogwarts And All, Time 166 (en-US) [1].