It is not fashionable these days to praise the work of Ernest Hemingway......He is so very incorrect, except in this: he gave the century a way of making literary art that dealt with the remarkable violence of our time. He listened and watched and invented the language - using the power, the terror, of silences - with which we could name ourselves......Hemingway's work demonstrates that the making of art is a matter of life and death, no less." in Busch, Frederick : Reading Hemingway Without Guilt, The New York Times, January 12, 1992 url=https://query.nytimes.com/gst/fullpage.html?res=9E0CE1DB1E3BF931A25752C0A964958260&
