Live coding (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Live coding" in French language version.

refsWebsite

Global rank French rank

2hfbk.net

low place

2qut.edu.au

8,570^th place

low place

1doi.org

2^nd place

3^rd place

1princeton.edu

741^st place

1,215^th place

1brown.edu

2,481^st place

3,695^th place

1web.archive.org

1^st place

1yaxu.org

low place

1bbc.co.uk

8^th place

42^nd place

1creativeapplications.net

low place

1computinged.wordpress.com

low place

1wertlos.org

low place

1moso.com.au

low place

1runme.org

low place

1overtone.github.io

low place

1github.com

383^rd place

397^th place

1raphaelforment.fr

low place

bbc.co.uk

news.bbc.co.uk

« Tech Know: Programming, meet music », BBC News,‎ 28 août 2009 (lire en ligne, consulté le 25 mars 2010)

brown.edu

wiki.brown.edu

Collins, N. (2003) "Generative Music and Laptop Performance « Copie archivée » (version du 22 juillet 2018 sur Internet Archive)", Contemporary Music Review 22(4):67–79.

computinged.wordpress.com

Mark Guzdial, « What students get wrong when building computational physics models in Python: Cabellero thesis part 2 » (consulté le 5 février 2013)

creativeapplications.net

« Communion by Universal Everything and Field.io: interview » (consulté le 5 février 2013)

doi.org

dx.doi.org

Collins, N., McLean, A., Rohrhuber, J. & Ward, A. (2003), "Live Coding in Laptop Performance", Organised Sound 8(3): 321–30. DOI 10.1017/S135577180300030X

github.com

« Bonzomatic »

hfbk.net

akustik.hfbk.net

Collins, N., McLean, A., Rohrhuber, J. & Ward, A. (2003), "Live Coding in Laptop Performance", Organised Sound 8(3): 321–30. DOI 10.1017/S135577180300030X
(en) Julian Rohrhuber, Artificial, Natural, Historical in Transdisciplinary Digital Art. Sound, Vision and the New Screen, Springer Berlin Heidelberg, 2008, 60–70 p. (lire en ligne)

moso.com.au

impromptu.moso.com.au

Sorensen, A. (2010). A distributed memory for networked livecoding performance. In Proceedings of International Computer Music Conference 2010.

overtone.github.io

princeton.edu

soundlab.cs.princeton.edu

Wang G. & Cook P. (2004) "On-the-fly Programming: Using Code as an Expressive Musical Instrument", In Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME) (New York: NIME, 2004).

qut.edu.au

eprints.qut.edu.au

Sorensen, A & Gardner, H (2010) "Programming With Time: Cyberphysical Programming In Impromptu, In proceedings of the ACM Splash Conference 2010"
Sorensen, A. (2005). Impromptu : an interactive programming environment for composition and performance, In proceedings of the Australasian Computer Music Conference 2005

raphaelforment.fr

sardine.raphaelforment.fr

« Presentation - Sardine Documentation », sur sardine.raphaelforment.fr (consulté le 2 août 2023)

runme.org

art.runme.org

Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and Alexander, A. (2004). Live algorithm programming and a temporary organisation for its promotion. In Goriunova, O. and Shulgin, A., editors, read_me - Software Art and Cultures.

web.archive.org

Collins, N. (2003) "Generative Music and Laptop Performance « Copie archivée » (version du 22 juillet 2018 sur Internet Archive)", Contemporary Music Review 22(4):67–79.

wertlos.org

Rohrhuber, J., A. de Campo, R. Wieser, J.-K. van Kampen, E. Ho, and H. Hölzl (2007). Purloined letters and distributed persons. In Music in the Global Village Conference 2007.

yaxu.org

McLean, A., Griffiths, D., Collins, N., and Wiggins, G. (2010). Visualisation of live code. In Electronic Visualisation and the Arts London 2010.