Antoine Buffard et Fouad Bencheman, Tutorials Djing: L'ultimate pour apprendre à mixer Djing, Hachette Pratique, , 320p. (ISBN978-2-01-702744-7, lire en ligne), p.127
(en) Iben Have et Birgitte Stougaard Pedersen, Digital Audiobooks: New Media, Users, and Experiences, New York (NY) et Oxon (UK), Routledge, , 176p. (ISBN978-1-317-58807-8, lire en ligne), p.66
(en) Nia Cross, «Technology vs. The Music Industry: Analysis of the legal and technological implications of MP3 technology on the Music Industry», Berkman Klein Center for Internet & Society, (lire en ligne)
N. Jayant, J. Johnston et R. Safranek, «Signal compression based on models of human perception», Proceedings of the IEEE, vol.81, no10, , p.1385–1422 (ISSN0018-9219, DOI10.1109/5.241504, lire en ligne, consulté le )
Bernard Cova et Véronique Cova, «Tribal marketing: The tribalisation of society and its impact on the conduct of marketing», European Journal of Marketing, vol.36, nos5/6, , p.595–620 (ISSN0309-0566, DOI10.1108/03090560210423023, lire en ligne, consulté le )
Reebee Garofalo, «From Music Publishing to MP3: Music and Industry in the Twentieth Century», American Music, vol.17, no3, , p.318–354 (DOI10.2307/3052666, lire en ligne, consulté le )
Joel Waldfogel, «Music file sharing and sales displacement in the iTunes era», Information Economics and Policy, special Issue: Digital Piracy, vol.22, no4, , p.306–314 (DOI10.1016/j.infoecopol.2010.02.002, lire en ligne, consulté le )
Piet Bakker, «File-sharing—fight, ignore or compete: Paid download services vs. P2P-networks», Telematics and Informatics, copyright: rights-holders, user and innovators, vol.22, nos1–2, , p.41–55 (DOI10.1016/j.tele.2004.06.004, lire en ligne, consulté le )
Kostas Kasaras, «Music in the Age of Free Distribution: MP3 and Society», First Monday, vol.7, no1, (DOI10.5210/fm.v7i1.927, lire en ligne, consulté le )
Martin Peitz et Patrick Waelbroeck, «Why the music industry may gain from free downloading — The role of sampling», International Journal of Industrial Organization, vol.24, no5, , p.907–913 (DOI10.1016/j.ijindorg.2005.10.006, lire en ligne, consulté le )
Bernard Cova et Véronique Cova, «Tribal marketing: The tribalisation of society and its impact on the conduct of marketing», European Journal of Marketing, vol.36, nos5/6, , p.595–620 (ISSN0309-0566, DOI10.1108/03090560210423023, lire en ligne, consulté le )
(en) «mp3», sur Fraunhofer Institute for Integrated Circuits IIS (consulté le ) : «On April 23, 2017, Technicolor's mp3 licensing program for certain mp3 related patents and software of Technicolor and Fraunhofer IIS has been terminated.»
N. Jayant, J. Johnston et R. Safranek, «Signal compression based on models of human perception», Proceedings of the IEEE, vol.81, no10, , p.1385–1422 (ISSN0018-9219, DOI10.1109/5.241504, lire en ligne, consulté le )
N. Jayant, J. Johnston et R. Safranek, «Signal compression based on models of human perception», Proceedings of the IEEE, vol.81, no10, , p.1385–1422 (ISSN0018-9219, DOI10.1109/5.241504, lire en ligne, consulté le )
(en) Kostas Kasaras, «Music in the Age of Free Distribution: MP3 and Society», First Monday, vol.7, (ISSN1396-0466, lire en ligne)
(en) Robert V. Kozinets, «E-Tribalized Marketing?: The Strategic Implications of Virtual Communities of Consumption», European Management Journal, vol.17, (ISSN0263-2373)
Bernard Cova et Véronique Cova, «Tribal marketing: The tribalisation of society and its impact on the conduct of marketing», European Journal of Marketing, vol.36, nos5/6, , p.595–620 (ISSN0309-0566, DOI10.1108/03090560210423023, lire en ligne, consulté le )
(en) Ulrich Dolta, «The Music Industry and the Internet A Decade of Disruptive and Uncontrolled Sectoral Change», University of Stuttgart, Institute of Social Sciences, (ISSN2191-4990, lire en ligne)
(en) Gary Graham, Bernard Burnes, Gerard J. Lewis et Janet Langer, «The transformation of the music industry supply chain», International Journal of Operations & Production Management, vol. 24, no 11, , p.1087-1103 (ISSN0144-3577)
Reebee Garofalo, «From Music Publishing to MP3: Music and Industry in the Twentieth Century», American Music, vol.17, no3, , p.318–354 (DOI10.2307/3052666, lire en ligne, consulté le )
Joel Waldfogel, «Music file sharing and sales displacement in the iTunes era», Information Economics and Policy, special Issue: Digital Piracy, vol.22, no4, , p.306–314 (DOI10.1016/j.infoecopol.2010.02.002, lire en ligne, consulté le )
Piet Bakker, «File-sharing—fight, ignore or compete: Paid download services vs. P2P-networks», Telematics and Informatics, copyright: rights-holders, user and innovators, vol.22, nos1–2, , p.41–55 (DOI10.1016/j.tele.2004.06.004, lire en ligne, consulté le )
Martin Peitz et Patrick Waelbroeck, «Why the music industry may gain from free downloading — The role of sampling», International Journal of Industrial Organization, vol.24, no5, , p.907–913 (DOI10.1016/j.ijindorg.2005.10.006, lire en ligne, consulté le )
Kostas Kasaras, «Music in the Age of Free Distribution: MP3 and Society», First Monday, vol.7, no1, (DOI10.5210/fm.v7i1.927, lire en ligne, consulté le )
(en) Ulrich Dolta, «The Music Industry and the Internet A Decade of Disruptive and Uncontrolled Sectoral Change», University of Stuttgart, Institute of Social Sciences, (ISSN2191-4990, lire en ligne)