(en) Chinthaka Prageeth Meddegoda, « Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology? », Asian-European Music Research Journal, vol. 6, , p. 41–50 (DOI10.30819/aemr.6-3, lire en ligne, consulté le )
(en) Dr (Mrs) Suhanya Aravinthon, « Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A », Smrti, The Department of Indian Music, School of Fine & Performing Arts, University of Madras, vol. I, no 1, (ISSN2583-0309, DOI10.5281/ZENODO.6550640, lire en ligne, consulté le )
(en) Dr (Mrs) Suhanya Aravinthon, « Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A », Smrti, The Department of Indian Music, School of Fine & Performing Arts, University of Madras, vol. I, no 1, (ISSN2583-0309, DOI10.5281/ZENODO.6550640, lire en ligne, consulté le )
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(en) Chinthaka Prageeth Meddegoda, « Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology? », Asian-European Music Research Journal, vol. 6, , p. 41–50 (DOI10.30819/aemr.6-3, lire en ligne, consulté le )
(en) A. Jeyaratnam Wilson, Sri Lankan Tamil nationalism : its origins and development in the nineteenth and twentieth centuries, UBC Press, , 224 p. (ISBN0-7748-0759-8, 978-0-7748-0759-3 et 0-7748-0760-1, OCLC41467484, lire en ligne), « Language, Poetry; Culture and Tamil Nationalism », p. 36
(en) Dr (Mrs) Suhanya Aravinthon, « Roots of Carnatic Music in Sri Lanka - Artistic interrelations between Sri Lanka and South India A », Smrti, The Department of Indian Music, School of Fine & Performing Arts, University of Madras, vol. I, no 1, (ISSN2583-0309, DOI10.5281/ZENODO.6550640, lire en ligne, consulté le )