NWA (groupe) (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "NWA (groupe)" in French language version.

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  • (en) Terri M. Adams et Douglas B. Fuller, « The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music », Journal of Black Studies, vol. 36, no 6,‎ , p. 938–957 (ISSN 0021-9347 et 1552-4566, DOI 10.1177/0021934704274072, lire en ligne, consulté le )
  • (en) Amanda Nell Edgar, « Commenting Straight from the Underground: N.W.A., Police Brutality, and YouTube as a Space for Neoliberal Resistance », Southern Communication Journal, vol. 81, no 4,‎ , p. 223–236 (ISSN 1041-794X et 1930-3203, DOI 10.1080/1041794X.2016.1200123, lire en ligne, consulté le )

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books.google.fr

  • (en) Gerrick D. Kennedy, Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap, Simon and Schuster, , 6 p. (ISBN 978-1-5011-3493-7, lire en ligne) :

    « Of the many big bangs that have transformed rap over the decades, N.W.A’s Straight Outta Compton is one of the loudest. It was a sonic Molotov cocktail that ignited a firestorm when it debuted in the summer of 1988. Steered by Dr. Dre and DJ Yella’s dark production and Ice Cube and MC Ren’s striking rhymes, and brought to life by Eazy-E’s wicked charm, the record fused the bombastic sonics of Public Enemy’s production with vicious lyrics that were revolutionary or perverse, depending on whom you asked. »

  • (en) Bryan J. McCann, The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, University of Alabama Press, (ISBN 978-0-8173-1948-9, lire en ligne)

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  • (en) Terri M. Adams et Douglas B. Fuller, « The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music », Journal of Black Studies, vol. 36, no 6,‎ , p. 938–957 (ISSN 0021-9347 et 1552-4566, DOI 10.1177/0021934704274072, lire en ligne, consulté le )
  • (en) Amanda Nell Edgar, « Commenting Straight from the Underground: N.W.A., Police Brutality, and YouTube as a Space for Neoliberal Resistance », Southern Communication Journal, vol. 81, no 4,‎ , p. 223–236 (ISSN 1041-794X et 1930-3203, DOI 10.1080/1041794X.2016.1200123, lire en ligne, consulté le )

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  • « The 500 Greatest Albums of All Time », Rolling Stone,‎ (lire en ligne, consulté le )

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  • (en) Terri M. Adams et Douglas B. Fuller, « The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music », Journal of Black Studies, vol. 36, no 6,‎ , p. 938–957 (ISSN 0021-9347 et 1552-4566, DOI 10.1177/0021934704274072, lire en ligne, consulté le )

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  • Natalie Wilson, « Rap Music as a Positive Influence on Black Youth and American Politics », Pop Culture Intersections,‎ (lire en ligne, consulté le )

slantmagazine.com

tandfonline.com

  • (en) Amanda Nell Edgar, « Commenting Straight from the Underground: N.W.A., Police Brutality, and YouTube as a Space for Neoliberal Resistance », Southern Communication Journal, vol. 81, no 4,‎ , p. 223–236 (ISSN 1041-794X et 1930-3203, DOI 10.1080/1041794X.2016.1200123, lire en ligne, consulté le )

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