(en) Kamille T. H. Parkinson, « Philip John Bainbrigge et le groupe de 1838 : paysages impériaux et scène artistique coloniale au Canada » [« Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada »] [archive du ], sur Université Queen's, (consulté le ) : « The author argues that, while Bainbrigge was part of the picturesque tradition and therefore engaged with picturesque imperialism while in Canada, his non-picturesque views are equally as engaged due to changes in professional art practice during this period. The author also examines Bainbrigge's influence within a circle of painters sometimes knows as the Group of 1838. »
(en) « Biographie de Philip John BAINBRIGGE » [« Biography of Philip John BAINBRIGGE »] [archive du ], sur Galerie Valentin (consulté le ) : « Like many British officer- painters, Philip J. Bainbrigge received his artistic training at the Royal Military Academy at Woolwich. There, he was instructed in the proper use of perspective and in the handling of light and shade, and he employed these techniques with an ease and spontaneity well-suited to the principles of landscape painting. His rather individual style, while in accordance with the artistic trends of the time, resulted in watercolours that are quite distinctive. »
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(en) « Biographie de Philip John BAINBRIGGE » [« Biography of Philip John BAINBRIGGE »] [archive du ], sur Galerie Valentin (consulté le ) : « Like many British officer- painters, Philip J. Bainbrigge received his artistic training at the Royal Military Academy at Woolwich. There, he was instructed in the proper use of perspective and in the handling of light and shade, and he employed these techniques with an ease and spontaneity well-suited to the principles of landscape painting. His rather individual style, while in accordance with the artistic trends of the time, resulted in watercolours that are quite distinctive. »
(en) Kamille T. H. Parkinson, « Philip John Bainbrigge et le groupe de 1838 : paysages impériaux et scène artistique coloniale au Canada » [« Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada »] [archive du ], sur Université Queen's, (consulté le ) : « The author argues that, while Bainbrigge was part of the picturesque tradition and therefore engaged with picturesque imperialism while in Canada, his non-picturesque views are equally as engaged due to changes in professional art practice during this period. The author also examines Bainbrigge's influence within a circle of painters sometimes knows as the Group of 1838. »
