Photographie low-key (French Wikipedia)

Analysis of information sources in references of the Wikipedia article "Photographie low-key" in French language version.

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121clicks.com

abc.net.au

  • (en) « Bill Henson's photographic work seized from gallery by police », www.abc.net.au,‎ (lire en ligne, consulté le )

archive.org

archives.gov

beetlesandhuxley.com

books.google.com

  • Gillian McIver, Art History for Filmmakers: The Art of Visual Storytelling, Bloomsbury Publishing, (ISBN 978-1-4742-4620-0, lire en ligne), p. 41
  • Brett Abbott et Edward Weston, Edward Weston: Photographs from the J. Paul Getty Museum, Getty Publications, (ISBN 978-0-89236-809-9, lire en ligne), p. 130 :

    « "[...] black face like that and a black background and pull it of in direct sunlight – and that is a challenge." »

  • Katherine A. Dettwyler, Cultural Anthropology & Human Experience: The Feast of Life, Waveland Press, , 344–345 p. (ISBN 978-1-4786-0853-0, lire en ligne)

dictionary.com

digital-photography-school.com

digitalphotopro.com

doi.org

dx.doi.org

  • Rzepinska et Malcharek, « Tenebrism in Baroque Painting and Its Ideological Background », Artibus et Historiae, vol. 7, no 13,‎ , p. 91–112 (DOI 10.2307/1483250, JSTOR 1483250)

economist.com

  • « Yousuf Karsh », The Economist,‎ (lire en ligne)

etymonline.com

fstoppers.com

hifructose.com

  • « Juha Arvid Helminen's Photography Series "The Invisible Empire" Criticizes the Power of Uniforms », Hi-Fructose Magazine,‎ (lire en ligne, consulté le )

iconicphotos.org

jstor.org

  • Rzepinska et Malcharek, « Tenebrism in Baroque Painting and Its Ideological Background », Artibus et Historiae, vol. 7, no 13,‎ , p. 91–112 (DOI 10.2307/1483250, JSTOR 1483250)

juhaarvidhelminen.com

lensmagazine.net

lightstalking.com

magzter.com

  • « Israeli Lens », Lens Magazine, Israeli Art Market, no 7,‎ , p. 16–17, 50–51, 208–209 (lire en ligne, consulté le )

nationalgallery.org.uk

nytimes.com

  • (en) Andy Grundberg, « PHOTOGRAPHY: A RETROSPECTIVE OF KARSH PORTRAITS », The New York Times,‎ (lire en ligne, consulté le ) :

    « In a typical Karsh photograph, the sitter's visage emerges from a black background so dense and velvety that it could be poured on a sundae. »

ottawacitizen.com

  • Blair Crawford, « The Capital Builders: How 'Karsh of Ottawa' captured the world's most famous people in photos », Ottawa Citizen,‎ (lire en ligne)

shutterstoppers.com

time.com

virginiachronicle.com

  • « A Musical Definition », Genius of Liberty, vol. 14, no 42,‎ (lire en ligne, consulté le ) :

    « A gentleman, whose real name was George Sharp, but who generally went by the appellation, amongst his musical friends, of G sharp, on entering the company, and looking rather dull, a common friend observed that Mr. G. Sharp, was rather on a low key, that evening.—"O," replied a lady, with a good deal of naivette, "every body knows that G sharp is A flat." »

washingtoncitypaper.com

  • (en) Louise Jacobson, « At the National Portrait Gallery, Intimate Jazz Portraits by Herman Leonard », Washington City Paper,‎ 25 aot 2016 (lire en ligne, consulté le )

web.archive.org

yourdictionary.com

biography.yourdictionary.com

  • (en) « Yousuf Karsh Facts », biography.yourdictionary.com (consulté le )