(en) Dan Sicko, Techno Rebels : The Renegades of Electronic Funk, Detroit, Michigan, Billboard Books, , 2e éd. (1re éd. 1999), 163 p. (ISBN978-0-8143-3438-6, lire en ligne), p. 99
(en) Dan Sicko, Techno Rebels : The Renegades of Electronic Funk, Detroit, Michigan, Billboard Books, , 2e éd. (1re éd. 1999), 163 p. (ISBN978-0-8143-3438-6, lire en ligne), p. 44
(en) Vladimir Bogdanov, All music guide to electronica : the definitive guide to electronic music, Londres, Backbeat Books, , 670 p. (ISBN0-87930-628-9, lire en ligne), p. 238-239, 400
(en) « I walked into a club to know if we could throw a party, and walked out with a DJ job » Richie Hawtin, inMarisa Fox, « Hawtin gives his Plastikman a soul », Billboard, vol. 107, no 3, , p. 25 (ISSN0006-2510, lire en ligne)
(en) Simon Reynolds, Generation ecstasy: into the world of techno and rave culture, Routledge, , 456 p. (ISBN0-415-92373-5, lire en ligne), p. 225-230
Rob Beeston, « Sound, technics, energy: (consumption) », Sociological review monograph, (ISSN0081-1769)in(en) Nick Lee (dir.) et Rolland Munro (dir.), The consumption of mass, Blackwell Publishers, 234 p. (ISBN978-0-631-22819-6 et 0-631-22819-5, lire en ligne), p. 73-96
(en) « Daniel mentored John Acquaviva and I (and countless others) without even knowing it. Mute has always been a powerhouse of creativity that has given a platform to hundreds of artists for their own unique vision. We watched his and Mute's actions, what they were doing, how they were doing it, deconstructed it, decoded it and assimilated what 'we thought they were doing' into our own brand and label those ideals are at the very foundation of what I continue to do today. », in« Prepare to be Plasticised; Richie Hawtin's alter-ego Plastikman on 1.5 duty », sur Ibiza Voice, .
(en) « When we founded Beatport, we felt it important to bring in DJs who could represent Beatport as ambassadors as well as partners. Rich and John are partners because of their relationship with Final Scratch and Bill because of our relationship with him. They have all contributed greatly to Beatport's success and are heavily involved in the business planning cycles. » Jonas Tempel, PDG de Beatport, in« Beatport turns 5: Inside the mind of Jonas Tempel, CEO », sur Ibiza Voice, .
issn.org
portal.issn.org
(fr + en) Jacqueline Caux, « Les deux visages de Richie Hawtin / The two faces of Plastikman », Art Press, no 271, , p. 33-37 (ISSN0245-5676, lire en ligne)
Bastien Gallet, « The music of my mind : entretien avec Richie Hawtin », Musica Falsa, no 19, , p. 13 (ISSN1284-4578, lire en ligne)
(en) « I walked into a club to know if we could throw a party, and walked out with a DJ job » Richie Hawtin, inMarisa Fox, « Hawtin gives his Plastikman a soul », Billboard, vol. 107, no 3, , p. 25 (ISSN0006-2510, lire en ligne)
Rob Beeston, « Sound, technics, energy: (consumption) », Sociological review monograph, (ISSN0081-1769)in(en) Nick Lee (dir.) et Rolland Munro (dir.), The consumption of mass, Blackwell Publishers, 234 p. (ISBN978-0-631-22819-6 et 0-631-22819-5, lire en ligne), p. 73-96
Sonia Desprez, « Plastikman, innovateur et archiviste », À Nous Paris, no 504, , p. 34 (ISSN1294-4572, lire en ligne)
(en) « In fact, some North American D.J.'s and producers like Richie Hawtin have moved to Germany because the climate for electronic music is more supportive. »in(en) Simon Reynolds, « The Turn Away From the Turntable », The New York Times, (ISSN0362-4331, lire en ligne)
Florent Coste, Arnaud Fossier et Thomas Mondémé, « This is not just music, it's techno : Entretien avec Laurent Garnier », Tracés, ENS Éditions, no 16 « Techno- », , p. 256 (ISSN1963-1812)
(fr + en) Jacqueline Caux, « L'inconscient machinique de Detroit / The Agony and the Ecstasy: Motown's Techno Unconscious », Art Press, no 260, , p. 34-37 (ISSN0245-5676, lire en ligne)
(fr + en) Jacqueline Caux, « Les deux visages de Richie Hawtin / The two faces of Plastikman », Art Press, no 271, , p. 33-37 (ISSN0245-5676, lire en ligne)
(fr + en) Jacqueline Caux, « L'inconscient machinique de Detroit / The Agony and the Ecstasy: Motown's Techno Unconscious », Art Press, no 260, , p. 34-37 (ISSN0245-5676, lire en ligne)
latimes.com
(en) Richie Hawtin : « What [Clarke and Gore] did was so revolutionary. [...]They were so great at bookending pop songs with an experimental, underground approach.... Without them, there would be no Plastikman, and they haven't rested on their laurels yet. »in(en) Matt Diehl, « VCMG's 'Ssss': Martin Gore, Vince Clarke reunite for techno album », Los Angeles Times, (lire en ligne)
(en) « In fact, some North American D.J.'s and producers like Richie Hawtin have moved to Germany because the climate for electronic music is more supportive. »in(en) Simon Reynolds, « The Turn Away From the Turntable », The New York Times, (ISSN0362-4331, lire en ligne)
