(en) US Archive.is "Playlist – Peter Hook’s “Field recordings". Q magazine. 23 avril 2013. Consulté le 10 janvier 2017. "Siouxsie and the Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing". Archivé à Archive.is. Archive consultée le 3 mars 2016.
archive.is
"Twenty Minutes into Twenty Years". Recordcollectormag.com. Octobre 2007. Consulté le 2 juillet 2020. archivé à archive.is. "The Banshees recorded a John Peel session which went out on 5 December and became one of the most requested in the show’s history".
« The 1975’s Matty Healy in conversation with Bobby Gillespie », theface.com/, (consulté le ) : « The last great rock bands were Siouxsie and the Banshees, the Buzzcocks and Joy Division. And those three bands were the best post-punk bands for me. The ideas in the music and the lyrics for those three bands completely influenced Primal Scream. » archivé à archive.is
(en) « Jim Reid Duration: 1 hour », BBC Radio 6, (consulté le ) : « Jim Reid of The Jesus and Mary Chain plays some of his favourite records, including tracks by Pink Floyd, Siouxsie & the Banshees, The Monkees and Muddy Waters ».
Peter Buckley, "The Rough Guide to Rock". 2003. Penguin books. "Siouxsie and the Banshees began to build a wider audience and it was the vastly influential "Juju" (1981) that propelled them to the very front of the alternative-rock scene".
Rob Fitzpatrick, « Robert Smith interview », The Word, (consulté le ) : « I played with the Banshees through our first tour, and it allowed me to think beyond what we were doing. I wanted to have a band that does what Steve Severin and Budgie do, where they just get a bassline and the drum part and Siouxsie wails. ».
(en) Steve Appleford, « Checking In With... PJ Harvey In a New York State of Mind [interview] », Los Angeles Times, (consulté le ) : « Q: Was there any figure who connected with you when you were just a listener? A: It's hard to beat Siouxsie Sioux, in terms of live performance. She is so exciting to watch, so full of energy and human raw quality. ».
"Johnny Marr Top Ten Guitarists". Morrissey-solo.com. Novembre 2004. Consulté le 5 mai 2011. NO.10 John McGeoch. Johnny Marr picks; Magazine "Real Life"(1978) / Siouxsie And The Banshees "Juju"(1981).
Radiohead Biographie officielle MuchMusic.com - Extrait : « Colin Greenwood remembers : The running joke when we were making this record was that if we recorded a track that stretched over 3mn 50 sec., we'd say "Oh fuck, we've buggered it then. It's gone on too long." Of course, the irony is that the first single we're releasing is actually the longest song on the record. (There There). It was all recorded live in Oxford. We all got excited at the end because Nigel was trying to get Jonny to play like John McGeoch in Siouxsie And The Banshees. All the old farts in the band were in seventh heaven. ».
(en) Depeche Mode, Smash Hits (Royaume-Uni), 7 mars 1990, In February 1986 Dave Gahan reviewed the Smash Hits singles. Single of the fortnight was “Candyman” by Siouxsie & The Banshees (remember that, don’t you?).
pitchfork.com
(en) "A Life Less Lived: The Gothic Box". Pitchfork. 24 janvier 2007, Consulté le 3 mars 2014. "Ils commencent (leur compilation) avec des classiques de groupes qui étaient les parrains du rock gothique -- Joy Division, the Cure, Bauhaus, Siouxsie & the Banshees --. (They start with familiar classics from the bands who turned out to be goth's godfathers-- Joy Division, the Cure, Bauhaus, Siouxsie & the Banshees--).
(en) Ryan Dombal, « Radiohead interview », Pitchfork, (consulté le ) : « In rehearsals yesterday, Thom, Ed and I were running through a Siouxsie and the Banshees cover called "Happy House". ».
(en) Larry Fitzmaurice. Air The French electronic duo. Pitchfork.com. 31 janvier 2012. When I was 15… I discovered Kraftwerk, Siouxsie and the Banshees, New Order.
"Twenty Minutes into Twenty Years". Recordcollectormag.com. Octobre 2007. Consulté le 2 juillet 2020. archivé à archive.is. "The Banshees recorded a John Peel session which went out on 5 December and became one of the most requested in the show’s history".
"Bloc Party interview". Soundofviolence. 25 octobre 2008. consulté le 18-3-2012. "Quand je pense à des groupes comme les Talking Heads ou Siouxsie and the Banshees qui ont su se diversifier de manière constante, je me dis que nous sommes également sur la bonne voie et que notre évolution artistique est une bonne chose.".
theface.com
« The 1975’s Matty Healy in conversation with Bobby Gillespie », theface.com/, (consulté le ) : « The last great rock bands were Siouxsie and the Banshees, the Buzzcocks and Joy Division. And those three bands were the best post-punk bands for me. The ideas in the music and the lyrics for those three bands completely influenced Primal Scream. » archivé à archive.is
thequietus.com
LCD soundsystem a repris le titre de Siouxsie Slowdive(1982) en face-b de "Disco Infiltrator". "Slowdive" a aussi été le dernier morceau sur la setlist de concerts de LCD Soundsystem en 2005, voir ce reportage/interview de John Doran "Disco Infiltrated: An Early LCD Soundsystem Interview" thequietus.com. Consulté le 5 janvier 2016.
thetimes.co.uk
(en) Nigel Williamson, «Siouxsie & the Banshees», The Times (archive payante sur le site du Times), 27 novembre 2004. Consulté le 12-12-2011. "with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation".
u2wanderer.org
U2 Wanderer.org U2 a sélectionné Christine pour une compilation destinée aux lecteurs du mensuel Mojo.
Hazel Cillshow, "How Marie Antoinette's Soundtrack Became a Classic". Mtv.com. 10/10/2016. "Coppola paired the pretty, pale luxury of Versailles with the sound of new wave acts like [...] Siouxsie and the Banshees".
Scott Lapatine, Beta Band'interview, Earlash, avril 2004. Consulté le 5-5-2013.
(en) « DeVothcka biography » (version du sur Internet Archive), p. The Curse Your Little Heart EP showcases the band's versatility, reinterpreting tracks by the Velvet Underground, Frank Sinatra, Siouxsie and the Banshees, and others, in addition to taking on one of their own older songs. Could the band itself even have predicted what would transpire from the Arcade Fire's Win Butler's suggestion to the band that they take on 'Last Beat of My Heart?' The end result is the center-piece of the EP, a grand and soaring take on the song; a testament to the band's true unique ability to transform nearly anything via a sound only DeVotchka can create, and perhaps a look at the epic nature of where the band's own recordings may move in the future..
(en) Josh O'Kane. "Talking Bloc during Harvest Jazz, Bloc Party frontman Kele Okereke talks life, love, music and Ultimate Fighting.". "[Here] New Brunswick". 18 septembre 2008, consulté le 17-3-2012. "With the new record, he said he was inspired by a song written years ago by Siouxsie and the Banshees called Peek-a-boo. "I heard it for the first time, and it sounded like nothing else on this planet. This is just a pop song that they put out in the middle of their career that nobody knows about, but to me it sounded like the most current but most futuristic bit of guitar-pop music I've heard. I thought, that'd be cool, to make music that people might not get at the time, but in ten years' time, people would revisit it." (traduction) "Avec le nouvel album, il [Kele Okereke] a dit qu'il s'est inspiré d'une chanson composée il y a des années par Siouxsie and the Banshees qui a pour titre Peek-a-Boo. La première fois que je l'ai entendue, ça ne ressemblait à rien d'autre sur cette planète. C'est une chanson une chanson pop qu'ils ont publié au milieu de leur carrière that peu de personnes connaissent, mais pour moi, elle sonnait comme le morceau de la pop musique avec guitare le plus futuriste et actuel que j'ai entendu.".
BBC2 the story of John McGeoch featuring Johnny Marr, À propos de la performance de McGeoch sur le single Spellbound, Marr déclare : It's so clever. He's got this really good picky thing going on which is very un-rock'n'roll and this actual tune he's playing is really quite mysterious. Radio 2’s Pete Mitchell talks to Howard Devoto, Siouxsie Sioux and Johnny Marr among others, as he shines a light on the life of this unsung guitar hero.
