Tese de Hockney–Falco (Galician Wikipedia)

Analysis of information sources in references of the Wikipedia article "Tese de Hockney–Falco" in Galician language version.

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archive.org

Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. PMID 15597983. doi:10.1038/scientificamerican1204-76.
Partner, Jane (2002). "Review: David Hockney: Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". Cambridge Quarterly 31 (4): 345–9. doi:10.1093/camqtly/31.4.345.
Smith, Mark (2015). From Sight to Light: The Passage from Ancient to Modern Optics. Chicago: University of Chicago Press. pp. 318. ISBN 9780226174761.
Ilardi, Vincent (2007). Renaissance Vision, From Spectacles to Telescopes. Memoirs of the American Philosophical Society. American Philosophical Society. pp. 197–9. ISBN 978-0-87169-259-7.

arizona.edu

optics.arizona.edu

Charles Falco, FAQ (consultado o 16 de marzo de 2007). Arquivado 20 de febreiro de 2007 en Wayback Machine.
Charles Falco. "Objections". Arquivado dende o orixinal o 25 de xuño de 2009. Consultado o 2 de abril de 2008.

books.google.com

Ihde, Don (2008). "Art Precedes Science: or Did the Camera Obscura Invent Modern Science?". En Schramm, Helmar; Schwarte, Ludger; Lazardzig, Jan. Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century. Walter de Gruyter. pp. 384–393. ISBN 978-3-11-020240-3.
Huerta, Robert D. (2003). Giants of Delft: Johannes Vermeer and the Natural Philosophers : the Parallel Search for Knowledge During the Age of Discovery. Bucknell University Press. ISBN 978-0-8387-5538-9.
Hicks, Carola (2011). Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait. London: Chatto & Windus. ISBN 9780099526896.
Pendergrast, Mark (2009) [2003]. Mirror Mirror: A History of the Human Love Affair with Reflection. Basic Books. ISBN 978-0-7867-2990-6.

diatrope.com

Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Arquivado 2007-09-29 en Wayback Machine.
David G. Stork, FAQ (consultado o 16 de marzo de 2007).

doi.org

dx.doi.org

Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. PMID 15597983. doi:10.1038/scientificamerican1204-76.
Partner, Jane (2002). "Review: David Hockney: Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". Cambridge Quarterly 31 (4): 345–9. doi:10.1093/camqtly/31.4.345.
Falco, Charles M. (2007). "Ibn al-Haytham and the Origins of Modern Image Analysis". 9th International Symposium on Signal Processing and Its Applications, 2007. ISSPA 2007. IEEE. pp. 1–2. ISBN 978-1-4244-0778-1. doi:10.1109/ISSPA.2007.4555635.
Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature 440 (7081): 134. Bibcode:2006Natur.440..134D. PMID 16525432. doi:10.1038/440134a.
Stork, David G.; Duarte, Marco (2007). "Revisiting computer vision and art". IEEE Multimedia 14 (3): 108–9. doi:10.1109/MMUL.2007.62.
Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine 10 (2): 125–136. JSTOR 4130307. doi:10.1163/1573382054088141. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine 10 (2): 137–162. JSTOR 4130308. doi:10.1163/1573382054088187.

harvard.edu

adsabs.harvard.edu

Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. PMID 15597983. doi:10.1038/scientificamerican1204-76.
Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature 440 (7081): 134. Bibcode:2006Natur.440..134D. PMID 16525432. doi:10.1038/440134a.

jstor.org

Dupré, Sven (2005). "Introduction. The Hockney–Falco Thesis: Constraints and Opportunities". Early Science and Medicine 10 (2): 125–136. JSTOR 4130307. doi:10.1163/1573382054088141. pp. 128–135; quotation from p. 131
Schechner, Sara J. (2005). "Between Knowing and Doing: Mirrors and their Imperfections in the Renaissance". Early Science and Medicine 10 (2): 137–162. JSTOR 4130308. doi:10.1163/1573382054088187.

nih.gov

ncbi.nlm.nih.gov

Stork, David G. (December 2004). "Optics and realism in Renaissance art". Scientific American 291 (6): 76–84. Bibcode:2004SciAm.291f..76S. PMID 15597983. doi:10.1038/scientificamerican1204-76.
Dalton, Rex (2006). "Tempers blaze over artistic integrity". Nature 440 (7081): 134. Bibcode:2006Natur.440..134D. PMID 16525432. doi:10.1038/440134a.

nytimes.com

"The Mirrors Behind Rembrandt’s Self-Portraits" (en inglés). 13 de xullo de 2016. Consultado o 2018-10-18.

web.archive.org

Charles Falco, FAQ (consultado o 16 de marzo de 2007). Arquivado 20 de febreiro de 2007 en Wayback Machine.
Christopher W. Tyler, "Rosetta Stoned?" Diatrope.com Arquivado 2007-09-29 en Wayback Machine.
Charles Falco. "Objections". Arquivado dende o orixinal o 25 de xuño de 2009. Consultado o 2 de abril de 2008.