מיקי מאוס במחנה גירס (Hebrew Wikipedia)

Analysis of information sources in references of the Wikipedia article "מיקי מאוס במחנה גירס" in Hebrew language version.

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13doi.org

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11semanticscholar.org

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383^rd place

5books.google.com

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5gla.ac.uk

2,948^th place

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2degruyter.com

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books.google.com

Weiner & Fallwell 2010, p. 464. Weiner, Robert G.; Fallwell, Lynne (15 בדצמבר 2010). "Sequential Art Narrative and the Holocaust". In Friedman, Jonathan C. (ed.). The Routledge History of the Holocaust. Taylor & Francis. pp. 464–469. ISBN 978-1-136-87060-6. {{cite book}}: (עזרה)
Spiegelman 2011, p. 138. Spiegelman, Art (2011). MetaMAUS: A Look Inside a Modern Classic, MAUS. Pantheon Books. ISBN 978-0-375-42394-9.
Mulman 2010, p. 87. Mulman, Lisa Naomi (2010). "A Tale of Two Mice: Graphic Representations of the Jew in Holocaust Narrative". In Baskind, Samantha; Omer-Sherman, Ranen (eds.). The Jewish Graphic Novel: Critical Approaches. Rutgers University Press. pp. 85–93. ISBN 978-0-8135-4775-6.
Mulman 2010, p. 86. Mulman, Lisa Naomi (2010). "A Tale of Two Mice: Graphic Representations of the Jew in Holocaust Narrative". In Baskind, Samantha; Omer-Sherman, Ranen (eds.). The Jewish Graphic Novel: Critical Approaches. Rutgers University Press. pp. 85–93. ISBN 978-0-8135-4775-6.
Mulman 2010, p. 85. Mulman, Lisa Naomi (2010). "A Tale of Two Mice: Graphic Representations of the Jew in Holocaust Narrative". In Baskind, Samantha; Omer-Sherman, Ranen (eds.). The Jewish Graphic Novel: Critical Approaches. Rutgers University Press. pp. 85–93. ISBN 978-0-8135-4775-6.

degruyter.com

Chute 2016, p. 174. Chute, Hillary L. (2016). "Maus's Archival Images and the Postwar Comics Field". Disaster Drawn. Harvard University Press. pp. 153–196. doi:10.4159/9780674495647-006. ISBN 9780674495647 – via De Gruyter.
Chute 2016, p. 176. Chute, Hillary L. (2016). "Maus's Archival Images and the Postwar Comics Field". Disaster Drawn. Harvard University Press. pp. 153–196. doi:10.4159/9780674495647-006. ISBN 9780674495647 – via De Gruyter.

doi.org

Rosenberg 2002, Abstract. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Wedderburn 2018, p. 13. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Chute 2016, p. 174. Chute, Hillary L. (2016). "Maus's Archival Images and the Postwar Comics Field". Disaster Drawn. Harvard University Press. pp. 153–196. doi:10.4159/9780674495647-006. ISBN 9780674495647 – via De Gruyter.
Wedderburn 2018, pp. 14–15. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Rosenberg 2002, pp. 275–276. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Rosenberg 2002, pp. 278–279. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Wedderburn 2018, p. 180. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, p. 185. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Rosenberg 2002, p. 275. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Chute 2016, p. 176. Chute, Hillary L. (2016). "Maus's Archival Images and the Postwar Comics Field". Disaster Drawn. Harvard University Press. pp. 153–196. doi:10.4159/9780674495647-006. ISBN 9780674495647 – via De Gruyter.
Feinstein 2008, p. 71. Feinstein, Stephen (2008). "Art from the Concentration Camps: Gallows Humor and Satirical Wit". Journal of Jewish Identities. 1 (2): 53–75. doi:10.1353/jji.0.0029. S2CID 161489868.
Feinstein 2008, p. 58. Feinstein, Stephen (2008). "Art from the Concentration Camps: Gallows Humor and Satirical Wit". Journal of Jewish Identities. 1 (2): 53–75. doi:10.1353/jji.0.0029. S2CID 161489868.
Wedderburn 2018, p. 187. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.

gla.ac.uk

eprints.gla.ac.uk

Wedderburn 2018, p. 13. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, pp. 14–15. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, p. 180. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, p. 185. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, p. 187. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.

semanticscholar.org

api.semanticscholar.org

Rosenberg 2002, Abstract. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Wedderburn 2018, p. 13. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, pp. 14–15. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Rosenberg 2002, pp. 275–276. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Rosenberg 2002, pp. 278–279. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Wedderburn 2018, p. 180. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Wedderburn 2018, p. 185. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.
Rosenberg 2002, p. 275. Rosenberg, Pnina (2002). "Mickey Mouse in Gurs – humour, irony and criticism in works of art produced in the Gurs internment camp". Rethinking History: The Journal of Theory and Practice. 6 (3): 273–292. doi:10.1080/13642520210164508. S2CID 143675622.
Feinstein 2008, p. 71. Feinstein, Stephen (2008). "Art from the Concentration Camps: Gallows Humor and Satirical Wit". Journal of Jewish Identities. 1 (2): 53–75. doi:10.1353/jji.0.0029. S2CID 161489868.
Feinstein 2008, p. 58. Feinstein, Stephen (2008). "Art from the Concentration Camps: Gallows Humor and Satirical Wit". Journal of Jewish Identities. 1 (2): 53–75. doi:10.1353/jji.0.0029. S2CID 161489868.
Wedderburn 2018, p. 187. Wedderburn, Alister (2018). "Cartooning the Camp: Aesthetic Interruption and the Limits of Political Possibility" (PDF). Millennium: Journal of International Studies. 47 (2): 169–189. doi:10.1177/0305829818799884. S2CID 149585148.