Demers, Joanna (2006). „Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music25, 25, 401–414. o, Kiadó: Cambridge Univ Press. DOI:10.1017/S0261143006001012. „"In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…)”
doi.org
dx.doi.org
Demers, Joanna (2006). „Dancing Machines: 'Dance Dance Revolution', Cybernetic Dance, and Musical Taste”. Popular Music25, 25, 401–414. o, Kiadó: Cambridge Univ Press. DOI:10.1017/S0261143006001012. „"In terms of its song repertoire, DDR is rooted in disco and post-disco forms such as techno and house. But DDR can be read as the ultimate postmodern dance experience because the game displays various forms of dance imagery without stylistic or historical continuity (Harvey 1990, p. 62,…)”
slate.com
Reynolds, Simon (2009) Grunge's Long Shadow - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Hozzáférés ideje: 2-2-2009"
