Daftar film terlaris (Indonesian Wikipedia)
Analysis of information sources in references of the Wikipedia article "Daftar film terlaris" in Indonesian language version.
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ap.org
bigstory.ap.org
- Kennedy, Mark (September 22, 2014). "'The Lion King' Earns Record Box Office". Associated Press. Diarsipkan dari versi asli tanggal 2014-09-25. Diakses tanggal September 29, 2014.
archive.org
- Hall & Neale 2010, hlm. 179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible—in the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 358 Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Hall & Neale 2010, hlm. 6–7. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 145. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal November 5, 2011. Diakses tanggal June 25, 2015.
- Finler 2003, hlm. 47. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Hall & Neale 2010, hlm. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 160–161. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Krämer, Peter (1999). "Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience". Dalam Sandler, Kevin S.; Studlar, Gaylyn. Titanic: Anatomy of a Blockbuster. Rutgers University Press. hlm. 108–130. ISBN 978-0-8135-2669-0.
On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal July 8, 2011. Diakses tanggal July 14, 2011.
- Hall & Neale 2010, hlm. 53. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 58–59. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)" Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 188. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Ramsaye, Terry, ed. (1937). "The All-Time Best Sellers – Motion Pictures". International Motion Picture Almanac 1937–38: 942–943.
Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
- Finler 2003, hlm. 188. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Hall & Neale 2010, hlm. 283 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 301. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Finler 2003, hlm. 356–363 Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Hall & Neale 2010, hlm. 285 (note 6.56). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- "'Snake Pit' Seen No Problem After All". Variety. January 19, 1949. hlm. 7.
- "'Snake Pit' Seen No Problem After All". Variety. January 19, 1949. hlm. 7.
- Hall & Neale 2010, hlm. 147–148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Hall & Neale 2010, hlm. 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. ISBN 978-1-84511-515-9.
- Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. hlm. 261. ISBN 978-0-299-23014-2.
- Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. hlm. 261. ISBN 978-0-299-23014-2.
- Hall & Neale 2010, hlm. 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 206–208. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Brooks, Mel (2004). "My Movies: The Collisions of Art and Money". Dalam Squire, Jason E. The movie business book (edisi ke-3). Simon & Schuster. ISBN 978-0-7432-1937-2.
To their credit, Blazing saddles, opened wide in June to tremendous business around the country. It's done over $80 million in rentals worldwide in 1974 dollars. (Online copy at Google Books)
- Hall & Neale 2010, hlm. 214. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 218. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 190–191. Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Finler 2003, hlm. 268. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Finler 2003, hlm. 244. "Rain Man: 30.0 (cost in million $s)" Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Finler 2003, hlm. 123. Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
archives.gov
- Bergreen, Laurence (Summer 1996). "Irving Berlin: This Is the Army". Prologue. 28 (2). Part 3. Diakses tanggal August 22, 2012.
bbc.co.uk
news.bbc.co.uk
- Clark, Emma (November 12, 2001). "How films make money". BBC News. Diakses tanggal April 12, 2012.
- "Titanic sinks competitors without a trace". BBC News. BBC. February 25, 1998. Diakses tanggal August 13, 2010.
bloomberg.com
- Palmeri, Christopher; Sakoui, Anousha (November 7, 2014). "More Disney Fun and Games With 'Toy Story 4' in 2017". Bloomberg News. Diakses tanggal June 30, 2015.
books.google.com
- Hall & Neale 2010, hlm. 179. "Later epics proved far more disastrous for the backers. Samuel Bronston's The Fall of the Roman Empire, filmed in Spain, cost $17,816,876 and grossed only $1.9 million in America. George Stevens's long-gestating life of Christ, The Greatest Story Ever Told (1965), which had been in planning since 1954 and in production since 1962, earned domestic rentals of $6,962,715 on a $21,481,745 negative cost, the largest amount yet spent on a production made entirely within the United States. The Bible—in the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Wasko, Janet (1986). "D.W. Griffiths and the banks: a case study in film financing". Dalam Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. hlm. 34. ISBN 9780710097309.
Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
- Bartel, Pauline (1989). The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. hlm. 127. ISBN 978-0-87833-619-7.
At the end of the 1941 general release, MGM decided to withdraw GWTW again. The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of 1942 and stayed in release until late 1943 ... When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation. MGM, which by then had sole ownership of the film, announced that GWTW had grossed over $32 million.
- Krämer, Peter (1999). "Women First: Titanic, Action-Adventure Films, and Hollywood's Female Audience". Dalam Sandler, Kevin S.; Studlar, Gaylyn. Titanic: Anatomy of a Blockbuster. Rutgers University Press. hlm. 108–130. ISBN 978-0-8135-2669-0.
On page 130, the list has Jurassic Park at number one with $913 million, followed by The Lion King...
- Vance, Jeffrey (2008). Douglas Fairbanks. University of California Press. hlm. 146. ISBN 9780520256675.
The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).
- Finler 2003, hlm. 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. hlm. 278–279. ISBN 9780199911431.
Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
- Block, Hayley Taylor (2010), Love Story, hlm. 545,
The final cost came in at $2,260,000.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Block & Wilson 2010, hlm. 541. "Screenwriter and director George Seaton was given a then-whopping production budget of $10 million to make what would be his last big movie after a long career as an actor in radio, a screenwriter, and a director." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 609. "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T.: The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 652. "Production Cost: $12.2 (Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Finler 2003, hlm. 190–191. Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Block & Wilson 2010, hlm. 664. "Production Cost: $28.2 (Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Finler 2003, hlm. 268. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Finler 2003, hlm. 244. "Rain Man: 30.0 (cost in million $s)" Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Block & Wilson 2010, hlm. 776. "Production Cost: $30.0 (Unadjusted $s in Millions of $s)" Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Finler 2003, hlm. 123. Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
boxoffice.com
pro.boxoffice.com
- "Gone with the Wind". Boxoffice. Diakses tanggal May 29, 2016.
- "Gone with the Wind". Boxoffice. Diakses tanggal May 29, 2016.
- "Pinocchio (1940)". Boxoffice. Diakses tanggal May 29, 2016.
- "Bambi". Boxoffice. Diakses tanggal May 29, 2016.
- "Rear Window". Boxoffice. Diakses tanggal May 29, 2016.
- "White Christmas". Boxoffice. Diakses tanggal May 29, 2016.
- "20000 Leagues Under The Sea". Boxoffice. Diakses tanggal May 29, 2016.
- "101 Dalmatians (1961)". Boxoffice. Diakses tanggal May 29, 2016.
- "The Sound of Music". Boxoffice. Diakses tanggal May 29, 2016.
- "Who's Afraid of Virginia Woolf?". Boxoffice. Diakses tanggal May 29, 2016.
- Butch Cassidy and the Sundance Kid
- United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. Diakses tanggal May 29, 2016.
$102,308,525
- "The Exorcist". Boxoffice. Diakses tanggal May 29, 2016.
- "Jaws". Boxoffice. Diakses tanggal May 29, 2016.
- "Jaws". Boxoffice. Diakses tanggal May 29, 2016.
- "Grease". Boxoffice. Diakses tanggal May 29, 2016.
- "Rocky II". Boxoffice. Diakses tanggal May 29, 2016.
- "Top Gun". Boxoffice. Diakses tanggal May 29, 2016.
- Fatal Attraction
- "Fatal Attraction". Boxoffice. Diakses tanggal May 29, 2016.
- "Rain Man". Boxoffice. Diakses tanggal May 29, 2016.
- "Ghost". Boxoffice. Diakses tanggal May 29, 2016.
- "Aladdin". Boxoffice. Diakses tanggal May 29, 2016.
- "Die Hard: With A Vengeance". Boxoffice. Diakses tanggal May 29, 2016.
- "Armageddon". Boxoffice. Diakses tanggal May 29, 2016.
- United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. Diakses tanggal May 29, 2016.
boxofficemojo.com
- "Pixar – Worldwide (Unadjusted)". Box Office Mojo. Diakses tanggal April 12, 2012.
- "All Time Worldwide Box Office Grosses". Box Office Mojo. Diarsipkan dari versi asli tanggal December 29, 2020. Diakses tanggal April 6, 2022.
- "The Fate of the Furious (2017) – International Box Office Results: Argentina". Box Office Mojo. Diakses tanggal January 11, 2018.
- "Pixar Movies at the Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 16, 2016.
- "Pixar Movies at the Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 20, 2016.
- Brevert, Brad (May 29, 2016). "'X-Men' & 'Alice' Lead Soft Memorial Day Weekend; Disney Tops $4 Billion Worldwide". Box Office Mojo. Diakses tanggal May 29, 2016.
- Gray, Brandon. "'Avatar' Claims Highest Gross of All Time". Box Office Mojo. Diakses tanggal February 3, 2010.
- "Titanic 3D (2012) – International Box Office results". Box Office Mojo. Diakses tanggal November 25, 2012.
North America: $57,884,114; Overseas: $285,666,656
- "Titanic (20th Anniversary)". Box Office Mojo. Diakses tanggal July 1, 2019.
Domestic Total Gross: $691,642
- "Yearly Box Office". Box Office Mojo. Diakses tanggal January 6, 2012.
- "Indiana Jones – Worldwide (Unadjusted)". Box Office Mojo. Diakses tanggal January 6, 2012.
- "Batman – Worldwide (Unadjusted) & Batman: Mask of the Phantasm". Box Office Mojo. Diakses tanggal January 6, 2012.
- "Jurassic Park – Worldwide (Unadjusted)". Box Office Mojo. Diakses tanggal January 6, 2012.
- "Finding Dory vs. Finding Nemo" (North American "domestic" grosses adjusted to 2016 prices). Box Office Mojo. Diakses tanggal October 21, 2016.
- Avatar
- Total: "Avatar (2009)". Box Office Mojo. Diakses tanggal July 21, 2019.
$2,789,679,794
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 3, 2010.
- "Avengers: Endgame (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 7, 2023. Diakses tanggal March 13, 2021.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 23, 2019.
- "Avatar: The Way of Water (2022)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 19, 2022. Diakses tanggal May 26, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 7, 2023.
- Titanic
- Total: "Titanic (1997)". Box Office Mojo. Diakses tanggal December 10, 2017.
$2,187,425,379
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 16, 2001.
- "Star Wars: The Force Awakens (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 8, 2019. Diakses tanggal August 15, 2016.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 5, 2016.
- "Avengers: Infinity War (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2020. Diakses tanggal January 13, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 1, 2019.
- "Spider-Man: No Way Home (2021)". Box Office Mojo. Diarsipkan dari versi asli tanggal July 29, 2022. Diakses tanggal June 28, 2024.
All Releases: $1,922,598,800; Original Release: $1,912,233,593
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 29, 2022.
- "Inside Out 2 (2024)". Box Office Mojo. Diakses tanggal December 9, 2024.
- "Jurassic World (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal March 8, 2021. Diakses tanggal March 7, 2022.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 26, 2015.
- "The Lion King". Box Office Mojo. Diarsipkan dari versi asli tanggal November 25, 2020. Diakses tanggal January 8, 2020.
- "The Avengers (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 6, 2023. Diakses tanggal January 18, 2023. Kesalahan pengutipan: Tanda
<ref>tidak sah; nama "avengers" didefinisikan berulang dengan isi berbeda - "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 1, 2012.
- "Furious 7 (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 9, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2015.
- "Top Gun: Maverick (2022)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2022. Diakses tanggal June 8, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 29, 2022.
- "Frozen II". Box Office Mojo. Diarsipkan dari versi asli tanggal August 12, 2019. Diakses tanggal March 26, 2020.
- "Top Lifetime Grosses – Worldwide". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2020.
- "Barbie (2023)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2023. Diakses tanggal March 28, 2024.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal January 17, 2024.
- "Avengers: Age of Ultron (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 18, 2022. Diakses tanggal January 8, 2022.
- "The Super Mario Bros. Movie (2023)". Box Office Mojo. Diarsipkan dari versi asli tanggal April 5, 2023. Diakses tanggal May 17, 2024.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 29, 2023.
- "Black Panther (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 30, 2020. Diakses tanggal October 29, 2018.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 1, 2018.
- Harry Potter and the Deathly Hallows – Part 2
- Total: "Harry Potter and the Deathly Hallows Part 2 (2011)". Box Office Mojo. Diakses tanggal March 1, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 31, 2011.
- "Deadpool & Wolverine (2024)". Box Office Mojo. Diakses tanggal December 9, 2024.
- "Star Wars: The Last Jedi". Box Office Mojo. Diarsipkan dari versi asli tanggal December 1, 2019. Diakses tanggal May 21, 2018.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 27, 2018.
- "Jurassic World: Fallen Kingdom (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 21, 2020. Diakses tanggal January 12, 2019.
-
Frozen
- "Frozen (2013) – International Box Office Results". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2014.
Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 2, 2014.
- "Beauty and the Beast (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 18, 2019. Diakses tanggal September 5, 2017.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 11, 2017.
- "Incredibles 2 (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal October 21, 2020. Diakses tanggal March 25, 2019.
- "The Fate of the Furious (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 22, 2017.
- "Iron Man 3 (2013)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 15, 2017. Diakses tanggal October 28, 2013.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2014.
- "Minions (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2023.
- "Captain America: Civil War (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 6, 2023. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2016.
- "Aquaman (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2023. Diakses tanggal January 18, 2023.
- "The Lord of the Rings: The Return of the King". Box Office Mojo. Diarsipkan dari versi asli tanggal November 5, 2023. Diakses tanggal November 7, 2023. Kesalahan pengutipan: Tanda
<ref>tidak sah; nama "lotr3" didefinisikan berulang dengan isi berbeda - "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 5, 2004.
- "Spider-Man: Far From Home". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal June 28, 2024.
- "Captain Marvel (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2020. Diakses tanggal July 21, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 23, 2019.
- "Transformers: Dark of the Moon (2011)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2014.
- "Skyfall (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal October 17, 2022. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal March 3, 2013.
- "Transformers: Age of Extinction". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal May 17, 2015.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2014.
- "The Dark Knight Rises (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal September 4, 2023. Diakses tanggal November 7, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 3, 2012.
- "Joker (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2023. Diakses tanggal November 30, 2022.
- "Star Wars: Episode IX – The Rise of Skywalker". Box Office Mojo. Diarsipkan dari versi asli tanggal December 30, 2019. Diakses tanggal March 21, 2020.
- "Toy Story 4". Box Office Mojo. Diarsipkan dari versi asli tanggal December 14, 2019. Diakses tanggal December 7, 2019.
- "Toy Story 3 (2010)". Box Office Mojo. Diakses tanggal March 17, 2010.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 18, 2011.
- "Pirates of the Caribbean: Dead Man's Chest (2006)". Box Office Mojo. Diakses tanggal January 11, 2010.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 1, 2006.
- "Rogue One: A Star Wars Story (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 5, 2019. Diakses tanggal September 2, 2022.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 19, 2017.
- "Aladdin (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2019. Diakses tanggal November 2, 2019.
- Star Wars Episode I: The Phantom Menace
- Total: "Star Wars: Episode I – The Phantom Menace (1999)". Box Office Mojo. Diakses tanggal April 2, 2012.
$1,027,044,677
- "Pirates of the Caribbean: On Stranger Tides". Box Office Mojo. Diarsipkan dari versi asli tanggal March 23, 2020. Diakses tanggal August 22, 2011.
- Jurassic Park
- Total: "Jurassic Park (1993)". Box Office Mojo. Diakses tanggal September 15, 2013.
Worldwide: $1,029,153,882; Production Budget: $63 million
- "Despicable Me 3 (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 17, 2021. Diakses tanggal January 18, 2023.
- "Finding Dory (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal September 29, 2022. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 25, 2016.
- "Alice in Wonderland (2010)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 1, 2010.
- (Inggris) Gone with the Wind di Box Office Mojo
- "Star Wars (1977)". Box Office Mojo. Diakses tanggal January 10, 2012.
- "Grease (40th Anniversary)". Box Office Mojo. Diakses tanggal August 30, 2018.
- The Empire Strikes Back
- Total up to 2014: "The Empire Strikes Back (1980)". Box Office Mojo. Diakses tanggal January 10, 2012.
$538,375,067
- The Empire Strikes Back
- Total up to 2014: "The Empire Strikes Back (1980)". Box Office Mojo. Diakses tanggal January 10, 2012.
$538,375,067
- Raiders of the Lost Ark
- "Raiders of the Lost Ark (1981)". Box Office Mojo. Diakses tanggal November 4, 2012.
Total: $389,925,971; North America: $212,222,025 (original run); Overseas: $141,766,000
- "E.T.: The Extra-Terrestrial (1982)". Box Office Mojo. Diakses tanggal January 10, 2012.
- Return of the Jedi
- Total: "Return of the Jedi (1983)". Box Office Mojo. Diakses tanggal January 10, 2012.
$475,106,177
- "Indiana Jones and the Temple of Doom (1984)". Box Office Mojo. Diakses tanggal February 12, 2013.
- Back to the Future
- Original release: "Back to the Future (1985)". Box Office Mojo. Diakses tanggal August 18, 2014.
Worldwide: $381,109,762; Production Budget: $19 million
- "Indiana Jones and the Last Crusade (1989)". Box Office Mojo. Diakses tanggal September 15, 2013.
- Terminator 2
- Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2017.
$519,843,345
- The Lion King
- Total: "The Lion King (1994)". Box Office Mojo. Diakses tanggal May 29, 2016.
Worldwide: $968,483,777; Production Budget: $45 million
- Toy Story
- Total: "Toy Story (1995)". Box Office Mojo. Diakses tanggal November 16, 2014.
Worldwide: $373,554,033
- "Independence Day (1996)". Box Office Mojo. Diakses tanggal September 13, 2009.
- "Mission: Impossible II". Box Office Mojo. Diakses tanggal January 6, 2012.
- Harry Potter and the Philosopher's Stone
- Total: "Harry Potter and the Sorceror's Stone (2001)". Box Office Mojo. Diakses tanggal January 31, 2019.
- The Lord of the Rings: The Two Towers
- Total: "The Lord of the Rings: The Two Towers". Box Office Mojo. Diakses tanggal March 4, 2012.
$926,047,111
- "Shrek 2 (2002)". Box Office Mojo. Diakses tanggal February 5, 2009.
- Harry Potter and the Goblet of Fire
- Total: "Harry Potter and the Goblet of Fire (2005)". Box Office Mojo. Diakses tanggal March 1, 2019.
- "Pirates of the Caribbean: At World's End (2007)". Box Office Mojo. Diakses tanggal June 15, 2011.
- The Dark Knight
- Total: "The Dark Knight (2008)". Box Office Mojo. Diakses tanggal October 28, 2012.
Total: $1,004,558,444
- Total: "The Dark Knight (2008)". Box Office Mojo. Diakses tanggal October 28, 2012.
- Total: "The Lord of the Rings: The Two Towers". Box Office Mojo. Diakses tanggal March 4, 2012.
- Total: "Toy Story (1995)". Box Office Mojo. Diakses tanggal November 16, 2014.
- Total: "The Lion King (1994)". Box Office Mojo. Diakses tanggal May 29, 2016.
- Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2017.
- Original release: "Back to the Future (1985)". Box Office Mojo. Diakses tanggal August 18, 2014.
- Total: "Return of the Jedi (1983)". Box Office Mojo. Diakses tanggal January 10, 2012.
- "Raiders of the Lost Ark (1981)". Box Office Mojo. Diakses tanggal November 4, 2012.
- Total up to 2014: "The Empire Strikes Back (1980)". Box Office Mojo. Diakses tanggal January 10, 2012.
- Total up to 2014: "The Empire Strikes Back (1980)". Box Office Mojo. Diakses tanggal January 10, 2012.
- Total: "Jurassic Park (1993)". Box Office Mojo. Diakses tanggal September 15, 2013.
- Total: "Star Wars: Episode I – The Phantom Menace (1999)". Box Office Mojo. Diakses tanggal April 2, 2012.
- "Frozen (2013) – International Box Office Results". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2014.
- Total: "Titanic (1997)". Box Office Mojo. Diakses tanggal December 10, 2017.
- Total: "Avatar (2009)". Box Office Mojo. Diakses tanggal July 21, 2019.
boxofficepro.com
- Robbins, Shawn (July 20, 2019). "Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday". BoxOffice. Diarsipkan dari versi asli tanggal July 24, 2019. Diakses tanggal July 24, 2019.
businessweek.com
- "The Entertainment Glut". Bloomberg Businessweek. February 15, 1998. Diakses tanggal September 25, 2014.
cia.gov
- "Field Listings – Exchange Rates". The World Factbook. Central Intelligence Agency. Diarsipkan dari versi asli tanggal February 15, 2015. Diakses tanggal June 17, 2015.
cinemaweb.com
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal November 5, 2011. Diakses tanggal June 25, 2015.
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal July 8, 2011. Diakses tanggal July 14, 2011.
cnbc.com
- Whitten, Sarah (July 21, 2019). "'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'". CNBC. Diarsipkan dari versi asli tanggal July 21, 2019. Diakses tanggal July 21, 2019.
deadline.com
- Tartaglione, Nancy (March 13, 2021). "'Avatar' Overtakes 'Avengers: Endgame' As All-Time Highest-Grossing Film At Global Box Office; China Reissue Growing". Deadline Hollywood. Diakses tanggal March 13, 2021.
- Anthony D'Alessandro (December 18, 2022). "'Avatar: The Way Of Water' Opens To $134M; Why Pic's Box Office Fate Will Be Determined Through The Holidays – Sunday AM Update". Deadline. Diakses tanggal January 10, 2023.
- D'Alessandro, Anthony (July 23, 2023). "'Barbie' Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update". Deadline Hollywood. Diarsipkan dari versi asli tanggal July 21, 2023. Diakses tanggal July 23, 2023.
doi.org
- May, Richard P. (Fall 2005), "Restoring The Big Parade", The Moving Image, 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978,
...earning somewhere between $18 and $22 million, depending on the figures consulted
economist.com
- "Unkind unwind". The Economist. March 17, 2011. Diakses tanggal April 12, 2012.
- The Economist online (July 11, 2011). "Pottering on, and on". The Economist. Diarsipkan dari versi asli tanggal July 11, 2011.
ew.com
- Kilday, Greg (May 22, 1992). "Rules of the Game". Entertainment Weekly (119). Diarsipkan dari versi asli tanggal 2018-12-25. Diakses tanggal July 4, 2012.
filmsite.org
- Dirks, Tim. "All-Time Box-Office Hits By Decade and Year". Filmsite.org. American Movie Classics. Diakses tanggal January 5, 2012.
- Dirks, Tim. "Top Films of All-Time: Part 1 – Box-Office Blockbusters". Filmsite.org. Diakses tanggal August 11, 2010.
focusfeatures.com
- 1938
- You Can't Take It With You:"You Can't Take It With You Premieres". Focus Features. Diarsipkan dari versi asli tanggal September 13, 2012.
You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
- You Can't Take It With You:"You Can't Take It With You Premieres". Focus Features. Diarsipkan dari versi asli tanggal September 13, 2012.
forbes.com
- Schneiderman, R. M. (August 10, 2006). "Stallone Settles With The 'Real' Rocky". Forbes. Diakses tanggal January 4, 2012.
gizmodo.com
io9.gizmodo.com
- Nevins, Jess (August 23, 2011). "A Brief History of the Crossover". io9. Diakses tanggal July 19, 2018.
- Nevins, Jess (September 9, 2011). "The First Shared Universes". io9. Diakses tanggal July 19, 2018.
google.co.uk
books.google.co.uk
- Vogel, Harold L. (2010). Entertainment Industry Economics: A Guide for Financial Analysis. Cambridge University Press. hlm. 224. ISBN 978-1-107-00309-5.
Most pictures would likely receive 20% to 25% of theatrical box office gross for two prime-time network runs.
- Cones, John W. (1997). The feature film distribution deal: a critical analysis of the single most important film industry agreement. Southern Illinois University Press. hlm. 41. ISBN 978-0-8093-2082-0.
Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals. The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor. Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor. Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals (i.e., what percentage of a film's box office gross comes back to the distributor) is of key importance...More current numbers suggest that distributor rentals for the major studio/distributor released films average in the neighborhood of 43% of box office gross. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.
- Marich, Robert (2009) [1st. pub. Focal Press:2005]. Marketing to moviegoers: a handbook of strategies used by major studios and independents (edisi ke-2). Southern Illinois University Press. hlm. 252. ISBN 9780809328840.
Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.
- Balio, Tino (2005). The American film industry. University of Wisconsin Press. hlm. 296. ISBN 978-0-299-09874-2.
Film Rentals as Percent of Volume of Business (1939): 36.4
- Balio, Tino (1987). United Artists: the Company that Changed the Film Industry. University of Wisconsin Press. hlm. 124–125. ISBN 978-0-299-11440-4.
To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities...Movies made a comeback by 1955, but audiences had changed. Moviegoing became a special event for most people, creating the phenomenon of the big picture.
- Finler 2003, hlm. 358 Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Parkinson, David (2007). The Rough Guide to Film Musicals. Dorling Kindersley. hlm. 28. ISBN 9781843536505.
But they had previously succeeded in showing how musicals could centre on ordinary people with Sunny Side Up (1929), which had grossed $2 million at the box office and demonstrated a new maturity and ingenuity in the staging of story and dance.
- Hall & Neale 2010, hlm. 6–7. "For similar reasons of accountability, Variety has typically used figures for domestic (U.S. and Canadian) rather than worldwide revenue. This became its standard policy in 1940, when the advent of war in Europe persuaded the American film industry (temporarily, as it turned out) that it should be wholly reliant on the home market for profitability. Where specific rentals data are reported in Variety before this (which tended to be only sporadically) they were often for worldwide rather domestic performance. This was also the case with other trade sources, such as Quigley's annual Motion Picture Almanac, which published its own all-time hits lists from the early 1930s onward. The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history (sometimes including those in Variety itself), and we have attempted to be diligant in clarifying the differences between them." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 129. "Domestic Rentals: $30,015,000 (61%); Foreign Rentals: $18,964,000 (39%)...Gone with the Wind includes initial release plus four rereleases (1941,1942,1947 and 1954) since foreign rental revenues were available only cumulative through 1956." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- McDermott, Christine (2010), Life with Father, hlm. 307,
No matter what the billing, the movie became a worldwide hit with $6.5 million in worldwide rentals, from Pappa och vi in Sweden to Vita col padre in Italy, although it booked a net loss of $350,000.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Hall & Neale 2010, hlm. 145. "The commercial success of the five Cinerama travelogues, which earned an aggregate worldwide box-office gross of $120 million by 1962 (including $82 million in the United States and Canada), nevertheless demonstrated to the mainstream industry the market value of special screen formats." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur". Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Finler 2003, hlm. 47. "Walt Disney took a big risk when he decided to invest $1.5 million in his first feature-length animated film, Snow White and the Seven Dwarfs. It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation – until the release of independent producer David O. Selznick's Gone with the Wind just two years later." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Barrios, Richard (1995). A Song in the Dark: The Birth of the Musical Film. Oxford University Press. hlm. 49. ISBN 9780195088113.
Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer; although besides Jolson and a pervasively maudlin air the two have little in common. In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit. So did the film, which amassed a stunning world-wide gross of $5.9 million...Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. This is probably overstating it—MGM's records show that Ben-Hur and The Big Parade grossed more, and no one knows just how much The Birth of a Nation brought in. Still, by the standards of the time it's an amazing amount.
- Everson, William K. (1998) [First published 1978]. American silent film. Da Capo Press. hlm. 374. ISBN 978-0-306-80876-0.
Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time. However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mid-1930's. After listing it until the mid-1970's as the top-grosser, though finding it impossible to quote exact figures, Variety, the trade journal, suddenly repudiated the claim but without giving specific details or reasons. On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified.
- Hall & Neale 2010, hlm. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Klopsch, Louis; Sandison, George Henry; Talmage, Thomas De Witt (1965). "Christian Herald". 88: 68.
Yet "The Ten Commandments" has earned 58 million dollars in film rentals and is expected to bring in 10 to 15 million each year it is reissued.
- Hall & Neale 2010, hlm. 160–161. "General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 324. "Worldwide rentals: $66.1 million (initial release)" Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Dick, Bernard F. (1997). City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. hlm. 168. ISBN 9780813120164.
Jaws (1975) saved the day, grossing $104 million domestically and $132 million worldwide by January 1976.
- Cook, David A. (2002). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. Volume 9 of History of the American Cinema, Charles Harpole. University of California Press. hlm. 50. ISBN 9780520232655.
The industry was stunned when Star Wars earned nearly $3 million in its first week and by the end of August had grossed $100 million; it played continuously throughout 1977–1978, and was officially re-released in 1978 and 1979, by the end of which it had earned $262 million in rentals worldwide to become the top- grossing film of all time – a position it would maintain until surpassed by Universal's E.T.: The Extra-Terrestrial in January 1983.
- Monaco, James (2009). How to Read a Film:Movies, Media, and Beyond. Oxford University Press. hlm. 262. ISBN 9780199755790.
The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.
- Wasko, Janet (1986). "D.W. Griffiths and the banks: a case study in film financing". Dalam Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. hlm. 34. ISBN 9780710097309.
Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.
- Lang, Robert, ed. (1994). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. hlm. 30. ISBN 978-0-8135-2027-8.
The film eventually cost $110,000 and was twelve reels long.
- Lang, Robert, ed. (1994). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. hlm. 30. ISBN 978-0-8135-2027-8.
The film eventually cost $110,000 and was twelve reels long.
- Birchard, Robert S. (2010), Intolerance, hlm. 45,
Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. hlm. 98.
It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.
- Hall & Neale 2010, hlm. 53. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Brownlow, Kevin (1968). The parade's gone by . University of California Press. hlm. 255. ISBN 978-0-520-03068-8.
The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.
- Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (edisi ke-4). Abbeville Publishing Group. hlm. 30. ISBN 9781558592360.
The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.
- Hall & Neale 2010, hlm. 58–59. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)" Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Finler 2003, hlm. 188. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- The Jazz Singer and The Singing Fool
- Block, Hayley Taylor (2010), The Jazz Singer, hlm. 113,
The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s.
- Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. hlm. 549–552. ISBN 9780520221284.
The Singing Fool: Negative Cost ($1000s): 388
- Birchard, Robert S. (2010), The Broadway Melody, hlm. 121,
It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940).
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Block & Wilson 2010, hlm. 46. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. hlm. 28. ISBN 9780312100674.
Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
- Hell's Angels
- Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. hlm. 110.
Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
- Block & Wilson 2010, hlm. 163. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Vance, Jeffrey (2003). Chaplin: genius of the cinema. Abrams Books. hlm. 208.
Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
- Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. hlm. 146–148. ISBN 9780859896603.
Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
- Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. hlm. 146–148. ISBN 9780859896603.
Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
- Finler 2003, hlm. 188. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Block, Alex Ben (2010), She Done Him Wrong, hlm. 173,
The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. hlm. 26. ISBN 9781567207248.
The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
- Block & Wilson 2010, hlm. 135. "Total production cost: $274,076 (Unadjusted $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- McBride, Joseph (2011). Frank Capra: The Catastrophe of Success. University Press of Mississippi. hlm. 309. ISBN 9781604738384.
According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.
- Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. University Press of Mississippi. hlm. 79. ISBN 9781604730876.
Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
- Snow White and the Seven Dwarfs
- Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. hlm. 54. ISBN 9780810874343.
Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
- Snow White and the Seven Dwarfs
- Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. hlm. 54. ISBN 9780810874343.
Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
- Hall & Neale 2010, hlm. 283 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. hlm. 266. ISBN 9780199839223.
The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
- Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. Volume 6 of History of the American Cinema. University of California Press. hlm. 466. ISBN 9780520221307.
Boom Town ($4.6 million).
- Block & Wilson 2010, hlm. 258–259. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 267. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Finler 2003, hlm. 301. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund." Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Block & Wilson 2010, hlm. 281. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 281. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. hlm. 94–95. ISBN 9780719048531.
Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
- Block & Wilson 2010
- Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, hlm. 279,
Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - McAdams, Frank (2010), For Whom the Bell Tolls, hlm. 287,
Despite the early furor over the novel being “pro-red and immoral,” the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Finler 2003, hlm. 356–363 Finler, Joel Waldo (2003). The Hollywood Story. Wallflower Press. ISBN 978-1-903364-66-6.
- Block & Wilson 2010, hlm. 420. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0" Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 420. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0" Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. hlm. 197–199. ISBN 9780822323747.
Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
- Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. hlm. 197–199. ISBN 9780822323747.
Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
- Gabler, Neal (2007). Walt Disney: the biography. Aurum Press. hlm. 438.
Still, the film wound up grossing $3.3 million...
- Burns, Douglas (2010), The Best years of Our Lives, hlm. 301,
The film made a $5 million profit on worldwide rentals of $14.8 million.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Hall & Neale 2010, hlm. 285 (note 6.56). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. hlm. 18. ISBN 9781850438151.
Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
- Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. hlm. 110. ISBN 9780826413956.
Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
- Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. Pennsylvania State University. hlm. 178. ISBN 9780786885077.
Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
- Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. hlm. 401. ISBN 9780195167290.
It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
- Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. hlm. 71. ISBN 9780813136110.
Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
- Burns, Douglas (2010), The Greatest Show on Earth, hlm. 354–355,
By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Hall & Neale 2010, hlm. 147–148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 367. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 420. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Hall & Neale 2010, hlm. 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Block & Wilson 2010, hlm. 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Hall & Neale 2010, hlm. 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block & Wilson 2010, hlm. 324. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)" Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
- Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Volume 14 of Hollywood classics. Lulu. hlm. 243–245. ISBN 9781411678774.
Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
- Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. hlm. 298 (note 2.23). ISBN 9780786459162.
Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
- Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. hlm. 298 (note 2.23). ISBN 9780786459162.
Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
- Block, Hayley Taylor (2010), West Side Story, hlm. 449,
With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars).
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Block, Hayley Taylor (2010), West Side Story, hlm. 449,
With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars).
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Hall & Neale 2010, hlm. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Hall & Neale 2010, hlm. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Burns, Douglas (2010), Mary Poppins, hlm. 469,
In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender.
In: Block & Wilson 2010. Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896. - Hall & Neale 2010, hlm. 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
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While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
- The Godfather
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The original Godfather has grossed a mind-boggling $285 million...
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The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
- Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. hlm. 76. ISBN 9780803846814.
...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
- New York, 8, New York Media, 1975,
...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at Google Books)
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- Hall & Neale 2010, hlm. 206–208. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
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To their credit, Blazing saddles, opened wide in June to tremendous business around the country. It's done over $80 million in rentals worldwide in 1974 dollars. (Online copy at Google Books)
- Block & Wilson 2010, hlm. 564. "Production Cost: $2.6 (Unadjusted $s in Millions of $s)." Block, Alex Ben; Wilson, Lucy Autrey, ed. (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. ISBN 9780061778896.
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The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
- Hall & Neale 2010, hlm. 214. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide." Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Wayne State University Press. ISBN 978-0-8143-3008-1.
- Block, Alex Ben (2010), Rocky, hlm. 583,
The budget was $1,075,000 plus producer's fees of $100,000.
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Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...
- McAdams, Frank (2010), Top Gun, hlm. 678–679,
Production Cost: $19.0 (Millions of $s) ... Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office.
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As of the end of 1971, GWTW stood as the all-time money-drawing movie, with a take of $116 million, and, with this year's reissues, it should continue to run ahead of the second place contender and all-time kaffee-mit-schlag spectacle.
- New Times. 2. 1974.
Coppola is King Midas, the most individually powerful U.S. filmmaker ." His credits include directing the first Godfather (worldwide earnings: $142 million, ahead of Gone with the Wind, The Sound of Music and The Exorcist)...(Online copy at Google Books)
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- Anderson, S. Eric; Albertson, Stewart; Shavlick, David (March 2004). How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association. Loma Linda University. Diarsipkan dari versi asli (DOC) tanggal October 29, 2013. Diakses tanggal April 8, 2013.
- Miller, Frank; Stafford, Jeff (January 5, 2007). "Gone With the Wind (1939) – Articles". Turner Classic Movies. Diarsipkan dari versi asli tanggal September 26, 2013.
- Hill, George F. (June 25, 2006). "Gone With The Wind, Indeed". The Washington Post. Diarsipkan dari versi asli tanggal December 27, 2018.
- "Cinema: The Big Grossers". Time. February 2, 1953. Diarsipkan dari versi asli tanggal 2013-08-23. Diakses tanggal September 15, 2012.
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal November 5, 2011. Diakses tanggal June 25, 2015.
- Ebert, Roger (February 11, 2005). "Inside Deep Throat". rogerebert.com. Chicago Sun-Times. Diarsipkan dari versi asli tanggal June 6, 2011. Diakses tanggal February 2, 2012.
- Whitten, Sarah (July 21, 2019). "'Avengers: Endgame' is now the highest-grossing film of all time, dethroning 'Avatar'". CNBC. Diarsipkan dari versi asli tanggal July 21, 2019. Diakses tanggal July 21, 2019.
- Robbins, Shawn (July 20, 2019). "Avengers: Endgame Surpasses Avatar As #1 Global Release of All Time on Saturday". BoxOffice. Diarsipkan dari versi asli tanggal July 24, 2019. Diakses tanggal July 24, 2019.
- The Economist online (July 11, 2011). "Pottering on, and on". The Economist. Diarsipkan dari versi asli tanggal July 11, 2011.
- "Field Listings – Exchange Rates". The World Factbook. Central Intelligence Agency. Diarsipkan dari versi asli tanggal February 15, 2015. Diakses tanggal June 17, 2015.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 3, 2010.
- "Avengers: Endgame (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 7, 2023. Diakses tanggal March 13, 2021.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 23, 2019.
- "Avatar: The Way of Water (2022)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 19, 2022. Diakses tanggal May 26, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 7, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 16, 2001.
- "Star Wars: The Force Awakens (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 8, 2019. Diakses tanggal August 15, 2016.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 5, 2016.
- "Avengers: Infinity War (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2020. Diakses tanggal January 13, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 1, 2019.
- "Spider-Man: No Way Home (2021)". Box Office Mojo. Diarsipkan dari versi asli tanggal July 29, 2022. Diakses tanggal June 28, 2024.
All Releases: $1,922,598,800; Original Release: $1,912,233,593
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 29, 2022.
- "Jurassic World (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal March 8, 2021. Diakses tanggal March 7, 2022.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 26, 2015.
- "The Lion King". Box Office Mojo. Diarsipkan dari versi asli tanggal November 25, 2020. Diakses tanggal January 8, 2020.
- "The Avengers (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 6, 2023. Diakses tanggal January 18, 2023. Kesalahan pengutipan: Tanda
<ref>tidak sah; nama "avengers" didefinisikan berulang dengan isi berbeda - "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 1, 2012.
- "Furious 7 (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 9, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2015.
- "Top Gun: Maverick (2022)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2022. Diakses tanggal June 8, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 29, 2022.
- "Frozen II". Box Office Mojo. Diarsipkan dari versi asli tanggal August 12, 2019. Diakses tanggal March 26, 2020.
- "Top Lifetime Grosses – Worldwide". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2020.
- "Barbie (2023)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2023. Diakses tanggal March 28, 2024.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal January 17, 2024.
- "Avengers: Age of Ultron (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 18, 2022. Diakses tanggal January 8, 2022.
- "The Super Mario Bros. Movie (2023)". Box Office Mojo. Diarsipkan dari versi asli tanggal April 5, 2023. Diakses tanggal May 17, 2024.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 29, 2023.
- "Black Panther (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 30, 2020. Diakses tanggal October 29, 2018.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 1, 2018.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal October 31, 2011.
- "Star Wars: The Last Jedi". Box Office Mojo. Diarsipkan dari versi asli tanggal December 1, 2019. Diakses tanggal May 21, 2018.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 27, 2018.
- "Jurassic World: Fallen Kingdom (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 21, 2020. Diakses tanggal January 12, 2019.
-
Frozen
- "Frozen (2013) – International Box Office Results". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2014.
Worldwide – $1,274,219,009 (total as of August 8, 2014; including Japanese gross up to August 3, Spanish gross up to July 27, UK gross up to June 8, German gross up to March 30, and omitting Nigerian gross)
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 2, 2014.
- "Beauty and the Beast (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 18, 2019. Diakses tanggal September 5, 2017.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 11, 2017.
- "Incredibles 2 (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal October 21, 2020. Diakses tanggal March 25, 2019.
- "The Fate of the Furious (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 22, 2017.
- "Iron Man 3 (2013)". Box Office Mojo. Diarsipkan dari versi asli tanggal December 15, 2017. Diakses tanggal October 28, 2013.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2014.
- "Minions (2015)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2023.
- "Captain America: Civil War (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 6, 2023. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2016.
- "Aquaman (2018)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2023. Diakses tanggal January 18, 2023.
- "The Lord of the Rings: The Return of the King". Box Office Mojo. Diarsipkan dari versi asli tanggal November 5, 2023. Diakses tanggal November 7, 2023. Kesalahan pengutipan: Tanda
<ref>tidak sah; nama "lotr3" didefinisikan berulang dengan isi berbeda - "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal June 5, 2004.
- "Spider-Man: Far From Home". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal June 28, 2024.
- "Captain Marvel (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal February 21, 2020. Diakses tanggal July 21, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 23, 2019.
- "Transformers: Dark of the Moon (2011)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2014.
- "Skyfall (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal October 17, 2022. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal March 3, 2013.
- "Transformers: Age of Extinction". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal May 17, 2015.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2014.
- "The Dark Knight Rises (2012)". Box Office Mojo. Diarsipkan dari versi asli tanggal September 4, 2023. Diakses tanggal November 7, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 3, 2012.
- "Joker (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal August 1, 2023. Diakses tanggal November 30, 2022.
- "Star Wars: Episode IX – The Rise of Skywalker". Box Office Mojo. Diarsipkan dari versi asli tanggal December 30, 2019. Diakses tanggal March 21, 2020.
- "Toy Story 4". Box Office Mojo. Diarsipkan dari versi asli tanggal December 14, 2019. Diakses tanggal December 7, 2019.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 18, 2011.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 1, 2006.
- "Rogue One: A Star Wars Story (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 5, 2019. Diakses tanggal September 2, 2022.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal April 19, 2017.
- "Aladdin (2019)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 17, 2019. Diakses tanggal November 2, 2019.
- "Pirates of the Caribbean: On Stranger Tides". Box Office Mojo. Diarsipkan dari versi asli tanggal March 23, 2020. Diakses tanggal August 22, 2011.
- "Despicable Me 3 (2017)". Box Office Mojo. Diarsipkan dari versi asli tanggal January 17, 2021. Diakses tanggal January 18, 2023.
- "Finding Dory (2016)". Box Office Mojo. Diarsipkan dari versi asli tanggal September 29, 2022. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal December 25, 2016.
- "Alice in Wonderland (2010)". Box Office Mojo. Diarsipkan dari versi asli tanggal November 2, 2019. Diakses tanggal January 18, 2023.
- "All Time Worldwide Box Office". Box Office Mojo. Diarsipkan dari versi asli tanggal July 1, 2010.
- "Biggest Money Pictures". Variety. June 21, 1932. hlm. 1. Cited in "Biggest Money Pictures". Cinemaweb. Diarsipkan dari versi asli tanggal July 8, 2011. Diakses tanggal July 14, 2011.
- "Business: Film Exports". Time. July 6, 1925. Diarsipkan dari versi asli tanggal November 5, 2010. Diakses tanggal July 12, 2011.
- "The Snake Pit". The Numbers. Nash Information Services. LLC. Diarsipkan dari versi asli tanggal December 28, 2011.
- Haber, Joyces (March 27, 1969). "'Funny Girl' a Box Office Winner". Los Angeles Times. Diarsipkan dari versi asli tanggal 2012-11-05. Diakses tanggal March 29, 2012.
..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
- "The Godfather (1972) – Notes". Turner Classic Movies. Diarsipkan dari versi asli tanggal 2013-10-29. Diakses tanggal January 9, 2012.
- Klady, Leonard (1998). "All-Time Top Film Rentals". Variety. Diarsipkan dari versi asli tanggal October 7, 1999.
Domestic rentals: $48,838,000
- Kilday, Greg (May 22, 1992). "Rules of the Game". Entertainment Weekly (119). Diarsipkan dari versi asli tanggal 2018-12-25. Diakses tanggal July 4, 2012.
- Terminator 2
- Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2017.
$519,843,345
- Patten, D. (December 3, 2009). "'Avatar's' True Cost—and Consequences". The Wrap. Diarsipkan dari versi asli tanggal December 5, 2009.
- Rubin, Rebecca (April 30, 2018). "'Avengers: Infinity War' Officially Lands Biggest Box Office Opening of All Time". Variety. Diarsipkan dari versi asli tanggal May 2, 2018. Diakses tanggal May 14, 2018.
- Rubin, Rebecca (December 14, 2021). "Box Office Preview: Spider-Man: No Way Home Eyes Mighty, Massive, Marvelous $150 Million-Plus Debut". Variety. Diarsipkan dari versi asli tanggal December 14, 2021. Diakses tanggal December 14, 2021.
- D'Alessandro, Anthony (July 23, 2023). "'Barbie' Still Gorgeous With Best YTD $155M Opening; 'Oppenheimer' Ticking To $80M+ In Incredible $300M+ U.S. Box Office Weekend – Sunday AM Update". Deadline Hollywood. Diarsipkan dari versi asli tanggal July 21, 2023. Diakses tanggal July 23, 2023.
- Paskin, Willa (July 11, 2023). "Greta Gerwig's 'Barbie' Dream Job". The New York Times Magazine. Diarsipkan dari versi asli tanggal July 11, 2023. Diakses tanggal July 11, 2023.
- "Show Business: Record Wind". Time. February 19, 1940. Diarsipkan dari versi asli tanggal February 2, 2010. Diakses tanggal January 19, 2013.
- "Show Business: Record Wind". Time. February 19, 1940. Diarsipkan dari versi asli tanggal February 2, 2010. Diakses tanggal January 19, 2013.
- Harmetz, Aljean (May 18, 1980). "The Saga Beyond 'Star Wars'". The New York Times. Archived from the original on 2013-10-29. Diakses tanggal January 30, 2012.
"Star Wars" has brought 20th Century-Fox approximately $250 million in film rentals ... "Star Wars" grossed $410 million, and his share was enough to allow him to finance its sequel, "The Empire Strikes Back," himself.
- Original release: "Terminator 2: Judgment Day (1991)". Box Office Mojo. Diarsipkan dari versi asli tanggal June 26, 2017.
- "Frozen (2013) – International Box Office Results". Box Office Mojo. Diarsipkan dari versi asli tanggal August 9, 2014.
webcitation.org
- 1938
- You Can't Take It With You:"You Can't Take It With You Premieres". Focus Features. Diarsipkan dari versi asli tanggal September 13, 2012.
You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
- You Can't Take It With You:"You Can't Take It With You Premieres". Focus Features. Diarsipkan dari versi asli tanggal September 13, 2012.
worldcat.org
- May, Richard P. (Fall 2005), "Restoring The Big Parade", The Moving Image, 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978,
...earning somewhere between $18 and $22 million, depending on the figures consulted
wsj.com
blogs.wsj.com
- Bialik, Carl (January 29, 2010). "How Hollywood Box-Office Records Are Made". The Wall Street Journal. Diakses tanggal August 9, 2011.
- Bialik, Carl (December 17, 2007). "Box-Office Records Are the Stuff of 'Legend'". The Wall Street Journal. Diakses tanggal August 10, 2011.
wsj.com
- Bialik, Carl (January 30, 2010). "What It Takes for a Movie to Be No. 1". The Wall Street Journal. Diakses tanggal August 9, 2011.