Analysis of information sources in references of the Wikipedia article "Tatapan pria" in Indonesian language version.
Also available as: Mulvey, Laura (2009), "Visual pleasure and narrative cinema", dalam Mulvey, Laura, Visual and other pleasures (edisi ke-2nd), Houndmills, Basingstoke, Hampshire England New York: Palgrave Macmillan, hlm. 14–30, ISBN 9780230576469. Pdf via Amherst College. Diarsipkan 2016-03-04 di Wayback Machine.
Also available as: Mulvey, Laura (2009), "Visual pleasure and narrative cinema", dalam Mulvey, Laura, Visual and other pleasures (edisi ke-2nd), Houndmills, Basingstoke, Hampshire England New York: Palgrave Macmillan, hlm. 14–30, ISBN 9780230576469. Pdf via Amherst College. Diarsipkan 2016-03-04 di Wayback Machine.
By their presence -- most forcibly by looking into your eyes -- other people compel you to realize that you are an object for them, Sartre (1948) argues.
By their presence -- most forcibly by looking into your eyes -- other people compel you to realize that you are an object for them, Sartre (1948) argues.
Assumes a standard point of view that is masculine and heterosexual. . . . The phrase 'male gaze' refers to the frequent framing of objects of visual art so that the viewer is situated in a masculine position of appreciation.
Also available as: Mulvey, Laura (2009), "Visual pleasure and narrative cinema", dalam Mulvey, Laura, Visual and other pleasures (edisi ke-2nd), Houndmills, Basingstoke, Hampshire England New York: Palgrave Macmillan, hlm. 14–30, ISBN 9780230576469. Pdf via Amherst College. Diarsipkan 2016-03-04 di Wayback Machine.