Ukiyo-e (Indonesian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Ukiyo-e" in Indonesian language version.

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144books.google.com

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34worldcat.org

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23jstor.org

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12doi.org

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6metmuseum.org

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5viewingjapaneseprints.net

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1archive.org

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Watanabe 1984, hlm. 667. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Meech-Pekarik 1982, hlm. 93. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Watanabe 1984, hlm. 680–681. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Watanabe 1984, hlm. 675. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Weisberg, Rakusin & Rakusin 1986, hlm. 7. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (Spring 1986). "On Understanding Artistic Japan". The Journal of Decorative and Propaganda Arts. Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. 1: 6–19. doi:10.2307/1503900. JSTOR 1503900.
Meech-Pekarik 1982, hlm. 96. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Weisberg, Rakusin & Rakusin 1986, hlm. 6. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (Spring 1986). "On Understanding Artistic Japan". The Journal of Decorative and Propaganda Arts. Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. 1: 6–19. doi:10.2307/1503900. JSTOR 1503900.
Meech-Pekarik 1982, hlm. 101–103. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Meech-Pekarik 1982, hlm. 96–97. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Meech-Pekarik 1982, hlm. 99. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Harris 2011, hlm. 62; Meech-Pekarik 1982, hlm. 93. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Tanaka 1999, hlm. 190. Tanaka, Hidemichi (1999). "Sharaku Is Hokusai: On Warrior Prints and Shunrô's (Hokusai's) Actor Prints". Artibus et Historiae. IRSA s.c. 20 (39): 157–190. doi:10.2307/1483579. JSTOR 1483579.

jstor.org

Kita 1984, hlm. 252–253. Kita, Sandy (September 1984). "An Illustration of the Ise Monogatari: Matabei and the Two Worlds of Ukiyo". The Bulletin of the Cleveland Museum of Art. Cleveland Museum of Art. 71 (7): 252–267. JSTOR 25159874.
Singer 1986, hlm. 66. Singer, Robert T. (March–April 1986). "Japanese Painting of the Edo Period". Archaeology. Archaeological Institute of America. 39 (2): 64–67. JSTOR 41731745.
Hickman 1978, hlm. 5–6. Hickman, Money L. (1978). "Views of the Floating World". MFA Bulletin. Museum of Fine Arts, Boston. 76: 4–33. JSTOR 4171617.
Thompson 1986, hlm. 44. Thompson, Sarah (Winter–Spring 1986). "The World of Japanese Prints". Philadelphia Museum of Art Bulletin. Philadelphia Museum of Art. 82 (349/350, The World of Japanese Prints): 1, 3–47. JSTOR 3795440.
Watanabe 1984, hlm. 667. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Meech-Pekarik 1982, hlm. 93. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Watanabe 1984, hlm. 680–681. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Watanabe 1984, hlm. 675. Watanabe, Toshio (1984). "The Western Image of Japanese Art in the Late Edo Period". Modern Asian Studies. Cambridge University Press. 18 (4): 667–684. doi:10.1017/s0026749x00016371. JSTOR 312343.
Weisberg, Rakusin & Rakusin 1986, hlm. 7. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (Spring 1986). "On Understanding Artistic Japan". The Journal of Decorative and Propaganda Arts. Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. 1: 6–19. doi:10.2307/1503900. JSTOR 1503900.
Weisberg 1975, hlm. 120. Weisberg, Gabriel P. (April 1975). "Aspects of Japonisme". The Bulletin of the Cleveland Museum of Art. Cleveland Museum of Art. 62 (4): 120–130. JSTOR 25152585.
Meech-Pekarik 1982, hlm. 96. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Weisberg, Rakusin & Rakusin 1986, hlm. 6. Weisberg, Gabriel P.; Rakusin, Muriel; Rakusin, Stanley (Spring 1986). "On Understanding Artistic Japan". The Journal of Decorative and Propaganda Arts. Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. 1: 6–19. doi:10.2307/1503900. JSTOR 1503900.
Meech-Pekarik 1982, hlm. 101–103. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Meech-Pekarik 1982, hlm. 96–97. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Meech-Pekarik 1982, hlm. 99. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Fitzhugh 1979, hlm. 27. Fitzhugh, Elisabeth West (1979). "A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art". Ars Orientalis. Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. 11: 27–38. JSTOR 4629295.
Fitzhugh 1979, hlm. 29, 34. Fitzhugh, Elisabeth West (1979). "A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art". Ars Orientalis. Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. 11: 27–38. JSTOR 4629295.
Fitzhugh 1979, hlm. 35–36. Fitzhugh, Elisabeth West (1979). "A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art". Ars Orientalis. Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. 11: 27–38. JSTOR 4629295.
Harris 2011, hlm. 62; Meech-Pekarik 1982, hlm. 93. Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. Tuttle Publishing. ISBN 978-4-8053-1098-4. Meech-Pekarik, Julia (1982). "Early Collectors of Japanese Prints and the Metropolitan Museum of Art". Metropolitan Museum Journal. University of Chicago Press. 17: 93–118. doi:10.2307/1512790. JSTOR 1512790.
Tanaka 1999, hlm. 190. Tanaka, Hidemichi (1999). "Sharaku Is Hokusai: On Warrior Prints and Shunrô's (Hokusai's) Actor Prints". Artibus et Historiae. IRSA s.c. 20 (39): 157–190. doi:10.2307/1483579. JSTOR 1483579.
Fleming 1985, hlm. 61. Fleming, Stuart (November–December 1985). "Ukiyo-e Painting: An Art Tradition under Stress". Archaeology. Archaeological Institute of America. 38 (6): 60–61, 75. JSTOR 41730275.
Fleming 1985, hlm. 75. Fleming, Stuart (November–December 1985). "Ukiyo-e Painting: An Art Tradition under Stress". Archaeology. Archaeological Institute of America. 38 (6): 60–61, 75. JSTOR 41730275.
Toishi 1979, hlm. 25. Toishi, Kenzō (1979). "The Scroll Painting". Ars Orientalis. Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan. 11: 15–25. JSTOR 4629294.

mercurynews.com

"'Japanesque" sheds light on two worlds", The Mercury New, by Jennifer Modenessi, 14 October 2010

metmuseum.org

viewingjapaneseprints.net

Fiorillo 1999. Fiorillo, John. "Kindai Hanga". Viewing Japanese Prints. Diakses tanggal 2013-12-07.
Fiorillo 1999–2001. Fiorillo, John. "FAQ: Care and Repair of Japanese Prints". Viewing Japanese Prints. Diakses tanggal 2013-12-17.
Fiorillo 2001–2002a. Fiorillo, John. "FAQ: How do you grade quality and condition?". Viewing Japanese Prints. Diakses tanggal 2013-12-17.
Fiorillo 1999–2005. Fiorillo, John. "FAQ: "Original" Prints". Viewing Japanese Prints. Diakses tanggal 2013-12-17.
Fiorillo 2001–2002b. Fiorillo, John. "Deceptive Copies (Takamizawa Enji)". Viewing Japanese Prints. Diakses tanggal 2013-12-17.

wikipedia.org

Torii Kiyotada [ja] dikatakan membuat uki-e pertama;^[35] Masanobu mengiklankan dirinya sebagai inovatornya.^[36]
A Layman's Explanation of the Rules of Drawing with a Compass and Ruler memperkenalkan penggambaran sudut geometri gaya Barat ke Jepang pada 1734, berdasarkan pada teks Belanda tahun 1644 (lihat Rangaku, "pembelajaran Belanda" pada zaman Edo); teks-teks Tiongkok tentang subyek tersebut juga muncul pada dasawarsa tersebut.^[35]
Okumura nampaknya memahami soal persepektif geometri dari sumber-sumber Tiongkok, beberapa menampilkan kemiripan kuat dengan karya-karya Okumura.^[37]

worldcat.org