"War art" in the Oxford Companion to Military History, on Answers.com, and the article by Richard Woodward on "Military artists" in the same work (penultimate paragraph); note that the term does not appear at all in Grove Art Online, or other large art reference works. As formal "wars" have largely vanished, "combat artist" seems to be replacing "war artist" in official use.
"Military Artists" in the Oxford Companion to Military History, on Answers.com
Becker, 155-156; "Military Artists" in the Oxford Companion to Military History, on Answers.com
archive-it.org
wayback.archive-it.org
UNESCOArchiviato il 17 febbraio 2012 in Internet Archive., Arazzo di Bayeux, Nomination Form, p. 4; estratto, «è un dato di fatto che racconta di un trionfo militare: la conquista dell'Inghilterra da parte di Guglielmo il Conquistatore»; Nomination Form, pp. 5-6; excerpt, «This large-scale textile work of the 11th century is, to our knowledge, the only one of its kind to have survived to the present day. The Tapestry is an almost contemporary visual record of the event it depicts, one of the most significant events of Medieval times. It tells of the beginnings of the Norman Conquest; the landing of Norman and French troops in England and the Battle of Hastings».
Norman, "Vernet, Antoine Charles Horace", Arte di guerra, p. 211.
Norman, "Vernet, Emile Jean Horace", Arte di guerra, p. 212.
Paret, Peter (1997). Imagined Battles. Reflections of War in European Art, p. 85., citing Charles Baudelaire. (1992). "The Salon of 1859", Selected Writings on Art and Literature, traduzione di P.E. Charvet, pagg. 295, 297; estratto, «In una sezione che precede la discussione dell’arte di guerra nei suoi articoli sul Salon di Parigi del 1859, Baudelaire discusse dell’avvento della fotografia e del suo impatto sull’arte».
UNESCOArchiviato il 17 febbraio 2012 in Internet Archive., Arazzo di Bayeux, Nomination Form, p. 4; estratto, «è un dato di fatto che racconta di un trionfo militare: la conquista dell'Inghilterra da parte di Guglielmo il Conquistatore»; Nomination Form, pp. 5-6; excerpt, «This large-scale textile work of the 11th century is, to our knowledge, the only one of its kind to have survived to the present day. The Tapestry is an almost contemporary visual record of the event it depicts, one of the most significant events of Medieval times. It tells of the beginnings of the Norman Conquest; the landing of Norman and French troops in England and the Battle of Hastings».
UNESCOArchiviato il 17 febbraio 2012 in Internet Archive., Arazzo di Bayeux, Nomination Form, p. 4; estratto, «è un dato di fatto che racconta di un trionfo militare: la conquista dell'Inghilterra da parte di Guglielmo il Conquistatore»; Nomination Form, pp. 5-6; excerpt, «This large-scale textile work of the 11th century is, to our knowledge, the only one of its kind to have survived to the present day. The Tapestry is an almost contemporary visual record of the event it depicts, one of the most significant events of Medieval times. It tells of the beginnings of the Norman Conquest; the landing of Norman and French troops in England and the Battle of Hastings».
