Danza classica indiana (Italian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Danza classica indiana" in Italian language version.

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James G. Lochtefeld, The Illustrated Encyclopedia of Hinduism: N-Z, The Rosen Publishing Group, 2002, pp. 467, ISBN 978-0-8239-3180-4., Quote: "the Natyashastra remains the ultimate authority for any dance form that claims to be 'classical' dance, rather than 'folk' dance".
Coormaraswamy and Duggirala, archive.org, 1917, https://archive.org/stream/cu31924012568535#page/n5/mode/2up Titolo mancante per url url (aiuto).; Also see chapter 36

books.google.com

Julius Lipner, Hindus: Their Religious Beliefs and Practices, Routledge, 2012, p. 206, ISBN 978-1-135-24061-5., Quote: "It would be appropriate here to comment on Hindu classical dance. This developed in a religious context and was given high profile as part of temple worship. There are several regional and other styles as well as source texts, but the point we wish to stress is the participative nature of such dance. In form and content, the heart of dance as worship in Hinduism has always been 'expression' (abhinaya), i.e. the enacting of various themes".
Jean Holm e John Bowker, Worship, Bloomsbury Academic, 1994, p. 85, ISBN 978-1-85567-111-9., Quote: Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the Vedic literature, (...)".
Frank Burch Brown, The Oxford Handbook of Religion and the Arts, Oxford University Press, 2013, pp. 195–196, ISBN 978-0-19-972103-0., Quote: All of the dances considered to be part of the Indian classical canon (Bharata Natyam, Chhau, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniattam, Odissi, Gaudiya Nritya, Sattriya, and Yakshagana) trace their roots to religious practices (...) the Indian diaspora has led to the translocation of Hindu dances to Europe, North America and the world."
Mohan Khokar, Traditions of Indian classical dance, Clarion Books, 1984, pp. 57–58, ISBN 9780391032750.
Bishnupriya Dutt e Urmimala Sarkar Munsi, Engendering Performance: Indian Women Performers in Search of an Identity, SAGE Publications, 2010, p. 216, ISBN 978-81-321-0612-8.
Tanvi Bajaj e Swasti Shrimali Vohra, Performing Arts and Therapeutic Implications, Routledge, 2015, pp. 6–7, ISBN 978-1-317-32572-7.
Guy L. Beck, Sonic Liturgy: Ritual and Music in Hindu Tradition, University of South Carolina Press, 2012, pp. 138–139, ISBN 978-1-61117-108-2.
«Quote: "A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".»
Mandakranta Bose, Movement and Mimesis: The Idea of Dance in the Sanskritic Tradition, Springer, 2012, pp. 13–32, 108–112, ISBN 978-94-011-3594-8.
Thera Mahanama-sthavira, Mahavamsa: The Great Chronicle of Sri Lanka, Jain Publishing, 1999, pp. 40–41, ISBN 978-0-89581-906-2.
Sunil Kothari e Avinash Pasricha, Odissi, Indian classical dance art, Marg Publications, 1990, pp. 5–6, ISBN 978-81-85026-13-8.
Shovana Narayan, Indian classical dances: "ekam sat vipraah bahudaa vadanti", Shubhi Publications, 2005, p. 5, ISBN 9781845571696.
Ellen Koskoff, The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia, Routledge, 2008, pp. 955, ISBN 978-0-415-99404-0.
Janet Descutner, Asian Dance, Infobase, 2010, pp. 45–46, ISBN 978-1-4381-3078-1.
Bruno Nettl, Ruth M. Stone e James Porter, The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent, Routledge, 1998, pp. 516–521, ISBN 978-0-8240-4946-1.
Tanvi Bajaj e Swasti Shrimali Vohra, Performing Arts and Therapeutic Implications, Routledge, 2015, pp. 82–84, ISBN 978-1-317-32572-7.