Doo-wop (Italian Wikipedia)
Analysis of information sources in references of the Wikipedia article "Doo-wop" in Italian language version.
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allmusic.com
- The Five Satins, The Five Satins - Biography, Albums, Streaming Links, su allmusic.com, AllMusic. URL consultato il 10 ottobre 2019.
- The Ink Spots, The Ink Spots - Biography, Albums, Streaming Links, su allmusic.com, AllMusic. URL consultato il 10 ottobre 2019.
- Shep & the Limelites Biography, su AllMusic. URL consultato il 10 agosto 2020.
- The Jive Five, The Jive Five - Biography, Albums, Streaming Links, su allmusic.com, AllMusic. URL consultato il 10 ottobre 2019.
archive.org
- Bernard Gendron, 2: Theodor Adorno Meets the Cadillacs, in Tania Modleski (a cura di), Studies in Entertainment: Critical Approaches to Mass Culture, Indiana University Press, 1986, pp. 24–25, ISBN 0-253-35566-4.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 45, ISBN 978-0-634-09978-6.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 24, ISBN 978-0-634-09978-6.
- Reiland Rabaka, Civil Rights Music: The Soundtracks of the Civil Rights Movement, Lexington Books, 3 maggio 2016, p. 127–128, ISBN 978-1-4985-3179-5.
- Reebee Garofalo, VI. Off the Charts, in Rachel Rubin Jeffrey Paul Melnick (a cura di), American Popular Music: New Approaches to the Twentieth Century, Amherst, Univ of Massachusetts Press, 2001, p. 125, ISBN 1-55849-268-2.
- Brian Ward, Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race, University of California Press, 1998, pp. 62–63, ISBN 0-520-21298-3.
- M. L. Liebler e S.R. Boland, 3: The Pre-Motown Sounds, in Heaven was Detroit: From Jazz to Hip-hop and Beyond, Wayne State University Press, 2016, pp. 100–104, ISBN 978-0-8143-4122-3.
- Dave Headlam, Appropriations of blues and gospel in popular music, in Allan Moore e Jonathan Cross (a cura di), The Cambridge Companion to Blues and Gospel Music, Cambridge University Press, 2002, p. 172, ISBN 978-0-521-00107-6.
- Joseph Murrells, The Book of Golden Discs, 2nd, London, Barrie and Jenkins Ltd, 1978, p. 157, ISBN 0-214-20512-6.
- The Turbans on Herald Records (MP3), su archive.org, Internet Archive, 2011. URL consultato l'11 novembre 2020.
archive.today
- D. Kevin McNeir, Street Corner Renaissance takes 'doo-wop' to new levels, in The Miami Times, 26 aprile 2012. URL consultato il 29 aprile 2012 (archiviato dall'url originale il 28 gennaio 2013).
backbeatradio.com
- (EN) The World Rare of Doo-wopp, su backbeatradio.com. URL consultato il 13 maggio 2022.
books.google.com
- Philip Gentry, Doo-Wop, in Emmett G. Price III, Tammy Lynn Kernodle e Horace Joseph Maxile (a cura di), Encyclopedia of African American Music, ABC-CLIO, 2011, p. 298, ISBN 978-0-313-34199-1.
- Stuart L. Goosman, Group Harmony: The Black Urban Roots of Rhythm and Blues, University of Pennsylvania Press, 17 luglio 2013, p. x, ISBN 978-0-8122-0204-5.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, p. 30, ISBN 978-1-4422-4430-6.
- Robert Pruter, Doowop: The Chicago Scene, University of Illinois Press, 1996, p. xii, ISBN 978-0-252-06506-4.
- Deena Weinstein, Rock'n America: A Social and Cultural History, University of Toronto Press, 27 gennaio 2015, p. 58, ISBN 978-1-4426-0018-8.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, p. 28, ISBN 978-1-4422-4430-6.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, p. 27, ISBN 978-1-4422-4430-6.
- Georgina Gregory, Boy Bands and the Performance of Pop Masculinity, Taylor & Francis, 3 aprile 2019, p. 31, ISBN 978-0-429-64845-8.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, p. 18, ISBN 978-1-4422-4430-6.
- James A. Cosby, Devil's Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll, McFarland, 19 maggio 2016, pp. 190–191, ISBN 978-1-4766-6229-9.«When done in swing time, early doo-wop became a popular form of rock and roll, and it was often slowed down to provide dance hits throughout the 1950s, and the genre was personified by successful groups like The Coasters and The Drifters.»
- Gage Averill, Continuum Encyclopedia of Popular Music of the World: Volume II: Performance and Production, a cura di John Shepherd, 11, Close Harmony Singing, A&C Black, 8 luglio 2003, p. 124, ISBN 978-0-8264-6322-7.
- Gage Averill, Four Parts, No Waiting: A Social History of American Barbershop Quartet, Oxford University Press, 20 febbraio 2003, p. 167, ISBN 978-0-19-028347-6.
- Larry Birnbaum, Before Elvis: The Prehistory of Rock 'n' Roll, Rowman & Littlefield, 2013, p. 168, ISBN 978-0-8108-8638-4.
- Norman Abjorensen, Historical Dictionary of Popular Music, Rowman & Littlefield Publishers, 25 maggio 2017, p. 249, ISBN 978-1-5381-0215-2.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, p. 29, ISBN 978-1-4422-4430-6.
- Virginia Dellenbaugh, From Earth Angel to Electric Lucifer: Castrati, Doo Wop and the Vocoder, in Julia Merrill (a cura di), Popular Music Studies Today: Proceedings of the International Association for the Study of Popular Music 2017, Springer, 30 marzo 2017, pp. 76, ISBN 978-3-658-17740-9.
- Anthony J. Gribin e Matthew M. Schiff, The Complete Book of Doo-Wop, Krause, gennaio 2000, p. 7, ISBN 978-0-87341-829-4.
- Colin A. Palmer e Schomburg Center for Research in Black Culture, Encyclopedia of African-American Culture and History: the Black Experience in the Americas, Macmillan Reference USA, 2006, p. 1534, ISBN 978-0-02-865820-9.
- Simone Cinotto, Making Italian America: Consumer Culture and the Production of Ethnic Identities, Fordham University Press, 1º aprile 2014, p. 198, ISBN 978-0-8232-5626-6.
- Brock Helander, The Rockin' 60s: The People Who Made the Music, Schirmer Trade Books, 1º gennaio 2001, p. 200, ISBN 978-0-85712-811-9.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, pp. 47–48, ISBN 978-1-4422-4430-6.
- Steve Sullivan, Encyclopedia of Great Popular Song Recordings, Scarecrow Press, 4 ottobre 2013, p. 616, ISBN 978-0-8108-8296-6.
- Greg Bower, Doo-wop, in Lol Henderson e Lee Stacey (a cura di), Encyclopedia of Music in the 20th Century, Routledge, 27 gennaio 2014, p. 179, ISBN 978-1-135-92946-6.
- Simone Cinotto, Making Italian America: Consumer Culture and the Production of Ethnic Identities, Fordham University Press, 1º aprile 2014, pp. 207–208, ISBN 978-0-8232-5626-6.
- Vladimir Bogdanov, Chris Woodstra e Stephen Thomas Erlewine, All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul, Backbeat Books, 2002, p. 1306, ISBN 978-0-87930-653-3.
- Michael Olesker, Front Stoops in the Fifties: Baltimore Legends Come of Age, JHU Press, 1º novembre 2013, pp. 39–40, ISBN 978-1-4214-1161-3.
- Colin Larkin, The Encyclopedia of Popular Music, Omnibus Press, 27 maggio 2011, p. 31, ISBN 978-0-85712-595-8.
- Albin Zak, I Don't Sound Like Nobody: Remaking Music in 1950s America, University of Michigan Press, 4 ottobre 2012, pp. 89–90, ISBN 978-0-472-03512-0.
- Rick Simmons, Carolina Beach Music Encyclopedia, McFarland, 8 agosto 2018, pp. 259–260, ISBN 978-1-4766-6767-6.
- Steve Sullivan, Encyclopedia of Great Popular Song Recordings, Scarecrow Press, 4 ottobre 2013, p. 379, ISBN 978-0-8108-8296-6.
- Chuck Mancuso e David Lampe, Popular Music and the Underground: Foundations of Jazz, Blues, Country, and Rock, 1900-1950, Kendall/Hunt Publishing Company, 1996, p. 440, ISBN 978-0-8403-9088-2.
- Lawrence Pitilli, Doo-Wop Acappella: A Story of Street Corners, Echoes, and Three-Part Harmonies, Rowman & Littlefield Publishers, 2 agosto 2016, pp. 24–25, ISBN 978-1-4422-4430-6.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 303, ISBN 978-0-634-09978-6.
- Stuart L. Goosman, Group Harmony: The Black Urban Roots of Rhythm and Blues, University of Pennsylvania Press, 9 marzo 2010, p. 47, ISBN 978-0-8122-2108-4.
- Johnny Keys, Du-Wop, in Theo Cateforis (a cura di), The Rock History Reader, Taylor & Francis, 15 gennaio 2019, p. 20, ISBN 978-1-315-39480-0.
- Robert Pruter, Doowop: The Chicago Scene, University of Illinois Press, 1996, p. 1, ISBN 978-0-252-06506-4.
- Anthony J. Gribin e Matthew M. Schiff, The Complete Book of Doo-Wop, Krause, 2000, p. 136, ISBN 978-0-87341-829-4.
- John Collis, The Story of Chess Records, Bloomsbury USA, 15 ottobre 1998, p. 106, ISBN 978-1-58234-005-0.
- Marsha Music, Joe's Record Shop, in Joel Stone (a cura di), Detroit 1967: Origins, Impacts, Legacies, Wayne State University Press, 5 giugno 2017, p. 63, ISBN 978-0-8143-4304-3.
- Tony Fletcher, In the Midnight Hour: The Life & Soul of Wilson Pickett, Oxford University Press, 2017, p. 27, ISBN 978-0-19-025294-6.
- Lars Bjorn e Jim Gallert, Before Motown: A History of Jazz in Detroit, 1920-60, University of Michigan Press, 2001, p. 173, ISBN 0-472-06765-6.
- Edward M. Komara, Encyclopedia of the Blues, Psychology Press, 2006, p. 555, ISBN 978-0-415-92699-7.
- John Broven, Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers, University of Illinois Press, 11 agosto 2011, pp. 135, 321, ISBN 978-0-252-09401-9.
- Brian Ward, Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, University of California Press, 6 luglio 1998, p. 464, ISBN 978-0-520-21298-5.
- M. L. Liebler e S.R. Boland, 3: The Pre-Motown Sounds, in Heaven was Detroit: From Jazz to Hip-hop and Beyond, Wayne State University Press, 2016, pp. 100–104, ISBN 978-0-8143-4122-3.
- Andrew Flory, I Hear a Symphony: Motown and Crossover R&B, University of Michigan Press, 30 maggio 2017, p. 26, ISBN 978-0-472-03686-8.
- Joe Stuessy e Scott David Lipscomb, Rock and Roll: Its History and Stylistic Development, Pearson Prentice Hall, 2006, p. 209, ISBN 978-0-13-193098-8.
- Lee Cotten, The Golden Age of American Rock 'n Roll, Pierian Press, 1989, p. 169, ISBN 978-0-9646588-4-4.
- Alex MacKenzie, The Life and Times of the Motown Stars, Together Publications LLP, 2009, p. 146, ISBN 978-1-84226-014-2.
- Colin Larkin, The Virgin Encyclopedia of Sixties Music, Virgin, 1997, p. 309, ISBN 978-0-7535-0149-8.
- Bill Dahl, Motown: The Golden Years: More than 100 rare photographs, Penguin Publishing Group, 28 febbraio 2011, pp. 243, ISBN 978-1-4402-2557-4.
- Rick Simmons, Carolina Beach Music Encyclopedia, McFarland, 8 agosto 2018, p. 234, ISBN 978-1-4766-6767-6.
- Anthony Macías, Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–1968, Duke University Press, 11 novembre 2008, pp. 182–183, ISBN 978-0-8223-8938-5.
- Mitch Rosalsky, Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups, Scarecrow Press, 2002, p. 45, ISBN 978-0-8108-4592-3.
- Barney Hoskyns, Waiting for the Sun: A Rock 'n' Roll History of Los Angeles, Backbeat Books, 2009, p. 33, ISBN 978-0-87930-943-5.
- Rubén Funkahuatl Guevara, Confessions of a Radical Chicano Doo-Wop Singer, University of California Press, 13 aprile 2018, p. 83, ISBN 978-0-520-96966-7.
- Barry Miles, Zappa, 1970, p. 71, ISBN 9780802142153.
- Jude P. Webre, Memories of El Monte: Art Laboe's Charmed Life on the Air, in Romeo Guzmán, Carribean Fragoza, Alex Sayf Cummings e Ryan Reft (a cura di), East of East: The Making of Greater El Monte, Rutgers University Press, 14 febbraio 2020, pp. 227–231, ISBN 978-1-978805-48-4.
- Anthony J. Gribin e Matthew M. Schiff, The Complete Book of Doo-wop, Krause, 2000, p. 136, ISBN 978-0-87341-829-4.
- Dick Weissman e Richard Weissman, New York and the Doo-wop Groups, in Blues: The Basics, Psychology Press, 2005, pp. 95–96, ISBN 978-0-415-97068-6.
- Arnold Shaw, Honkers and Shouters: The Golden Years of Rhythm and Blues, Macmillan, 1978, p. xix, ISBN 978-0-02-610000-7.
- Albin Zak, I Don't Sound Like Nobody: Remaking Music in 1950s America, University of Michigan Press, 4 ottobre 2012, p. 89, ISBN 978-0-472-03512-0.
- Dave Headlam, Appropriations of blues and gospel in popular music, in Allan Moore e Jonathan Cross (a cura di), The Cambridge Companion to Blues and Gospel Music, Cambridge University Press, 2002, p. 172, ISBN 978-0-521-00107-6.
- Alan B. Govenar, Lightnin' Hopkins: His Life and Blues, Chicago Review Press, 2010, pp. 126, ISBN 978-1-55652-962-7.
- Shirelle Phelps (a cura di), Contemporary Black Biography, Gale Research Incorporated, agosto 1999, pp. 137–139, ISBN 978-0-7876-2419-4.
- Jessie Carney Smith, Black Firsts: 4,000 Ground-Breaking and Pioneering Historical Events, Visible Ink Press, 1º dicembre 2012, p. 46, ISBN 978-1-57859-424-5.
- Cousin Bruce Morrow e Rich Maloof, Doo Wop: The Music, the Times, the Era, Sterling Publishing Company, Inc., 2007, p. 132, ISBN 978-1-4027-4276-7.
- Frank W. Hoffmann, Rhythm and Blues, Rap, and Hip-hop, Infobase Publishing, 2005, p. 38, ISBN 978-0-8160-6980-4.
- Sheila Weller, Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation, Simon and Schuster, 8 aprile 2008, p. 56, ISBN 978-1-4165-6477-5.
- Clay Cole, Sh-Boom!: The Explosion of Rock 'n' Roll (1953–1968), Wordclay, ottobre 2009, p. 208, ISBN 978-1-60037-638-2.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 265, ISBN 978-0-634-09978-6.
- Philip Groia, They All Sang on the Corner: A Second Look at New York City's Rhythm and Blues Vocal Groups, P. Dee Enterprises, 1983, p. 130, ISBN 978-0-9612058-0-5.
- Carolyn McLaughlin, South Bronx Battles: Stories of Resistance, Resilience, and Renewal, University of California Press, 21 maggio 2019, p. 110, ISBN 978-0-520-96380-1.
- Simone Cinotto, Italian Doo-Wop: Sense of place, Politics of Style, and Racial Crossovers in Postwar New York City, in Making Italian America: Consumer Culture and the Production of Ethnic Identities, Fordham University Press, 1º aprile 2014, p. 198, ISBN 978-0-8232-5626-6.
- John Gennari, Who Put the Wop in Doo-wop?, in Flavor and Soul: Italian America at Its African American Edge, University of Chicago Press, 18 marzo 2017, pp. 8–9, ISBN 978-0-226-42832-1.
- Donald Tricarico, Guido Culture and Italian American Youth: From Bensonhurst to Jersey Shore, Springer, 24 dicembre 2018, p. 38, ISBN 978-3-030-03293-7.
- John Gennari, Flavor and Soul: Italian America at Its African American Edge, University of Chicago Press, 18 marzo 2017, pp. 22–23, 48, 71, 90–95, ISBN 978-0-226-42832-1.
- Simone Cinotto, Italian Doo-Wop: Sense of place, Politics of Style, and Racial Crossovers in Postwar New York City, in Making Italian America: Consumer Culture and the Production of Ethnic Identities, Fordham University Press, 1º aprile 2014, p. 204, ISBN 978-0-8232-5626-6.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 434, ISBN 978-0-634-09978-6.
- Emmett G. Price III, Tammy Kernodle e Horace J. Maxile, Jr. (a cura di), Encyclopedia of African American Music, ABC-CLIO, 17 dicembre 2010, p. 727, ISBN 978-0-313-34200-4.
- Bob Leszczak, Who Did It First?: Great Rhythm and Blues Cover Songs and Their Original Artists, Scarecrow Press, 10 ottobre 2013, p. 238, ISBN 978-0-8108-8867-8.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 287, ISBN 978-0-634-09978-6.
- John Jackson, American Bandstand: Dick Clark and the Making of a Rock 'n' Roll Empire, Oxford University Press, 3 giugno 1999, p. 120, ISBN 978-0-19-028490-9.
- Matthew F. Delmont, The Nicest Kids in Town: American Bandstand, Rock 'n' Roll, and the Struggle for Civil Rights in 1950s Philadelphia, University of California Press, 22 febbraio 2012, pp. 15–16, 21, ISBN 978-0-520-95160-0.
- John A. Jackson, A House on Fire: The Rise and Fall of Philadelphia Soul, Oxford University Press, USA, 23 settembre 2004, pp. 13–14, ISBN 978-0-19-514972-2.
- George J. Leonard e Pellegrino D'Acierno, The Italian American Heritage: A Companion to Literature and Arts, Taylor & Francis, 1998, pp. 437–438, ISBN 978-0-8153-0380-0.
- John Gennari, Groovin': A Riff on Italian Americans in Popular Music and Jazz, in William J. Connell e Stanislao G. Pugliese (a cura di), The Routledge History of Italian Americans, Taylor & Francis, 27 settembre 2017, p. 580, ISBN 978-1-135-04670-5.
- Donald Tricarico, Guido Culture and Italian American Youth: From Bensonhurst to Jersey Shore, Springer, 24 dicembre 2018, pp. 37–38, ISBN 978-3-030-03293-7.
- John Jackson, American Bandstand: Dick Clark and the Making of a Rock 'n' Roll Empire, Oxford University Press, 3 giugno 1999, p. 51, ISBN 978-0-19-028490-9.
- Jay Warner, American Singing Groups: A History from 1940s to Today, Hal Leonard Corporation, 2006, p. 284, ISBN 978-0-634-09978-6.
- Colin Larkin, The Encyclopedia of Popular Music: Brown, Marion – Dilated Peoples, MUZE, 2000, p. 175, ISBN 978-0-19-531373-4.
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- John Michael Runowicz, Forever Doo-wop: Race, Nostalgia, and Vocal Harmony, University of Massachusetts Press, 2010, pp. 45, 48, ISBN 978-1-55849-824-2.
- Ken Emerson, Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era, Penguin Publishing Group, 26 settembre 2006, pp. 11–13, ISBN 978-1-101-15692-6.
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- Evan Rapport, Damaged: Musicality and Race in Early American Punk, University Press of Mississippi, 24 novembre 2020, pp. 106–107, ISBN 978-1-4968-3123-1.
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- Rubén Funkahuatl Guevara, Confessions of a Radical Chicano Doo-Wop Singer, University of California Press, 13 aprile 2018, p. 81−83, ISBN 978-0-520-96966-7.
- David Toop, 4 The evolving language of rap, in John Potter e Jonathan Cross (a cura di), The Cambridge Companion to Singing, Cambridge University Press, 13 aprile 2000, p. 43, ISBN 978-0-521-62709-2.
britannica.com
- (EN) doo-wop, su britannica.com. URL consultato il 13 maggio 2022.
chicagohistory.org
encyclopedia.chicagohistory.org
- Clark "Bucky" Halker, Rock Music, su encyclopedia.chicagohistory.org, Chicago Historical Society, 2004. URL consultato il 9 ottobre 2020.
discogs.com
doi.org
dx.doi.org
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