«"His interest in Dadaism focused on the large Francis Picabia retrospective at the Grand Palais in Paris (1976), and the two large Man Ray exhibits (1972 and 1982) that he organised for the Musée National d'Art Moderne of Paris. For the Paris-Berlin exhibit (1978), he spotlighted the Parisian and Berliner Dadaists. In 1988, as director of the Musée National d'Art Moderne at the Pompidou Centre in Paris, for the first time he set up two rooms in the museum dedicated solely to the works of Marcel Duchamp and Francis Picabia. In 2008 he devoted a Surexposition to the friendship among Duchamp, Man Ray and Picabia."»
«"Russia, where he went frequently while preparing for the Paris-Moscow exhibit, is another interest of his. In 1978 at the Pompidou Centre he organised the Casimir Malevitch exhibit, the first in Paris, and he then published Architectones, which had still not been well studied at the time. He maintains close contacts in Russian artistic circles. So it was that in 1985-86 he organised the first one-man exhibition of Ilya Kabakov in Western Europe, and an Erik Boulatov exhibit at the Pompidou Centre in 1988. He was a member of the Kandinsky Prize jury from 2007 to 2009, and in 2009 he held the 3rd Moscow Biennial, which was a big success with the public."»
web.archive.org
Jeean Hubert Martin, su io.pensa.it. URL consultato il 3 febbraio 2012 (archiviato dall'url originale il 6 marzo 2016).
