(EN) Bowie Henry P., Art in Japan, in On The Laws Of Japanese Painting: an introduction to the study of the art of Japan, New York, Dover Publications, 1952, p. 18, OCLC1026131695.
(EN) Beerens Anna, Part II : The Prosopography, in Friends, Acquaintances, Pupils and Patrons : Japanese Intellectual Life in the Late Eighteenth Century: A Prosopographical Approach, Leiden, Leiden University Press, 2006, pp. 99-100, OCLC810232514.
(EN) Mason Penelope, Realistic schools of Painting: Yōfuga and the Maruyama-Shijò School, in History of Japanese Art, Upper Saddle River, NJ, Prentice Hall, 2005, p. 319, OCLC758729802.
(EN) Bowie Henry P., Art in Japan, in On The Laws Of Japanese Painting: an introduction to the study of the art of Japan, New York, Dover Publications, 1952, p. 18, OCLC1026131695.
(EN) Paine Robert T., The return to nature, Edo period 1615-1867, in The art and architecture of Japan, New Haven, Yale University Press, 1992, p. 122, OCLC221648551.
Paine Robert T., The return to nature, Edo period 1615-1867, in The art and architecture of Japan, New Haven, Yale University Press, 1992, pp. 121-122, OCLC221648551.
(EN) Mason Penelope, Realistic schools of Painting: Yōfuga and the Maruyama-Shijò School, in History of Japanese Art, Upper Saddle River, NJ, Prentice Hall, 2005, p. 320, OCLC758729802.
(EN) Paine Robert T., The return to nature, Edo period 1615-1867, in The art and architecture of Japan, New Haven, Yale University Press, 1992, p. 123, OCLC221648551.