Opera di Pechino (Italian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Opera di Pechino" in Italian language version.

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18doi.org

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1wtrgreenkunqu.org

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archive.org

Goldstein (2007), p. 3. (EN) Joshua Goldstein, Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937, University of California Press, 2007, ISBN 978-0-520-24752-9.
Wichmann (1990). (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Wichmann (1991), p. 360. (EN) Elizabeth Wichmann, Listening to Theatre: The Aural Dimension of Beijing Opera, University of Hawaii Press, 1991, ISBN 0-8248-1221-2.
Wichmann (1991), pp. 12-16. (EN) Elizabeth Wichmann, Listening to Theatre: The Aural Dimension of Beijing Opera, University of Hawaii Press, 1991, ISBN 0-8248-1221-2.
Wichmann (1990), p. 149. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Goldstein (2007), p. 2. (EN) Joshua Goldstein, Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937, University of California Press, 2007, ISBN 978-0-520-24752-9.
Yang (1971). (EN) Daniel Yang, Censorship: 8 Model Works, in The Drama Review, vol. 15, n. 2, 1971, pp. 258-261, DOI:10.2307/1144648.
Wichmann (1990), pp. 148-149. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Wichmann (1990), p. 151 e segg. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Goldstein (2007), p. 1. (EN) Joshua Goldstein, Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937, University of California Press, 2007, ISBN 978-0-520-24752-9.
Wichmann (1991), pp. 7-8. (EN) Elizabeth Wichmann, Listening to Theatre: The Aural Dimension of Beijing Opera, University of Hawaii Press, 1991, ISBN 0-8248-1221-2.
Wichmann (1991), p. 6. (EN) Elizabeth Wichmann, Listening to Theatre: The Aural Dimension of Beijing Opera, University of Hawaii Press, 1991, ISBN 0-8248-1221-2.
Wichmann (1991), pp. 4-5. (EN) Elizabeth Wichmann, Listening to Theatre: The Aural Dimension of Beijing Opera, University of Hawaii Press, 1991, ISBN 0-8248-1221-2.

doi.org

dx.doi.org

Mackerras (1976). (EN) Colin Patrick Mackerras, Theatre and the Taipings, in Modern China, vol. 2, n. 4, 1976, pp. 473-501, DOI:10.1177/009770047600200404.
Wichmann (1990). (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Guy (1990). (EN) Nancy Guy, The Appreciation of Chinese Opera: A Reply to Ching-Hsi Perng, in Asian Theatre Journal, vol. 7, n. 2, 1990, DOI:10.2307/1124341.
Wichmann (1990), p. 149. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Hsu (1964). (EN) Dolores Menstell Hsu, Musical Elements of Chinese Opera, in The Musical Quarterly, vol. 50, n. 4, 1964, DOI:10.1093/mq/L.4.439.
Chou (1997). (EN) Hui-ling Chou, Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage, in TDR/The Drama Review, vol. 41, n. 2, 1997, DOI:10.2307/1146629.
Yang (1971). (EN) Daniel Yang, Censorship: 8 Model Works, in The Drama Review, vol. 15, n. 2, 1971, pp. 258-261, DOI:10.2307/1144648.
Guy (1999). (EN) Nancy Guy, Governing the Arts, Governing the State: Peking Opera and Political Authority in Taiwan, in Ethnomusicology, vol. 43, n. 3, 1999, DOI:10.2307/852559.
Wichmann (1990), pp. 148-149. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Diamond (1994). (EN) Catherine Diamond, Kingdom of Desire: The Three Faces of Macbeth, in Asian Theatre Journal, vol. 11, n. 1, 1994, pp. 114-133, DOI:10.2307/1124387.
Wichmann (1990), p. 151 e segg. (EN) Elizabeth Wichmann, Tradition and Innovation in Contemporary Beijing Opera Performance, in The Drama Review, vol. 34, n. 1, 1990, pp. 146-178, DOI:10.2307/1146013.
Wichmann-Walczak (2000). (EN) Elizabeth Wichmann-Walczak, “Reform” at the Shanghai Jingju Company and Its Impact on Creative Authority and Repertory, in TDR/The Drama Review, vol. 44, n. 4, 2000, DOI:10.1162/10542040051058500.
Chang, Mitchell, Yeu (1974). (EN) Donald Chang, John Mitchell e Roger Yeu, How the Chinese Actor Trains: Interviews with Two Peking Opera Performers (in Asian Theatre Traditions), in Educational Theatre Journal, vol. 26, n. 2, 1974, DOI:10.2307/3206634.
Yang (1984). (EN) Richard Yang, «The Performing Arts in Contemporary China» by C. Mackerras (Review), in Asian Theatre Journal, vol. 1, n. 2, 1984, pp. 230-235, DOI:10.2307/1124569.
Der-wei Wang (2003). (EN) David Der-wei Wang, Impersonating China, in Chinese Literature: Essays, Articles, Reviews (CLEAR), vol. 25, 2003, pp. 133-163, DOI:10.2307/3594285.
Goldstein (1999). (EN) Joshua Goldstein, Mei Lanfang and the Nationalization of Peking Opera, 1912–1930, in East Asian Cultures Critique, vol. 7, n. 2, 1999, DOI:10.1215/10679847-7-2-377.
Ward (1979). (EN) Barbara Ward, Not Merely Players: Drama, Art and Ritual in Traditional China', in Man, New Series, vol. 14, n. 1, 1979, pp. 18-39, DOI:10.2307/2801638.
Chen (1997), pp. 38-55. (EN) Jingsong Chen, To Make People Happy, Drama Imitates Joy: The Chinese Theatrical Concept of Mo, in Asian Theatre Journal, vol. 14, n. 1, 1997, DOI:10.2307/1124084.

oadoi.org

Mackerras (1976). (EN) Colin Patrick Mackerras, Theatre and the Taipings, in Modern China, vol. 2, n. 4, 1976, pp. 473-501, DOI:10.1177/009770047600200404.
Guy (1990). (EN) Nancy Guy, The Appreciation of Chinese Opera: A Reply to Ching-Hsi Perng, in Asian Theatre Journal, vol. 7, n. 2, 1990, DOI:10.2307/1124341.
Hsu (1964). (EN) Dolores Menstell Hsu, Musical Elements of Chinese Opera, in The Musical Quarterly, vol. 50, n. 4, 1964, DOI:10.1093/mq/L.4.439.
Chou (1997). (EN) Hui-ling Chou, Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage, in TDR/The Drama Review, vol. 41, n. 2, 1997, DOI:10.2307/1146629.
Guy (1999). (EN) Nancy Guy, Governing the Arts, Governing the State: Peking Opera and Political Authority in Taiwan, in Ethnomusicology, vol. 43, n. 3, 1999, DOI:10.2307/852559.
Diamond (1994). (EN) Catherine Diamond, Kingdom of Desire: The Three Faces of Macbeth, in Asian Theatre Journal, vol. 11, n. 1, 1994, pp. 114-133, DOI:10.2307/1124387.
Chang, Mitchell, Yeu (1974). (EN) Donald Chang, John Mitchell e Roger Yeu, How the Chinese Actor Trains: Interviews with Two Peking Opera Performers (in Asian Theatre Traditions), in Educational Theatre Journal, vol. 26, n. 2, 1974, DOI:10.2307/3206634.
Yang (1984). (EN) Richard Yang, «The Performing Arts in Contemporary China» by C. Mackerras (Review), in Asian Theatre Journal, vol. 1, n. 2, 1984, pp. 230-235, DOI:10.2307/1124569.
Der-wei Wang (2003). (EN) David Der-wei Wang, Impersonating China, in Chinese Literature: Essays, Articles, Reviews (CLEAR), vol. 25, 2003, pp. 133-163, DOI:10.2307/3594285.
Goldstein (1999). (EN) Joshua Goldstein, Mei Lanfang and the Nationalization of Peking Opera, 1912–1930, in East Asian Cultures Critique, vol. 7, n. 2, 1999, DOI:10.1215/10679847-7-2-377.
Ward (1979). (EN) Barbara Ward, Not Merely Players: Drama, Art and Ritual in Traditional China', in Man, New Series, vol. 14, n. 1, 1979, pp. 18-39, DOI:10.2307/2801638.
Chen (1997), pp. 38-55. (EN) Jingsong Chen, To Make People Happy, Drama Imitates Joy: The Chinese Theatrical Concept of Mo, in Asian Theatre Journal, vol. 14, n. 1, 1997, DOI:10.2307/1124084.

web.archive.org

Wilson, Charles, Hans Frankel. What is Kunqu Theatre? Archiviato il 15 giugno 2011 in Internet Archive.. Wintergreen Kunqu Society.

wtrgreenkunqu.org

Wilson, Charles, Hans Frankel. What is Kunqu Theatre? Archiviato il 15 giugno 2011 in Internet Archive.. Wintergreen Kunqu Society.