Mayhew, H., London Labour and the London Poor, Vol. 1, (originally published in 1848) NY, Cosimo Classics, 2009, p. 4; Hindley, C., A History of the Cries of London: Ancient and Modern, London, Reeves & Turner, 1881, pp. 2–11<full text: https://archive.org/details/cu31924028074783. It may be worth noting that although Mayhew and other 19th century commentators attribute the poem to Lydgate, many contemporary historians dispute this attribution and suggest that the author should be given as "anonymous". See, for example, Shepherd, J., Continuum Encyclopedia of Popular Music of the World, Volume II, A & C Black, 2003, p. 169
Martij Rus, “Messages publicitaires et littérature au Moyen Âge: les cris de Paris”, Vol. 65, Nos 1-2, 2011, pp. 1-20, https://doi.org/10.1484/J.LLR.1.102298
jstor.org
Harrison, G., "Review: The Criers and Hawkers of London: Engravings and Drawings by Marcellus Laroon by Sean Shesgreen", Huntington Library Quarterly, Vol. 54, No. 1 (Winter, 1991), pp. 79–84 <Stable URL: https://www.jstor.org/stable/3817273>
The book titles named in this section represent a composite listing taken from Shesgreen, S., Images of the Outcast: The Urban Poor in the Cries of London, New Brunswick, N.J., Rutgers University Press, 2002, especially Chapter 1; Harms, R., Raymond, J. and Salman, J., Not Dead Things: The Dissemination of Popular Print in England and Wales, Brill, 2013 and London Sound Survey, Historical References to London's Sounds, http://www.soundsurvey.org.uk/index.php/survey/historical_ec/economic1/157/184
