Techno (Italian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Techno" in Italian language version.

Last modified: 21:39:57, 13 October 2026 (UTC)

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7258archive.org

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55discogs.com

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22factmag.com

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22youtube.com

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22residentadvisor.net

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allmusic.com (Global: 27^th place; Italian: 17^th place)

(EN) Cybotron, su allmusic.com. URL consultato il 22 gennaio 2019.

archive.org (Global: 6^th place; Italian: 2^nd place)

Secondo Mark J. Butler, 2006, l'uso del termine EDM "è diventato sempre più comune tra gli appassionati negli ultimi anni. Durante gli anni ottanta, il termine generico più comune per l'EDM era house music, mentre "techno" è diventato più diffuso nella prima metà degli anni novanta. Tuttavia, con la crescente diversificazione dell'EDM, questi termini hanno finito per riferirsi a generi specifici. Un altro termine, "elettronica", è ampiamente utilizzato nel giornalismo mainstream dal 1996, ma la maggior parte degli appassionati vede questo termine con sospetto, in quanto etichetta di marketing veicolata dall'industria musicale". (EN) Mark J. Butler, Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music, Indiana University Press, 2006, ISBN 978-0253218049.
Hillegonda C. Rietveld, 1998: We Call It Techno! A Documentary About Germany’s Early Techno Scene (Sextro and Wick), Dancecult, Vol. 1, No. 1, University of Huddersfield. (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Bill Brewster e Frank Broughton, 2006, p. 354. (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Simon Reynolds, 1999 Detroit's music had hitherto reached British ears as a subset of Chicago house; Neil Rushton and The Belleville Three decided to fasten on the word techno – a term that had been bandied about but never stressed – in order to define Detroit techno as a distinct genre. (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Hillegonda C. Rietveld, 1998 (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Dan Sicko, 1999, 28 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 71 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Bill Brewster e Frank Broughton, 2006, p. 349. (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Dan Sicko, 1999, 49 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Peter Shapiro, Modulations: A History of Electronic Music, Throbbing Words on Sound, Caipirinha Productions, Inc., 2000, p. 108–121, ISBN 189102406X.
Bill Brewster e Frank Broughton, 2006, p. 350 (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Simon Reynolds, 1999, 16–17 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Dan Sicko, 1999, 56-58 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 33–42,54–59 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 74 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 75. Adding to the impact of Enter, the single "Clear" made a huge splash and became Cybotron's biggest hit, especially after it was remixed by Jose "Animal" Diaz. "Clear" climbed the charts in Dallas, Houston, and Miami, and spent nine weeks on the Billboard Top Black Singles chart (as it was called then) in fall 1983, peaking at No. 52. "Clear" was a success. (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 76 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 2010, 48-49 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk 2nd edition, Wayne State University Press, 2010, ISBN 978-0814334386.
Mark J. Butler, 2006, 43 (EN) Mark J. Butler, Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music, Indiana University Press, 2006, ISBN 978-0253218049.
Dan Sicko, 1999, 77-78 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Bill Brewster e Frank Broughton, 2006, p. 353. (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Hillegonda C. Rietveld, 1998, 45-50 (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Hillegonda C. Rietveld, 1998, 124-127 (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Hillegonda C. Rietveld, 1998, 127 (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Hillegonda C. Rietveld, 1998, 54–59 (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.
Bill Brewster e Frank Broughton, 2006, pp. 398-443. (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Bill Brewster e Frank Broughton, 2006, p. 419 citazione: I was on a mission because most people hated house music and it was all rare groove and hip hop...I'd play Strings of Life at the Mud Club and clear the floor. Three weeks later you could see pockets of people come onto the floor, dancing to it and going crazy – and this was without ecstasy – Mark Moore commenting on the initially slow response to House music in 1987. (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Dan Sicko, 1999, 99 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 2010, 118-120 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk 2nd edition, Wayne State University Press, 2010, ISBN 978-0814334386.
Dan Sicko, 2010, 71 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk 2nd edition, Wayne State University Press, 2010, ISBN 978-0814334386.
Dan Sicko, 1999, 98,101 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 100,102 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 95-120 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 102. Once Rushton and Atkins set techno apart with the Techno! compilation, the music took off on its own course, no longer parallel to the Windy City's progeny. And as the 1980s came to a close, the difference between techno and house music became increasingly pronounced, with techno's instrumentation growing more and more adventurous (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 92-94 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Bill Brewster e Frank Broughton, 2006, p. 361 (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Simon Reynolds, 1999, 112 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Dan Sicko, 1999, 145 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Simon Reynolds, 1999, 131 Moby's track "Go!", a work featuring a sample from the Twin Peaks opening theme, entered the top 20 of UK Charts in late 1991. (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Simon Reynolds, 1999, 219-222. Presenting themselves as a sort of techno Public Enemy, Underground Resistance were dedicated to 'fighting the power' not just through rhetoric but through fostering their own autonomy. (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Dan Sicko, 1999, 80 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Simon Reynolds, 1999, 219 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Dan Sicko, 1999, 121-160 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 161-184 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Simon Reynolds, 1999, 215 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Dan Sicko, 1999, 181 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 199-200 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Dan Sicko, 1999, 198 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk, Billboard Books, 1999, ISBN 978-0823084289.
Mark J. Butler, 2006, 114: Graham Massey has discussed the use of unusual meters in 808 State's music commenting online on 18 June 2004, that: I always thought Cobra Bora could have stood a chance. It was sometimes played at Hot Night at the Hacienda despite its funny time signature. (EN) Mark J. Butler, Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music, Indiana University Press, 2006, ISBN 978-0253218049.
Kodwo Eshun, 1998, 127 (EN) Kodwo Eshun, More Brilliant Than the Sun: Adventures in Sonic Fiction, Quartet Books, 1998, ISBN 978-0704380257.
Dan Sicko, 2010, 138-139 (EN) Dan Sicko, Techno Rebels: The Renegades of Electronic Funk 2nd edition, Wayne State University Press, 2010, ISBN 978-0814334386.
Bill Brewster e Frank Broughton, 2006, 364 (EN) Bill Brewster e Frank Broughton, Last Night a DJ Saved My Life: The History of the Disc Jockey, Avalon Travel Publishing, 2006, ISBN 978-0802136886.
Simon Reynolds, 1999, 183 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Simon Reynolds, 1999, 182 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Simon Reynolds, 1999, 181 (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Simon Reynolds, 1999, 163 The traveling lifestyle began in the early seventies, as convoys of hippies spent the summer wandering from site to site on the free festival circuit. Gradually, these proto-crusty remnants of the original counterculture built up a neomedieval economy based on crafts, alternative medicine, and entertainment...In the mid-eighties, as squatting became a less viable option and the government mounted a clampdown on welfare claimants, many urban crusties tired of the squalor of settled life and took to the roving lifestyle. (EN) Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture, New York, Routledge, 1999, ISBN 978-0415923736.
Andrew Ross, René Lysloff e Leslie Gay, Music and Technoculture, Wesleyan University Press, 2003, p. 185–186, ISBN 0-8195-6514-8.

arquivo.pt (Global: 2,454^th place; Italian: 2,646^th place)

Michael Critzon, Eat Static is bad stuff, Central Michigan Life, 17 settembre 2001. URL consultato il 12 agosto 2007 (archiviato dall'url originale il 24 maggio 2016).

bbc.co.uk (Global: 11^th place; Italian: 27^th place)

(EN) Review of Cluster 71, su bbc.co.uk. URL consultato il 22 gennaio 2019.

billboard.it (Global: 9,126^th place; Italian: 379^th place)

Andrea Benedetti, Welcome to Italian techno, again: la storia di un genere che non smette di farci ballare, su billboard.it, 16 agosto 2024.

books.google.com (Global: 3^rd place; Italian: 10^th place)

Vladimir Bogdanov, All music guide to electronica: the definitive guide to electronic music, 4ª ed., Backbeat Books, 2001, p. 582, ISBN 0-87930-628-9. URL consultato il 26 maggio 2011.
«Di solito, la nascita di questo genere viene fatta risalire ai primi anni '80 e al degradato centro di Detroit, dove personaggi come Juan Atkins, Derrick May e Kevin Saunderson, tra gli altri, fondevano la stravagante musica meccanica dei Kraftwerk e della Yellow Magic Orchestra con il funk elettrico da corsa allo spazio di George Clinton, il futurismo ottimista di The Third Wave di Alvin Toffler (da cui la musica ha preso il nome) e il suono electro emergente esplorato altrove da Soul Sonic Force, Jonzun Crew, Man Parrish, "Pretty" Tony Butler e Wrecking Cru di Los Angeles.»
Emmett George Price (a cura di), Encyclopedia of African American Music [3 volumes], vol. 3, Santa Barbara, CA, ABC-CLIO, 2010, p. p.942, ISBN 978-0313341991. URL consultato il 6 luglio 2013 (archiviato il 24 maggio 2024).
Chaplin, Julia & Michel, Sia. Fire Starters Archiviato il 3 aprile 2023 in Internet Archive., Spin Magazine, page 40, March 1997, Spin Media LLC.
Guiccione, Bob Jr., Live to Tell, Archiviato l'11 aprile 2023 in Internet Archive. Spin Magazine, page 95, January 1996, Spin Media LLC.

dancecult.net (Global: low place; Italian: low place)

dj.dancecult.net

Hillegonda C. Rietveld, 1998: We Call It Techno! A Documentary About Germany’s Early Techno Scene (Sextro and Wick), Dancecult, Vol. 1, No. 1, University of Huddersfield. (EN) Hillegonda C. Rietveld, This is Our House: House Music, Cultural Spaces and Technologies, Ashgate Publishing, 1998, ISBN 978-1857422429.

discogs.com (Global: 73^rd place; Italian: 82^nd place)

"Strings of Life" appears on compilations titled The Real Classics of Chicago House 2 Archiviato il 30 aprile 2008 in Internet Archive. (2003), Techno Muzik Classics Archiviato il 7 marzo 2008 in Internet Archive. (1999), House Classics Vol. One Archiviato il 26 febbraio 2008 in Internet Archive. (1997), 100% House Classics Vol. 1 Archiviato il 25 febbraio 2008 in Internet Archive. (1995), Classic House 2 Archiviato il 27 febbraio 2008 in Internet Archive. (1994), Best of House Music Vol. 3 Archiviato l'8 gennaio 2008 in Internet Archive. (1990), Best of Techno Vol. 4 Archiviato il 22 novembre 2007 in Internet Archive. (1994), House Nation – Classic House Anthems Vol. 1 Archiviato il 24 dicembre 2007 in Internet Archive. (1994), and numerous other compilations Archiviato il 26 gennaio 2009 in Internet Archive. with the words "techno" or "house" in their titles.
Various – Techno! The New Dance Sound Of Detroit (Vinyl, LP) at Discogs, su discogs.com, 4 maggio 1988. URL consultato il 13 agosto 2016 (archiviato il 27 agosto 2019).
Tresor II: Berlin & Detroit – A Techno Alliance Archiviato il 20 dicembre 2008 in Internet Archive. album details at Discogs
Dave Angel: Background Overview at Discogs, 13 febbraio 2003. URL consultato l'11 agosto 2007 (archiviato il 5 settembre 2007).
Track listing for the Warp Records 1992 compilation Artificial Intelligence Archiviato il 24 febbraio 2008 in Internet Archive.

dmcworld.net (Global: low place; Italian: low place)

DMC World – Laurence Malice, su dmcworld.net, tntmagazine.com, 2 marzo 2018. URL consultato il 2 marzo 2018 (archiviato il 5 novembre 2017).

doi.org (Global: 2^nd place; Italian: 3^rd place)

(EN) Geeta Dayal, Trance, Oxford University Press, 31 gennaio 2014.

electronicbeats.net (Global: low place; Italian: low place)

How Frankfurt's '80s Tape Scene Laid the Foundation for the City's Techno Renaissance, su electronicbeats.net, 15 ottobre 2019. URL consultato il 19 dicembre 2020 (archiviato il 21 gennaio 2021).
"Leaving heroin and melancholia behind" Danielle de Picciotto on the Love Parade, su electronicbeats.net, Electronic Beats, 20 giugno 2014. URL consultato il 17 dicembre 2022 (archiviato il 17 dicembre 2022).

factmag.com (Global: 3,043^rd place; Italian: 2,896^th place)

(EN) Krautrock pioneer Manuel Göttsching biography published, su factmag.com. URL consultato il 22 gennaio 2019.
(EN) The greatest electronic albums of the 1950s and 1960s, su factmag.com. URL consultato il 22 gennaio 2019.

fantazia.org.uk (Global: low place; Italian: low place)

DJ Derek May Profile, su fantazia.org.uk, Fantazia Rave Archive. URL consultato il 1º ottobre 2009 (archiviato il 29 settembre 2011).

fazemag.de (Global: low place; Italian: low place)

Sven Schäfer, Talla 2XLC – Am Anfang war der Technoclub [Talla 2XLC – In the beginning, there was the Technoclub], su fazemag.de, Faze Magazin, 21 ottobre 2019. URL consultato il 29 gennaio 2020 (archiviato il 29 gennaio 2020).

ghostarchive.org (Global: 64^th place; Italian: 940^th place)

Derrick May on the roots of techno at RBMA Bass Camp Japan 2010, su YouTube, Red Bull Music Academy, 20 settembre 2010. URL consultato il 23 luglio 2012 (archiviato il 21 dicembre 2021).

gridface.com (Global: low place; Italian: low place)

Jacob Arnold, A Brief History of Techno, in Gridface, 17 ottobre 1999. URL consultato il 9 dicembre 2005 (archiviato il 6 novembre 2013).

iu.edu (Global: 3,497^th place; Italian: 7,262^nd place)

newsinfo.iu.edu

First academic conference on techno music and its African American origins, su newsinfo.iu.edu. URL consultato l'8 ottobre 2019 (archiviato il 28 dicembre 2019).

metrotimes.com (Global: 6,408^th place; Italian: low place)

(EN) Robert Gorell, Permanent record: Jeff Mills talks Detroit techno and the exhibit that hopes to explain it, in Metro Times. URL consultato l'11 agosto 2007 (archiviato il 29 settembre 2007).

mixmag.net (Global: 5,540^th place; Italian: 6,421^st place)

Bill Brewster, I feel love: Donna Summer and Giorgio Moroder created the template for dance music as we know it, su mixmag.net, Mixmag, 22 giugno 2017. URL consultato il 26 maggio 2022 (archiviato il 22 giugno 2017).

nytimes.com (Global: 7^th place; Italian: 15^th place)

Mike Rubin, Techno Dances With Jazz, in New York Times, 30 settembre 2001. URL consultato il 2 dicembre 2011 (archiviato il 24 maggio 2013). "Electronic producers of all stripes are now inspired by a broader jazz palette, whether as fodder for samples, as part of the search for rhythmic diversity, or as a reference point for their own artistic aspirations toward a cerebral sophistication removed from the sweat of the dance floor." The article provides, as examples, the music of Kirk Degiorgio, Matthew Herbert, Spring Heel Jack, Tom Jenkinson (Squarepusher), Jason Swinscoe (Cinematic Orchestra) and Innerzone Orchestra (Carl Craig with ex-Sun Ra/James Carter group members, et al.).

opsi.gov.uk (Global: 5,869^th place; Italian: 6,765^th place)

Public Order: Collective Trespass or Nuisance on Land – Powers in relation to raves, su opsi.gov.uk, Her Majesty's Stationery Office, 1994. URL consultato il 17 gennaio 2006 (archiviato il 4 gennaio 2006).

repubblica.it (Global: 106^th place; Italian: 4^th place)

Valerio Mattioli, Il rave in Italia: storia della techno romana, su repubblica.it, 4 ottobre 2018.

residentadvisor.net (Global: 4,785^th place; Italian: 6,348^th place)

Interview with Atkins and Mike Banks. T. Cox, Model 500:Remake/remodel, su Resident Advisor, 2008. URL consultato l'11 giugno 2008 (archiviato il 24 maggio 2024).
«In 1985 Juan Atkins released the first record on his fledgling label Metroplex, 'No UFO's', now widely regarded as Year Zero of the techno movement.»
Resident Advisor: Sub Club, su residentadvisor.net, Resident Advisor, 2 marzo 2018. URL consultato il 2 marzo 2018 (archiviato il 28 marzo 2018).

rivistastudio.com (Global: low place; Italian: 1,477^th place)

La techno si sta trasformando in un’attrazione turistica?

rocksbackpages.com (Global: 3,680^th place; Italian: 8,997^th place)

Jon Savage, Machine Soul: A History of Techno, in The Village Voice, 1993. URL consultato il 22 luglio 2008 (archiviato il 19 dicembre 2008). "The U.K. likes discovering trends," Rushton says. "Because of the way that the media works, dance culture happens very quickly. It's not hard to hype something up. ...When the first techno records came in, the early Model 500, Reese, and Derrick May material, I wanted to follow up the Detroit connection. I took a flyer and called up Transmat; I got Derrick May and we started to release his records in England. ...Derrick came over with a bag of tapes, some of which didn't have any name: tracks which are now classics, like 'Sinister' and 'Strings of Life.' Derrick then introduced us to Kevin Saunderson, and we quickly realized that there was a cohesive sound of these records, and that we could do a really good compilation album. We got backing from Virgin Records and flew to Detroit. We met Derrick, Kevin, and Juan and went out to dinner, trying to think of a name. At the time, everything was house, house house. We thought of Motor City House Music, that kind of thing, but Derrick, Kevin, and Juan kept on using the word techno. They had it in their heads without articulating it; it was already part of their language."

rollingstone.it (Global: 3,359^th place; Italian: 132^nd place)

Jean Michel Jarre e Cerrone: i due arzilli vecchietti del dancefloor, su rollingstone.it. URL consultato il 22 gennaio 2019.

sentireascoltare.com (Global: low place; Italian: 660^th place)

Oxygène-Live In Your Living Room, su sentireascoltare.com. URL consultato il 22 gennaio 2019.

spannered.org (Global: low place; Italian: low place)

John Osselaer, Robert Hood interview, su spannered.org, Overload Media/Spannered, 1º febbraio 2001. URL consultato il 2 dicembre 2011 (archiviato il 19 febbraio 2023).

spiegel.de (Global: 87^th place; Italian: 324^th place)

spiegel.de

(DE) Marc Fischer, Moritz von Uslar, Christian Kracht, Anuschka Roshani, Thomas Hüetlin e Anja Jardine, Der pure Sex. Nur besser., in Der Spiegel, 14 luglio 1996. URL consultato il 17 dicembre 2022 (archiviato il 17 dicembre 2022).

magazin.spiegel.de

(DE) Youth: Love and Cabbage, in Der Spiegel, 26 agosto 1996. URL consultato il 17 dicembre 2022 (archiviato il 26 febbraio 2017).

spin.com (Global: 758^th place; Italian: 936^th place)

(EN) Junior Boys' Jeremy Greenspan Reworks Laurie Spiegel's Proto-Techno, su spin.com. URL consultato il 22 gennaio 2019.

techno.de (Global: low place; Italian: low place)

Angelic Upstart, su techno.de (archiviato dall'url originale il 28 aprile 2008).: Mixmag interview with Dave Angel detailing his interest in jazz. Retrieved from Techno.de Archiviato il 24 maggio 2024 in Internet Archive.

theautochannel.com (Global: 5,386^th place; Italian: 8,758^th place)

(EN) New Ford Focus Commercial Features Ground Breaking Juan Atkins' Techno Hit, 11 agosto 2000. URL consultato il 10 gennaio 2009 (archiviato il 24 maggio 2024).

thewire.co.uk (Global: low place; Italian: low place)

Anker M., Herrington T., Young R. (1995), New Complexity Techno Archiviato il 1º gennaio 2008 in Internet Archive., The Wire, Issue #131 (January '95)

timlawrence.info (Global: low place; Italian: low place)

Gerald Simpson (A Guy Called Gerald) maintains that "Pacific State" was intended for a John Peel session exclusively, but 808 State's Graham Massey and Martin Price added additional elements by drawing upon Massey's collection of exotic jazz records for inspiration. This led to the inclusion of a distinctive saxophone solo. Massey recalls that: We were trying to do something in the vein of Marshall Jefferson's 'Open Your Eyes'...That track was happening everywhere. The production was released as a white label in May 1989 and later issued on the mini-album Quadrastate at the end of July that year, just as the second Summer of Love was flowering. Massey remembers taking the white label to Mike Pickering, Graeme Park, and Jon Da Silva, and notes that it rose through the ranks to become the last tune of the night. Lawrence, T (2006), Discotheque: Haçienda, sleeve notes for album release of the same name, retrieved from the authors website Archiviato il 15 giugno 2006 in Internet Archive.

unibo.it (Global: 3,746^th place; Italian: 288^th place)

acnpsearch.unibo.it

Juan Atkins, Juan Atkins, in Dance Music Report, vol. 15, n. 9, 22 maggio 1992, p. 19, ISSN 0883-1122 (WC · ACNP).

web.archive.org (Global: 1^st place; Italian: 1^st place)

Music Faze – The Electro House, Dubstep, EDM Music Blog: Electronica Genre Guide, su musicfaze.com, 20 dicembre 2014. URL consultato il 22 novembre 2019 (archiviato dall'url originale il 20 dicembre 2014).
Simon Trask, Future Shock, in Music Technology Magazine, dicembre 1988 (archiviato dall'url originale il 15 marzo 2008).
Techno music pulses in Detroit, CNN, 13 febbraio 2003. URL consultato l'11 agosto 2007 (archiviato dall'url originale il 12 ottobre 2007).
Jacob Arnold, A Brief History of Techno, in Gridface, 17 ottobre 1999. URL consultato il 9 dicembre 2005 (archiviato il 6 novembre 2013).
First academic conference on techno music and its African American origins, su newsinfo.iu.edu. URL consultato l'8 ottobre 2019 (archiviato il 28 dicembre 2019).
Interview with Atkins and Mike Banks. T. Cox, Model 500:Remake/remodel, su Resident Advisor, 2008. URL consultato l'11 giugno 2008 (archiviato il 24 maggio 2024).
«In 1985 Juan Atkins released the first record on his fledgling label Metroplex, 'No UFO's', now widely regarded as Year Zero of the techno movement.»
Interview. John Osselaer, Alan Oldham, su Spannered, 30 giugno 2000 (archiviato dall'url originale l'11 aprile 2023).
«"What do you consider to be the most important turning points in the history of Detroit techno?" "The release of Model 500 No UFOs."»
Brian McCollum, Detroit Electronic Music Festival salutes Chicago connection, Detroit Free Press, 22 maggio 2002. URL consultato il 4 aprile 2008 (archiviato dall'url originale il 18 dicembre 2008).
"Strings of Life" appears on compilations titled The Real Classics of Chicago House 2 Archiviato il 30 aprile 2008 in Internet Archive. (2003), Techno Muzik Classics Archiviato il 7 marzo 2008 in Internet Archive. (1999), House Classics Vol. One Archiviato il 26 febbraio 2008 in Internet Archive. (1997), 100% House Classics Vol. 1 Archiviato il 25 febbraio 2008 in Internet Archive. (1995), Classic House 2 Archiviato il 27 febbraio 2008 in Internet Archive. (1994), Best of House Music Vol. 3 Archiviato l'8 gennaio 2008 in Internet Archive. (1990), Best of Techno Vol. 4 Archiviato il 22 novembre 2007 in Internet Archive. (1994), House Nation – Classic House Anthems Vol. 1 Archiviato il 24 dicembre 2007 in Internet Archive. (1994), and numerous other compilations Archiviato il 26 gennaio 2009 in Internet Archive. with the words "techno" or "house" in their titles.
Tim Lawrence, Acid? Can You Jack? (Soul Jazz liner notes), su timlawrence.info, 14 giugno 2005. URL consultato il 3 aprile 2008 (archiviato dall'url originale il 21 marzo 2008).
Interview: Derrick May – The Secret of Techno, su techno.de, Mixmag, 1997. URL consultato il 25 luglio 2012 (archiviato dall'url originale il 14 febbraio 2004).
Various – Techno! The New Dance Sound Of Detroit (Vinyl, LP) at Discogs, su discogs.com, 4 maggio 1988. URL consultato il 13 agosto 2016 (archiviato il 27 agosto 2019).
Marlon Bishop e Wills Glasspiegel, Juan Atkins [interview for Afropop Worldwide], su afropop.org, World Music Productions, 14 giugno 2011. URL consultato il 17 giugno 2011 (archiviato dall'url originale il 23 giugno 2011).
Jon Savage, Machine Soul: A History of Techno, in The Village Voice, 1993. URL consultato il 22 luglio 2008 (archiviato il 19 dicembre 2008). "The U.K. likes discovering trends," Rushton says. "Because of the way that the media works, dance culture happens very quickly. It's not hard to hype something up. ...When the first techno records came in, the early Model 500, Reese, and Derrick May material, I wanted to follow up the Detroit connection. I took a flyer and called up Transmat; I got Derrick May and we started to release his records in England. ...Derrick came over with a bag of tapes, some of which didn't have any name: tracks which are now classics, like 'Sinister' and 'Strings of Life.' Derrick then introduced us to Kevin Saunderson, and we quickly realized that there was a cohesive sound of these records, and that we could do a really good compilation album. We got backing from Virgin Records and flew to Detroit. We met Derrick, Kevin, and Juan and went out to dinner, trying to think of a name. At the time, everything was house, house house. We thought of Motor City House Music, that kind of thing, but Derrick, Kevin, and Juan kept on using the word techno. They had it in their heads without articulating it; it was already part of their language."
DJ Derek May Profile, su fantazia.org.uk, Fantazia Rave Archive. URL consultato il 1º ottobre 2009 (archiviato il 29 settembre 2011).
Sven Schäfer, Talla 2XLC – Am Anfang war der Technoclub [Talla 2XLC – In the beginning, there was the Technoclub], su fazemag.de, Faze Magazin, 21 ottobre 2019. URL consultato il 29 gennaio 2020 (archiviato il 29 gennaio 2020).
How Frankfurt's '80s Tape Scene Laid the Foundation for the City's Techno Renaissance, su electronicbeats.net, 15 ottobre 2019. URL consultato il 19 dicembre 2020 (archiviato il 21 gennaio 2021).
(DE) Fred Kogel, Tanzhouse Acid House Special, su YouTube, Google LLC, 8 dicembre 1988. URL consultato il 27 ottobre 2023 (archiviato il 16 aprile 2023).
"Leaving heroin and melancholia behind" Danielle de Picciotto on the Love Parade, su electronicbeats.net, Electronic Beats, 20 giugno 2014. URL consultato il 17 dicembre 2022 (archiviato il 17 dicembre 2022).
S. Messmer, Eierkuchensozialismus, su taz.de, 1998 (archiviato dall'url originale il 2 gennaio 2022).
(DE) Marc Fischer, Moritz von Uslar, Christian Kracht, Anuschka Roshani, Thomas Hüetlin e Anja Jardine, Der pure Sex. Nur besser., in Der Spiegel, 14 luglio 1996. URL consultato il 17 dicembre 2022 (archiviato il 17 dicembre 2022).
(DE) Youth: Love and Cabbage, in Der Spiegel, 26 agosto 1996. URL consultato il 17 dicembre 2022 (archiviato il 26 febbraio 2017).
Emmett George Price (a cura di), Encyclopedia of African American Music [3 volumes], vol. 3, Santa Barbara, CA, ABC-CLIO, 2010, p. p.942, ISBN 978-0313341991. URL consultato il 6 luglio 2013 (archiviato il 24 maggio 2024).
Resident Advisor: Sub Club, su residentadvisor.net, Resident Advisor, 2 marzo 2018. URL consultato il 2 marzo 2018 (archiviato il 28 marzo 2018).
DMC World – Laurence Malice, su dmcworld.net, tntmagazine.com, 2 marzo 2018. URL consultato il 2 marzo 2018 (archiviato il 5 novembre 2017).
Tresor II: Berlin & Detroit – A Techno Alliance Archiviato il 20 dicembre 2008 in Internet Archive. album details at Discogs
Bill Brewster, I feel love: Donna Summer and Giorgio Moroder created the template for dance music as we know it, su mixmag.net, Mixmag, 22 giugno 2017. URL consultato il 26 maggio 2022 (archiviato il 22 giugno 2017).
Mike Banks, interview, su thewire.co.uk (archiviato dall'url originale l'8 settembre 2012).
John Osselaer, Robert Hood interview, su spannered.org, Overload Media/Spannered, 1º febbraio 2001. URL consultato il 2 dicembre 2011 (archiviato il 19 febbraio 2023).
Mike Rubin, Techno Dances With Jazz, in New York Times, 30 settembre 2001. URL consultato il 2 dicembre 2011 (archiviato il 24 maggio 2013). "Electronic producers of all stripes are now inspired by a broader jazz palette, whether as fodder for samples, as part of the search for rhythmic diversity, or as a reference point for their own artistic aspirations toward a cerebral sophistication removed from the sweat of the dance floor." The article provides, as examples, the music of Kirk Degiorgio, Matthew Herbert, Spring Heel Jack, Tom Jenkinson (Squarepusher), Jason Swinscoe (Cinematic Orchestra) and Innerzone Orchestra (Carl Craig with ex-Sun Ra/James Carter group members, et al.).
Gerald Simpson (A Guy Called Gerald) maintains that "Pacific State" was intended for a John Peel session exclusively, but 808 State's Graham Massey and Martin Price added additional elements by drawing upon Massey's collection of exotic jazz records for inspiration. This led to the inclusion of a distinctive saxophone solo. Massey recalls that: We were trying to do something in the vein of Marshall Jefferson's 'Open Your Eyes'...That track was happening everywhere. The production was released as a white label in May 1989 and later issued on the mini-album Quadrastate at the end of July that year, just as the second Summer of Love was flowering. Massey remembers taking the white label to Mike Pickering, Graeme Park, and Jon Da Silva, and notes that it rose through the ranks to become the last tune of the night. Lawrence, T (2006), Discotheque: Haçienda, sleeve notes for album release of the same name, retrieved from the authors website Archiviato il 15 giugno 2006 in Internet Archive.
Galaxy 2 Galaxy – A Hi Tech Jazz Compilation, su submerge.com, Submerge. URL consultato il 21 luglio 2008 (archiviato dall'url originale il 5 luglio 2008). "Galaxy 2 Galaxy is a band that was conceptualized with the first hitech Jazz record produced by UR in 1986/87 and later released in 1990 which was Nation 2 Nation (UR-005). Jeff Mills and Mike Banks had visions of Jazz music and musicians operating on the same "man machine" doctrine dropped on them from Kraftwerk. Early experiments with synthesizers and jazz by artists like Herbie Hancock, Stevie Wonder, Weather Report, Return to Forever, Larry Heard and Lenny White's Astral Pirates also pointed them in this direction. UR went on to produce and further innovate this form of music which was coined 'Hitech Jazz' by fans after the historic 1993 release of UR's Galaxy 2 Galaxy (UR-025) album which included the underground UR smash titled 'Hitech Jazz'."
Dave Angel: Background Overview at Discogs, 13 febbraio 2003. URL consultato l'11 agosto 2007 (archiviato il 5 settembre 2007).
Angelic Upstart, su techno.de (archiviato dall'url originale il 28 aprile 2008).: Mixmag interview with Dave Angel detailing his interest in jazz. Retrieved from Techno.de Archiviato il 24 maggio 2024 in Internet Archive.
Anker M., Herrington T., Young R. (1995), New Complexity Techno Archiviato il 1º gennaio 2008 in Internet Archive., The Wire, Issue #131 (January '95)
Track listing for the Warp Records 1992 compilation Artificial Intelligence Archiviato il 24 febbraio 2008 in Internet Archive.
Birke S. (2007), "Label Profile: Warp Records", The Independent (UK), Music Magazine (supplement), newspaper article published February 11, 2007
Public Order: Collective Trespass or Nuisance on Land – Powers in relation to raves, su opsi.gov.uk, Her Majesty's Stationery Office, 1994. URL consultato il 17 gennaio 2006 (archiviato il 4 gennaio 2006).
Chaplin, Julia & Michel, Sia. Fire Starters Archiviato il 3 aprile 2023 in Internet Archive., Spin Magazine, page 40, March 1997, Spin Media LLC.
Guiccione, Bob Jr., Live to Tell, Archiviato l'11 aprile 2023 in Internet Archive. Spin Magazine, page 95, January 1996, Spin Media LLC.
(EN) Sal Cinquemani, Miss E...So Addictive, in Slant Magazine. URL consultato il 21 dicembre 2009 (archiviato dall'url originale il 2 gennaio 2010).
(EN) Robert Gorell, Permanent record: Jeff Mills talks Detroit techno and the exhibit that hopes to explain it, in Metro Times. URL consultato l'11 agosto 2007 (archiviato il 29 settembre 2007).
(EN) Ford Unveils New Limited Street Edition Focus, Ford Motors, 6 ottobre 2000. URL consultato il 10 gennaio 2009 (archiviato dall'url originale l'11 luglio 2011).
«"Detroit Techno is a music style that is recognized by young people around the world. We know that music is one of the biggest passions for our young car buyers, so it made sense for us to incorporate a unique music element in our campaign." Focus and Street Edition will feature an image exclaiming "Detroit Techno" on posters and in print ads.»
(EN) New Ford Focus Commercial Features Ground Breaking Juan Atkins' Techno Hit, 11 agosto 2000. URL consultato il 10 gennaio 2009 (archiviato il 24 maggio 2024).
(EN) Sterling McGarvey, Derrick May, in Lunar Magazine. URL consultato il 3 aprile 2008 (archiviato dall'url originale il 4 marzo 2016).
(EN) Kopinjol Baishya, Techno as it should be: Juan Atkins and minimal techno, in Chicago Flame, 17 ottobre 2005 (archiviato dall'url originale l'8 luglio 2011).

worldcat.org (Global: 4^th place; Italian: 18^th place)

Juan Atkins, Juan Atkins, in Dance Music Report, vol. 15, n. 9, 22 maggio 1992, p. 19, ISSN 0883-1122 (WC · ACNP).

youtube.com (Global: 13^th place; Italian: 12^th place)

Derrick May on the roots of techno at RBMA Bass Camp Japan 2010, su YouTube, Red Bull Music Academy, 20 settembre 2010. URL consultato il 23 luglio 2012 (archiviato il 21 dicembre 2021).
(DE) Fred Kogel, Tanzhouse Acid House Special, su YouTube, Google LLC, 8 dicembre 1988. URL consultato il 27 ottobre 2023 (archiviato il 16 aprile 2023).

Techno (Italian Wikipedia)

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