RKO (Japanese Wikipedia)

“Notorious. 1946. Directed by Alfred Hitchcock”. Museum of Modern Art (September 5, 2015). January 11, 2018閲覧。 “Spellbound/Notorious”. American Cinematheque (January 19, 2014). January 11, 2018閲覧。

architecturaldigest.com

Albrecht, Donald (June 2009). “The Art of RKO—Van Nest Polglase and the Modern Movie Set: A Pioneer Who Changed the Cinematic Landscape”. Architectural Digest. May 3, 2010閲覧。

archive.org

Goodwin (1987), pp. 375–76; Jewell (1982), p. 9; Lasky (1989), pp. 25–26; Gomery (1985), p. 65; Crafton (1997), pp. 135–39; Beauchamp (2009), pp. 141–45, 147–52, 155–57, 169–74; Eyman (2010), pp. 211–12, 219–20, 223–27, 238–41; Nasaw (2012), pp. 112–13, 115–16; Erickson (2020), p. 12. “Cinemerger”. Time. (May 2, 1927) November 5, 2022閲覧。. “Pathe Stockholders Ratify Expansion: P.D.C.-K.A.-Orpheum Deal Sanctioned; Line-up Disclosed”. Film Daily: pp. 1, 7. (May 13, 1927) July 7, 2023閲覧。 "700 Theatres Merged in Vaudeville Circuit; Keith-Albee and Orpheum Now Largest in Country—Final Papers Signed", New York Times, January 27, 1928.
Goodwin (1987), pp. 379–80; Jewell (1982), p. 10; Lasky (1989), pp. 33–34; Gomery (1985), pp. 65–66; Crafton (1997), pp. 141–42; Beauchamp (2009), pp. 142, 169–71, 211–14, 218–24, 230–31; Nasaw (2012), pp. 112, 129–31; Erickson (2020), pp. 12–14. Vischer, Peter (October 27, 1928). “Radio-Keith-FBO Deal Closed with Sarnoff as Board Head”. Exhibitors Herald and Moving Picture World: 21 December 28, 2022閲覧。.
Jewell (2012), p. 22; Koszarski (2008), pp. 164–69; “$250,000 for Construction Program at RKO Studio”. Film Daily: p. 6. (January 23, 1929) December 5, 2015閲覧。
“Six Best Money Stars”. Variety: 1. (January 5, 1932) November 28, 2022閲覧。. The roll actually included seven names, with Marlene Dietrich and Greta Garbo somehow tied on an alphabetical list.
“Briskin Resigns as RKO Radio Production Head”. The Film Daily: pp. 1. (November 4, 1937) November 9, 2015閲覧。
Schatz (1999), p. 430; “Television Groups to See First Film Made for Medium”. Motion Picture Herald: 15. (December 9, 1944) November 26, 2022閲覧。.
Jewell (1982), p. 245; Lasky (1989), pp. 228–29; “New O's at RKO”. Fortune: 44. (September 1955) May 10, 2023閲覧。.
"An Open Letter to TV Station Owners and Managers", Billboard, September 8, 1956. Life reported that "according to an estimate made before the purchase, the RKO library contain[ed] 599 features 'suitable for television release.' Of these, 180 [were] of 'superior quality'". Coughlan, Robert (December 5, 1955). “The O'Neils' Money Machine”. Life: 196 (article: pp. 186–90, 195–96, 199–200) May 17, 2023閲覧。.
“General Teleradio Merges / Biggest Film-to-TV Deal”. Television Digest: 1, 5. (November 26, 1955) May 17, 2023閲覧。. “King Bros. Productions, Inc. v. RKO Teleradio Pictures, Inc., 208 F. Supp. 271 (S.D.N.Y. 1962)”. Justia (July 30, 1962). May 17, 2023閲覧。
“109 Top Money Films of 1956”. Variety: 1. (January 2, 1957) May 17, 2023閲覧。.
“RKO Shift to U Set for Feb. 1”. Variety: 3. (January 23, 1957) June 12, 2019閲覧。.
Jewell (1982), p. 298; “Disney, British Firm Co-Own RKO Japan, Ltd.”. Motion Picture Daily 86 (3): pp. 1, 6. (July 6, 1957) April 12, 2018閲覧。 “RKO Radio Pictures Ltd—Regarding Contracts for Films Shown”. Discovery. National Archives. October 22, 2022閲覧。

artnews.com

LaGreca, Angela (November 15, 2022). “Photos: Opening Party for Ted Hartley's Show Featuring Ukraine Series at Keyes Art Gallery”. Dan's Papers December 24, 2022閲覧。 Cassady, Daniel (December 2, 2022). “After Turning to Painting Late in Life, Former Navy Fighter Pilot Ted Hartley Hosts a Benefit Exhibition for Ukraine”. ArtNews December 24, 2022閲覧。

avid.wiki

“RKO Radio Pictures/Logo Variations”. Audiovisual Identity Database. 2022年10月20日閲覧。

cobbles.com

Lasky (1989), pp. 218–20, 223, 227; “Part 6: The Supreme Court Verdict That Brought an End to the Hollywood Studio System, 1948”. The Independent Producers and the Paramount Case, 1938–1949. Society of Independent Motion Picture Producers. July 22, 2006閲覧。

danspapers.com

LaGreca, Angela (November 15, 2022). “Photos: Opening Party for Ted Hartley's Show Featuring Ukraine Series at Keyes Art Gallery”. Dan's Papers December 24, 2022閲覧。 Cassady, Daniel (December 2, 2022). “After Turning to Painting Late in Life, Former Navy Fighter Pilot Ted Hartley Hosts a Benefit Exhibition for Ukraine”. ArtNews December 24, 2022閲覧。

deadline.com

Fritz, Ben (March 31, 2012). “Warner Bros. to Release Classic Samuel Goldwyn Movies”. Los Angeles Times January 11, 2018閲覧。 “Miramax to Manage Films from Samuel Goldwyn's Library”. Deadline. (April 2, 2012) August 17, 2016閲覧。. Szalai, Georg (April 3, 2020). “ViacomCBS Closes Acquisition of 49 Percent Miramax Stake in $375 Million Deal”. Hollywood Reporter. April 3, 2022閲覧。

doi.org

Setliff, Jonathan Stuart (2007). The March of Time and the American Century (PDF) (PhD diss.). University of Maryland. pp. 78–81, 88–89. 2023年3月18日閲覧。 Slide (1998), p. 122; Koszarski (2008), pp. 351–55; Fielding, Raymond (Summer 1957). “Time Flickers Out: Notes on the Passing of the 'March of Time'”. Quarterly of Film Radio and Television 11 (4): 357. doi:10.2307/1209995. JSTOR 120995. (要登録)
Koszarski (2021), pp. 34–37, 49, 320; Jewell (2016), pp. 13, 219 n. 43; Barsam, Richard Meran (Spring 1973). “'This Is America': Documentaries for Theaters, 1942–1951”. Cinema Journal 12 (2): 22–38. doi:10.2307/1225493. JSTOR 1225493. (要登録)
Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal 19 (2): 133. doi:10.2979/FIL.2007.19.2.125. JSTOR 25165419. OCLC 15122313. (要登録)

edgar-online.com

sec.edgar-online.com

“Wesray in Deal for RKO Studio”. The New York Times. (September 18, 1987) October 22, 2022閲覧。 Lambert, Bruce (September 27, 1995). “Playboy Enterprises International Inc. Proxy Statement”. EDGAR Online (SEC). November 18, 2011時点のオリジナルよりアーカイブ。May 19, 2010閲覧。

entlawdigest.com

“New Filing—RKO Acquisition (L.A. Superior Court SC077345)”. Entertainment Law Digest (July 2003). August 6, 2003時点のオリジナルよりアーカイブ。April 14, 2010閲覧。

ew.com

Glieberman, Owen (January 8, 1999). “Mighty Joe Young”. Entertainment Weekly. オリジナルのJune 6, 2011時点におけるアーカイブ。 May 18, 2010閲覧。.

filmsite.org

Jewell (1982), p. 215. For its later status, see, e.g., “100 Best Films of the 20th Century”. Village Voice. Filmsite.org (2001年). March 31, 2014時点のオリジナルよりアーカイブ。January 11, 2018閲覧。 (Sixteenth overall, fifth among Hollywood movies made between 1929 and 1959.)

findlaw.com

caselaw.findlaw.com

“Saltzman v. Commissioner of Internal Revenue (1997)”. FindLaw (December 11, 1997). May 17, 2011時点のオリジナルよりアーカイブ。August 10, 2006閲覧。 The association of the corporate name "Marian Pictures Incorporated" with the acronym "MBP" is per this legal document.

fundinguniverse.com

“GenCorp Inc.—Company History”. Funding Universe. April 12, 2010閲覧。
“GenCorp Inc.—Company History”. Funding Universe. April 12, 2010閲覧。

gloucestertimes.com

McCarthy, Gail (October 8, 2010). “Return of 'The Stranger': Showing Spotlights Local Man's Restoration”. Gloucester Times January 11, 2018閲覧。

hollywoodlostandfound.net

Mitchell, Rick. “Everything You Wanted to Know about American Film Company Logos but Were Afraid to Ask: RKO”. Hollywood Lost and Found. 2022年10月20日閲覧。

hollywoodreporter.com

josephdisante.com

DiSante, Joseph (1999年). “Ted Hartley...and the Rebirth of RKO Studios”. Point of View. November 19, 2012時点のオリジナルよりアーカイブ。July 26, 2006閲覧。 Though the article refers to Hartley–Merrill's "RKO Pictures Inc.", SEC filings establish that the company was, in fact, structured as an LLC at least through 2004. See “Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). December 19, 2022閲覧。

jstor.org

Setliff, Jonathan Stuart (2007). The March of Time and the American Century (PDF) (PhD diss.). University of Maryland. pp. 78–81, 88–89. 2023年3月18日閲覧。 Slide (1998), p. 122; Koszarski (2008), pp. 351–55; Fielding, Raymond (Summer 1957). “Time Flickers Out: Notes on the Passing of the 'March of Time'”. Quarterly of Film Radio and Television 11 (4): 357. doi:10.2307/1209995. JSTOR 120995. (要登録)
Koszarski (2021), pp. 34–37, 49, 320; Jewell (2016), pp. 13, 219 n. 43; Barsam, Richard Meran (Spring 1973). “'This Is America': Documentaries for Theaters, 1942–1951”. Cinema Journal 12 (2): 22–38. doi:10.2307/1225493. JSTOR 1225493. (要登録)
Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal 19 (2): 133. doi:10.2979/FIL.2007.19.2.125. JSTOR 25165419. OCLC 15122313. (要登録)

justia.com

law.justia.com

“General Teleradio Merges / Biggest Film-to-TV Deal”. Television Digest: 1, 5. (November 26, 1955) May 17, 2023閲覧。. “King Bros. Productions, Inc. v. RKO Teleradio Pictures, Inc., 208 F. Supp. 271 (S.D.N.Y. 1962)”. Justia (July 30, 1962). May 17, 2023閲覧。

latimes.com

“Exec Takeover of RKO Fall Through; Prod. Plans Halted”. Variety: pp. 3, 24. (1987年6月24日) Al, Delugach (September 18, 1987). “Wesray to Rescue: RKO Management Finds Backer for Movie Firm Buyout”. Los Angeles Times January 11, 2018閲覧。
Delugach, Al, "Investors Will Pay $48 Million for RKO—Confidential Memo Details Management Group's Purchase Deal", Los Angeles Times, March 16, 1987; "Turner Buys Rights to 800 RKO Movies", Los Angeles Times (Reuters), December 10, 1987.
Fritz, Ben (March 31, 2012). “Warner Bros. to Release Classic Samuel Goldwyn Movies”. Los Angeles Times January 11, 2018閲覧。 “Miramax to Manage Films from Samuel Goldwyn's Library”. Deadline. (April 2, 2012) August 17, 2016閲覧。. Szalai, Georg (April 3, 2020). “ViacomCBS Closes Acquisition of 49 Percent Miramax Stake in $375 Million Deal”. Hollywood Reporter. April 3, 2022閲覧。

moma.org

“Notorious. 1946. Directed by Alfred Hitchcock”. Museum of Modern Art (September 5, 2015). January 11, 2018閲覧。 “Spellbound/Notorious”. American Cinematheque (January 19, 2014). January 11, 2018閲覧。

nationalarchives.gov.uk

discovery.nationalarchives.gov.uk

Jewell (1982), p. 298; “Disney, British Firm Co-Own RKO Japan, Ltd.”. Motion Picture Daily 86 (3): pp. 1, 6. (July 6, 1957) April 12, 2018閲覧。 “RKO Radio Pictures Ltd—Regarding Contracts for Films Shown”. Discovery. National Archives. October 22, 2022閲覧。

nydailynews.com

Brown, Stephen Rex (July 25, 2017). “Producer with Sights Set on 'Citizen Kane' TV Reboot Claims RKO Pictures Foiled His Plan”. NY Daily News October 22, 2022閲覧。 Cullins, Ashley (July 26, 2017). “'Citizen Kane' TV Reboot Sparks Lawsuit”. Hollywood Reporter October 22, 2022閲覧。 Patterson's suit names "RKO Pictures, Inc.", but there is no available confirmation that the company has altered its LLC structure.

nytimes.com

Jewell (1982), p. 245; Lambert, Bruce (August 12, 1993). “C. R. Manby, 73, Ex-Chairman and President of RKO Pictures”. The New York Times. May 19, 2010閲覧。
“Wesray in Deal for RKO Studio”. The New York Times. (September 18, 1987) October 22, 2022閲覧。 Lambert, Bruce (September 27, 1995). “Playboy Enterprises International Inc. Proxy Statement”. EDGAR Online (SEC). November 18, 2011時点のオリジナルよりアーカイブ。May 19, 2010閲覧。
Uytdewilligen (2021), p. 204; “Pavilion Buys Stake in RKO”. New York Times. (September 1, 1989). オリジナルのMarch 8, 2016時点におけるアーカイブ。 January 30, 2016閲覧。 Lucas, Sloane (June 1, 1994). “The Real Players”. Beverly Hills [213]. October 10, 2007時点のオリジナルよりアーカイブ。February 17, 2009閲覧。
Harmetz, Aljean (May 22, 2017). “Dina Merrill, Actress and Philanthropist, Dies at 93”. The New York Times October 22, 2022閲覧。

playbill.com

Jones, Kenneth (February 2, 2004). “Never Gonna Dance Will Shutter Feb. 15”. Playbill.com. October 15, 2012時点のオリジナルよりアーカイブ。May 18, 2010閲覧。

rottentomatoes.com

Anderson, John (April 3, 2007). “Are We Done Yet?”. Variety. May 18, 2010閲覧。 “Are We Done Yet?”. Rotten Tomatoes. May 18, 2010閲覧。
“Beyond a Reasonable Doubt”. Rotten Tomatoes. January 10, 2018閲覧。
“A Late Quartet”. Rotten Tomatoes. October 22, 2022閲覧。 “Barely Lethal”. Rotten Tomatoes. October 22, 2022閲覧。

seattletimes.com

King, Susan (April 4, 2007). “Turner Classic Movies' Search for 6 'Lost' Films Is the Stuff of Movies”. Seattle Times October 22, 2022閲覧。

secinfo.com

DiSante, Joseph (1999年). “Ted Hartley...and the Rebirth of RKO Studios”. Point of View. November 19, 2012時点のオリジナルよりアーカイブ。July 26, 2006閲覧。 Though the article refers to Hartley–Merrill's "RKO Pictures Inc.", SEC filings establish that the company was, in fact, structured as an LLC at least through 2004. See “Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). December 19, 2022閲覧。
“Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). July 22, 2006閲覧。 For more on InternetStudios.com, see “The Company That Never Was...”. StockLemon.com (February 14, 2003). February 19, 2003時点のオリジナルよりアーカイブ。July 22, 2006閲覧。

slantmagazine.com

Bowen, Chuck (January 26, 2019). “Blu-ray Review: Alfred Hitchcock's Notorious on the Criterion Collection”. Slant Magazine. October 20, 2022閲覧。

stocklemon.com

“Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). July 22, 2006閲覧。 For more on InternetStudios.com, see “The Company That Never Was...”. StockLemon.com (February 14, 2003). February 19, 2003時点のオリジナルよりアーカイブ。July 22, 2006閲覧。

tedhartley.com

Uytdewilligen (2021), p. 204; “Pavilion Buys Stake in RKO”. New York Times. (September 1, 1989). オリジナルのMarch 8, 2016時点におけるアーカイブ。 January 30, 2016閲覧。 Lucas, Sloane (June 1, 1994). “The Real Players”. Beverly Hills [213]. October 10, 2007時点のオリジナルよりアーカイブ。February 17, 2009閲覧。

theculverstudios.com

“About Us—Studio History”. The Culver Studios. October 31, 2012時点のオリジナルよりアーカイブ。February 28, 2010閲覧。

time.com

content.time.com

time.com

Goodwin (1987), pp. 375–76; Jewell (1982), p. 9; Lasky (1989), pp. 25–26; Gomery (1985), p. 65; Crafton (1997), pp. 135–39; Beauchamp (2009), pp. 141–45, 147–52, 155–57, 169–74; Eyman (2010), pp. 211–12, 219–20, 223–27, 238–41; Nasaw (2012), pp. 112–13, 115–16; Erickson (2020), p. 12. “Cinemerger”. Time. (May 2, 1927) November 5, 2022閲覧。. “Pathe Stockholders Ratify Expansion: P.D.C.-K.A.-Orpheum Deal Sanctioned; Line-up Disclosed”. Film Daily: pp. 1, 7. (May 13, 1927) July 7, 2023閲覧。 "700 Theatres Merged in Vaudeville Circuit; Keith-Albee and Orpheum Now Largest in Country—Final Papers Signed", New York Times, January 27, 1928.

tophatonstage.com

“Top Hat—Tour”. RKO.com. August 10, 2011閲覧。

trademarkia.com

“Radio Pictures Trademark Information”. Trademarkia. January 11, 2018閲覧。

umd.edu

drum.lib.umd.edu

Setliff, Jonathan Stuart (2007). The March of Time and the American Century (PDF) (PhD diss.). University of Maryland. pp. 78–81, 88–89. 2023年3月18日閲覧。 Slide (1998), p. 122; Koszarski (2008), pp. 351–55; Fielding, Raymond (Summer 1957). “Time Flickers Out: Notes on the Passing of the 'March of Time'”. Quarterly of Film Radio and Television 11 (4): 357. doi:10.2307/1209995. JSTOR 120995. (要登録)

upi.com

Gantman, Howard (November 24, 1986), "Turner Will Temporarily Halt Colorization of RKO Films", UPI.
“RKO Pictures has agreed to drop a lawsuit to...”. UPI (December 17, 1987). May 26, 2022時点のオリジナルよりアーカイブ。 Template:Cite webの呼び出しエラー：引数 accessdate は必須です。

usna.com

“RKO Pictures, Inc.”. USPTO.report. US Patent and Trademark Office. Dec 5, 2023時点のオリジナルよりアーカイブ。October 22, 2022閲覧。 “Ted Hartley '46”. US Naval Academy. May 12, 2001時点のオリジナルよりアーカイブ。August 17, 2006閲覧。

uspto.report

“RKO Pictures, Inc.”. USPTO.report. US Patent and Trademark Office. Dec 5, 2023時点のオリジナルよりアーカイブ。October 22, 2022閲覧。 “Ted Hartley '46”. US Naval Academy. May 12, 2001時点のオリジナルよりアーカイブ。August 17, 2006閲覧。

variety.com

Fleming, Michael (September 11, 2003). “Newman Helms Doc on Eccentric RKO Filmmaker Hartley”. Variety. October 22, 2022閲覧。
Anderson, John (April 3, 2007). “Are We Done Yet?”. Variety. May 18, 2010閲覧。 “Are We Done Yet?”. Rotten Tomatoes. May 18, 2010閲覧。
Fleming, Michael (September 11, 2003). “Newman Helms Doc on Eccentric RKO Filmmaker Hartley”. Variety. October 22, 2022閲覧。
Fleming, Michael (September 11, 2003). “Newman Helms Doc on Eccentric RKO Filmmaker Hartley”. Variety. October 22, 2022閲覧。

web.archive.org

Jewell (1982), p. 215. For its later status, see, e.g., “100 Best Films of the 20th Century”. Village Voice. Filmsite.org (2001年). March 31, 2014時点のオリジナルよりアーカイブ。January 11, 2018閲覧。 (Sixteenth overall, fifth among Hollywood movies made between 1929 and 1959.)
“About Us—Studio History”. The Culver Studios. October 31, 2012時点のオリジナルよりアーカイブ。February 28, 2010閲覧。
“Wesray in Deal for RKO Studio”. The New York Times. (September 18, 1987) October 22, 2022閲覧。 Lambert, Bruce (September 27, 1995). “Playboy Enterprises International Inc. Proxy Statement”. EDGAR Online (SEC). November 18, 2011時点のオリジナルよりアーカイブ。May 19, 2010閲覧。
Uytdewilligen (2021), p. 204; “Pavilion Buys Stake in RKO”. New York Times. (September 1, 1989). オリジナルのMarch 8, 2016時点におけるアーカイブ。 January 30, 2016閲覧。 Lucas, Sloane (June 1, 1994). “The Real Players”. Beverly Hills [213]. October 10, 2007時点のオリジナルよりアーカイブ。February 17, 2009閲覧。
DiSante, Joseph (1999年). “Ted Hartley...and the Rebirth of RKO Studios”. Point of View. November 19, 2012時点のオリジナルよりアーカイブ。July 26, 2006閲覧。 Though the article refers to Hartley–Merrill's "RKO Pictures Inc.", SEC filings establish that the company was, in fact, structured as an LLC at least through 2004. See “Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). December 19, 2022閲覧。
Glieberman, Owen (January 8, 1999). “Mighty Joe Young”. Entertainment Weekly. オリジナルのJune 6, 2011時点におけるアーカイブ。 May 18, 2010閲覧。.
Jones, Kenneth (February 2, 2004). “Never Gonna Dance Will Shutter Feb. 15”. Playbill.com. October 15, 2012時点のオリジナルよりアーカイブ。May 18, 2010閲覧。
“New Filing—RKO Acquisition (L.A. Superior Court SC077345)”. Entertainment Law Digest (July 2003). August 6, 2003時点のオリジナルよりアーカイブ。April 14, 2010閲覧。
“Internetstudios Com Inc 10QSB”. Securities and Exchange Commission (June 30, 2004). July 22, 2006閲覧。 For more on InternetStudios.com, see “The Company That Never Was...”. StockLemon.com (February 14, 2003). February 19, 2003時点のオリジナルよりアーカイブ。July 22, 2006閲覧。
“RKO Pictures, Inc.”. USPTO.report. US Patent and Trademark Office. Dec 5, 2023時点のオリジナルよりアーカイブ。October 22, 2022閲覧。 “Ted Hartley '46”. US Naval Academy. May 12, 2001時点のオリジナルよりアーカイブ。August 17, 2006閲覧。
“Saltzman v. Commissioner of Internal Revenue (1997)”. FindLaw (December 11, 1997). May 17, 2011時点のオリジナルよりアーカイブ。August 10, 2006閲覧。 The association of the corporate name "Marian Pictures Incorporated" with the acronym "MBP" is per this legal document.
“RKO Pictures has agreed to drop a lawsuit to...”. UPI (December 17, 1987). May 26, 2022時点のオリジナルよりアーカイブ。 Template:Cite webの呼び出しエラー：引数 accessdate は必須です。

widescreenmuseum.com

"What? Color in the Movies Again?" Fortune, October 1934 (available online); Morton (2005), pp. 111–12; Lasky (1989), p. 104.

worldcat.org

Pierce, David (June 2007). “Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain”. Film History: An International Journal 19 (2): 133. doi:10.2979/FIL.2007.19.2.125. JSTOR 25165419. OCLC 15122313. (要登録)