ガーディアンズ・オブ・ギャラクシー:リミックス (Japanese Wikipedia)

Analysis of information sources in references of the Wikipedia article "ガーディアンズ・オブ・ギャラクシー:リミックス" in Japanese language version.

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bleedingcool.com (Global: 1,138th place; Japanese: 6,310th place)

boxofficemojo.com (Global: 21st place; Japanese: 34th place)

  • “Guardians of the Galaxy Vol. 2” (英語). Box Office Mojo. 2017年6月8日閲覧.

cartoonbrew.com (Global: 1,787th place; Japanese: 6,450th place)

cinemablend.com (Global: 338th place; Japanese: 1,746th place)

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  • Plumb, Ali. “James Gunn on Guardians of the Galaxy's Secrets – The Current State of the Sequel”. Empire. 2014年8月16日時点のオリジナルよりアーカイブ. 2014年8月16日閲覧. Well, you know, there are general ideas for what the sequel is and where it goes and who’s involved and what happens and what we find out about our characters. So it’s very general and that could change.[中略], but I know a lot about who these characters are and where they came from and where they’re going." "I’m excited by the possibility of creating a sequel because we had to do a lot of setup in this movie and with a sequel we don’t have to do that setup which will make it so much easier for me.
  • Plumb, Ali (12 August 2014). “Exclusive: James Gunn On Guardians Of The Galaxy 2”. Empire. 2014年8月16日時点のオリジナルよりアーカイブ. 2014年8月16日閲覧. He will show up [in the sequel] if he helps our story and he will not show up at all if not. Thanos is not the most important thing in Guardians 2, that’s for damn sure. There’s the Guardians themselves and other threats the Guardians are going to be facing that are not Thanos.
  • Nugent, John (20 March 2017). “Guardians of the Galaxy Vol 2: See Three Exclusive New Images”. Empire. 2017年3月21日時点のオリジナルよりアーカイブ. 2017年3月21日閲覧. “We have over a trillion polygons on Ego’s planet,” says Gunn proudly. “It’s the biggest visual effect of all time. There’s nothing even close to it. Which is cool.”

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  • Mulcahey, Matt (8 June 2017). “DP Henry Braham on Shooting Guardians of the Galaxy Vol. 2 with the First Weapon 8K Vista Vision Full Frame Camera”. Filmmaker Magazine. 2017年10月29日時点のオリジナルよりアーカイブ. 2017年10月29日閲覧. a) We ended up using a miniature stabilized head that I’d been working with in England called the Stabileye, which effectively gives you a handheld dolly. It has a really interesting feel to it because there’s a spontaneity to the way the camera moves that is different and that felt appropriate for this movie.
    b) [Stabileye is] so small that you can get it in there next to the actors and get angles that you wouldn’t otherwise get unless you handheld the camera.

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  • Seymour, Mike (6 June 2017). “The fractal nature of Guardians of the Galaxy Vol. 2”. fxguide英語版. 2016年11月20日時点のオリジナルよりアーカイブ. 2017年6月20日閲覧.
  • Seymour, Mike (21 May 2017). “Guardians of Kurt: Young Kurt Russell & Ego Suppression”. Fxguide. 2017年5月24日時点のオリジナルよりアーカイブ. 2017年5月23日閲覧. a) "We tried morphing to a live action Hoff - but it did not hold up as well. The Kurt version looked better than the Hoff version,..and while we had built a very detailed Kurt digi-double,- we didn't want to go to the same level on the Hoff for just two shots. But in the end we did have to do a partial build digi-double of the Hoff" explained Williams. "The reason we did the Kurt digi-double in the first place was to make sure all the effects stuck correctly to the body, so we weren't trying to do all this pixel level tracking of the effects... so we went with the approach of a full digi-double, the hair, the side of the face everything on Kurt. For the Hoff, we got pretty close, but it is not quite as detailed as for Kurt."[後略]
    b) we needed a big broad jaw, chin, and most importantly the way the laugh lines move and crease as he talks.

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  • Goundry, Nick (28 April 2017). “Guardians of the Galaxy Vol. 2 filmed in Georgia”. KFTV.com. 2018年8月11日閲覧. For Guardians of the Galaxy Vol. 2 we needed very big sound stages because our sets are very large, even though a lot of the film is CGI (computer-generated imagery). I like to have as many practical sets as we can and make the environments as real as possible so it balances out the CGI elements.

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  • Lane, Anthony (15 May 2017). 'Guardians of the Galaxy Vol. 2' and 'Chuck'. The New Yorker. 2018年2月22日時点のオリジナルよりアーカイブ. 2018年2月22日閲覧. It is at this point that the movie, which has been motoring along nicely, fuelled by silliness and pep, begins to splutter. [中略] Let’s hope that Vol. 3 recaptures the fizz of the original, instead of slumping into the most expensive group-therapy session in the universe.

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  • Tallerico, Brian (2 May 2017). “Guardians of the Galaxy Vol. 2”. RogerEbert.com. 2018年2月22日時点のオリジナルよりアーカイブ. 2018年2月22日閲覧. To be blunt, “Vol. 2” avoids many of the flaws of the first movie, and does several things notably better. It’s fun, clever and a great kick-off to the summer movie season.

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  • Roeper, Richard (4 May 2017). 'Guardians of the Galaxy Vol. 2' brings the funny and the feels”. Chicago Sun-Times. 2017年5月5日時点のオリジナルよりアーカイブ. 2017年5月4日閲覧. “Guardians of the Galaxy Vol. 2” isn’t quite as much fun, not quite as clever, not quite as fresh as the original — but it still packs a bright and shiny and sweet punch.[中略]And yet even with all the silliness and all the snarkiness, the Guardians can put a lump in your throat when someone suffers a serious setback, or someone does a solid and risks everything to save someone else.

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