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スージー・アンド・ザ・バンシーズ (Japanese Wikipedia)

Analysis of information sources in references of the Wikipedia article "スージー・アンド・ザ・バンシーズ" in Japanese language version.

refsWebsite
Global rank Japanese rank
4web.archive.org
1st place
1st place
2wikipedia.org
low place
low place
2youtube.com
9th place
8th place
2archive.ph
756th place
123rd place
1allmusic.com
25th place
51st place
1mtv.com
80th place
561st place
1hotpress.com
4,044th place
low place
1thetimes.co.uk
170th place
1,712th place
1qthemusic.com
low place
low place
1abc.net.au
139th place
1,039th place
1rollingstone.com
47th place
262nd place
1latimes.com
22nd place
197th place
1inflightdata.com
low place
low place
1u2wanderer.org
low place
low place
1seattlepi.com
1,215th place
4,027th place
1pitchfork.com
159th place
1,527th place
1archive.is
87th place
39th place
1alltuntun.wordpress.com
low place
low place
1crestfallen.com
low place
low place
1normanrecords.com
low place
low place
1resident-music.com
low place
low place
1roughtrade.com
low place
low place
1hhv.de
low place
low place
1cultura.com
low place
low place
1e.leclerc
low place
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1fnac.com
8,299th place
low place
1amazon.com
105th place
738th place
1bandcamp.com
1,267th place
5,278th place

abc.net.au (Global: 139th place; Japanese: 1,039th place)

allmusic.com (Global: 25th place; Japanese: 51st place)

alltuntun.wordpress.com (Global: low place; Japanese: low place)

  • Casandra Scaroni, Samuel Dietz.. “You’ve got to find a voice [Radiohead Ed O'Brien interview]”. Alltuntun. 2018年9月2日時点のオリジナルよりアーカイブ。2018年9月3日閲覧。 “I was very lucky because I grew up in an era, a time from about 1979 onwards, and I was very aware of music in the charts in England . It was the post-punk era, so you had a lot of music like Siouxsie and the Banshees [...] it was a great era of music, you’d been listening to the charts or tape them on a cassette recorder so you’d have [...] "Spellbound" by Siouxsie And The Banshees,”

amazon.com (Global: 105th place; Japanese: 738th place)

archive.is (Global: 87th place; Japanese: 39th place)

  • Casandra Scaroni, Samuel Dietz.. “You’ve got to find a voice [Radiohead Ed O'Brien interview]”. Alltuntun. 2018年9月2日時点のオリジナルよりアーカイブ。2018年9月3日閲覧。 “I was very lucky because I grew up in an era, a time from about 1979 onwards, and I was very aware of music in the charts in England . It was the post-punk era, so you had a lot of music like Siouxsie and the Banshees [...] it was a great era of music, you’d been listening to the charts or tape them on a cassette recorder so you’d have [...] "Spellbound" by Siouxsie And The Banshees,”

archive.ph (Global: 756th place; Japanese: 123rd place)

bandcamp.com (Global: 1,267th place; Japanese: 5,278th place)

thejohnmckay.bandcamp.com

crestfallen.com (Global: low place; Japanese: low place)

cultura.com (Global: low place; Japanese: low place)

e.leclerc (Global: low place; Japanese: low place)

fnac.com (Global: 8,299th place; Japanese: low place)

hhv.de (Global: low place; Japanese: low place)

hotpress.com (Global: 4,044th place; Japanese: low place)

inflightdata.com (Global: low place; Japanese: low place)

latimes.com (Global: 22nd place; Japanese: 197th place)

articles.latimes.com

  • Appleford, Steve (2000年10月29日). “Checking In With . . . PJ Harvey In a New York State of Mind”. Los Angeles Times. 2016年5月10日閲覧。 “Q: Was there any figure who connected with you when you were just a listener? A: It's hard to beat Siouxsie Sioux, in terms of live performance. She is so exciting to watch, so full of energy and human raw quality.”

mtv.com (Global: 80th place; Japanese: 561st place)

normanrecords.com (Global: low place; Japanese: low place)

pitchfork.com (Global: 159th place; Japanese: 1,527th place)

  • Dombal, Ryan. “Radiohead interview”. Pitchfork.com. 2008年3月21日閲覧。 “Colin Greenwood: In rehearsals yesterday, Thom, Ed and I were running through a Siouxsie and the Banshees cover called "Happy House" and Jonny [Greenwood]-- the young one-- was like, "What the fuck is this?" And we're like, You know, Siouxsie and the Banshees! Check out Juju [ Siouxsie and the Banshees' 1981 album]”

qthemusic.com (Global: low place; Japanese: low place)

  • “Playlist – Peter Hook [Joy Division 's “Field recordings]”. Q magazine (2013年4月23日). 2017年1月10日閲覧。 “Siouxsie And The Banshees were one of our big influences [...] The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing”
    Morris, Stephen (2019). Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years Volume I. Constable. ISBN 978-1472126207. "[Stephen Morris]: It would be Siouxsie and the Banshees to whom I most felt some kind of affinity. [...] the bass-led rhythm, the way first drummer Kenny Morris played mostly toms. In interviews Siouxsie would claim the sound of cymbals was forbidden [...] The Banshees had that [...] foreboding sound, sketching out the future from the dark of the past. [...] hearing the sessions they'd done on John Peel's show and reading gigs write-ups, I had to admit they sounded interesting." 

resident-music.com (Global: low place; Japanese: low place)

rollingstone.com (Global: 47th place; Japanese: 262nd place)

roughtrade.com (Global: low place; Japanese: low place)

seattlepi.com (Global: 1,215th place; Japanese: 4,027th place)

  • “An interview with Johnny Marr”. seattlepi.com (2014年12月17日). 2015年12月1日閲覧。 “I try to think about the guitar along the spectrum of James Williamson, who was in the Stooges during the Raw Power era, on the one hand to John McLaughlin and his solo record, My Goal's Beyond. I like all the spectrum in between, and that might be – and is – Richard Lloyd of Television, John McGeoch from Siouxsie and the Banshees, Nile Rodgers. To me these people are magicians and artists”

thetimes.co.uk (Global: 170th place; Japanese: 1,712th place)

  • Williamson, Nigel (27 November 2004). “Siouxsie & the Banshees”. The Times. 2023年7月25日閲覧. ...with the Banshees she helped to invent a form of post-punk discord full of daring rhythmic and sonic experimentation... The Banshees stand proudly alongside PIL, Gang of Four and the Fall as the most audacious and uncompromising musical adventurers of the post-punk era.

u2wanderer.org (Global: low place; Japanese: low place)

  • “U2 Jukebox”. U2wanderer.org. 2010年11月1日閲覧。

web.archive.org (Global: 1st place; Japanese: 1st place)

wikipedia.org (Global: low place; Japanese: low place)

en.wikipedia.org

  • Goddard, Simon (2012) [2009]. Mozipedia: The Encyclopedia of Morrissey and the Smiths. London: Ebury Publishing. p. 393. ISBN 978-1-407-02884-2 
  • McDonnell, Evelyn; Kelly, Karen, eds (1999). Stars Don't Stand Still in the Sky: Music and Myth. New York: NYU Press. p. 82. ISBN 978-0-814-74727-8 

youtube.com (Global: 9th place; Japanese: 8th place)