ネオ・リーマン理論 (Japanese Wikipedia)

Analysis of information sources in references of the Wikipedia article "ネオ・リーマン理論" in Japanese language version.

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Yust, Jason (May 2015). “Schubert's Harmonic Language and Fourier Phase Space”. Journal of Music Theory 59 (1): 121–181. doi:10.1215/00222909-2863409.

doi.org

Cohn, Richard (Autumn 1998). “An Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective”. Journal of Music Theory 42 (2): 167–180. doi:10.2307/843871. JSTOR 843871.
Cohn, Richard (Spring 2000). “Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes”. Music Theory Spectrum 22 (1): 89–103. doi:10.1525/mts.2000.22.1.02a00040. JSTOR 745854.
Cohn, Richard (Summer 2004). “Uncanny Resemblances: Tonal Signification in the Freudian Age”. Journal of the American Musicological Society 57 (2): 285–323. doi:10.1525/jams.2004.57.2.285. JSTOR 10.1525/jams.2004.57.2.285.
Cohn, Richard (March 1996). “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions”. Music Analysis 15 (1): 9–40. doi:10.2307/854168. JSTOR 854168. https://www.jstor.org/stable/854168.
Tymoczko, Dmitri (27 November 2008). “Scale Theory, Serial Theory, and Voice Leading”. Music Analysis 27 (1): 1–49. doi:10.1111/j.1468-2249.2008.00257.x.
Tymoczko, Dmitri (2006). “The Geometry of Musical Chords”. Science 313 (5783): 72–74. doi:10.1126/science.1126287. PMID 16825563.
Callender, Clifton; Quinn, Ian; Tymoczko, Dmitri (18 Apr 2008). “Generalized Voice Leading Spaces”. Science 320 (5874): 346–348. doi:10.1126/science.1153021. PMID 18420928.
Baroin, Gilles (2011). Agon, C. (ed.). Mathematics and Computation in Music. MCM 2011. Lecture Notes in Computer Science (英語). Vol. 6726. Berlin, Heidelberg: Springer. pp. 326–329. doi:10.1007/978-3-642-21590-2_25. ISBN 9783642215896。
Amiot, Emmanuel (2013). Yust, J. (ed.). Mathematics and Computation in Music. MCM 2013. Lecture Notes in Computer Science (英語). Vol. 7937. Berlin, Heidelberg: Springer Berlin Heidelberg. pp. 1–18. doi:10.1007/978-3-642-39357-0_1. ISBN 9783642393563。
Yust, Jason (May 2015). “Schubert's Harmonic Language and Fourier Phase Space”. Journal of Music Theory 59 (1): 121–181. doi:10.1215/00222909-2863409.
Douthett, Jack; Steinbach, Peter (1998). “Parsimonious Graphs: A Study in Parsimony, Contextual Transformation, and Modes of Limited Transposition”. Journal of Music Theory 42 (2): 241–263. doi:10.2307/843877. JSTOR 843877.

jstor.org

Cohn, Richard (Autumn 1998). “An Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective”. Journal of Music Theory 42 (2): 167–180. doi:10.2307/843871. JSTOR 843871.
Cohn, Richard (Spring 2000). “Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes”. Music Theory Spectrum 22 (1): 89–103. doi:10.1525/mts.2000.22.1.02a00040. JSTOR 745854.
Cohn, Richard (Summer 2004). “Uncanny Resemblances: Tonal Signification in the Freudian Age”. Journal of the American Musicological Society 57 (2): 285–323. doi:10.1525/jams.2004.57.2.285. JSTOR 10.1525/jams.2004.57.2.285.
Cohn, Richard (March 1996). “Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions”. Music Analysis 15 (1): 9–40. doi:10.2307/854168. JSTOR 854168. https://www.jstor.org/stable/854168.
Douthett, Jack; Steinbach, Peter (1998). “Parsimonious Graphs: A Study in Parsimony, Contextual Transformation, and Modes of Limited Transposition”. Journal of Music Theory 42 (2): 241–263. doi:10.2307/843877. JSTOR 843877.
Callender, Clifton (1998). Voice-Leading Parsimony in the Music of Alexander Scriabin. 42. Journal of Music Theory. pp. 219–233. https://www.jstor.org/stable/843875.
Siciliano, Michael (2005). Toggling Cycles, Hexatonic Systems, and Some Analysis of Early Atonal Music. 27. Music Theory Specturm. pp. 221–247.

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science.org

Callender, Clifton; Quinn, Ian; Tymoczko, Dmitri (18 Apr 2008). “Generalized Voice Leading Spaces”. Science 320 (5874): 346–348. doi:10.1126/science.1153021. PMID 18420928.

usp.br

edisciplinas.usp.br

Douthett, Jack; Steinbach, Peter (1998). “Parsimonious Graphs: A Study in Parsimony, Contextual Transformation, and Modes of Limited Transposition”. Journal of Music Theory 42 (2): 241–263. doi:10.2307/843877. JSTOR 843877.

wikipedia.org

en.wikipedia.org

元の和音が含まれるAugmented scale（英語版）で、元の和音の補集合となる和音との交換。後述のリチャード・コーンの研究で出現する語である。

worldcat.org

search.worldcat.org

Klumpenhouwer, Henry (1994). “Some Remarks on the Use of Riemann Transformations”. Music Theory Online 0 (9). ISSN 1067-3040.

youtube.com

Jacob Collier discusses Negative Harmony and How To Learn Music - YouTube. 2021年4月28日閲覧。