マンダロリアン (スター・ウォーズのキャラクター) (Japanese Wikipedia)

Analysis of information sources in references of the Wikipedia article "マンダロリアン (スター・ウォーズのキャラクター)" in Japanese language version.

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  • Weathers, Carl; Breznican, Anthony [in 英語] (12 November 2019). "Still Watching: The Mandalorian — "Chapter One" with Jon Favreau and Carl Weathers" (Podcast). Vanity Fair. 該当時間: 70:52–71:06. 2020年1月29日閲覧The Mandalorian is, I think, in some ways like every other character in The Mandalorian. There is something about him that's very selfish and self-centered but there's also something about him that's very altruistic and human. There's a humanity to him.
  • Pascal & Breznican 2019, 60:02–61:04 Pascal: "It was a toy that I had when I was a kid. It was like my favorite Star Wars action figure. ... As a child, these characters did not stand out for me in having seen the movie, but the toys did. It was the toys I fell in love with and utilized the most." Breznican: "In your own storytelling. That's what kids do, they use those characters to tell their own stories." Pascal: "Exactly. And so to put on a costume that hearkens to my experience to one of my favorite toys is really weird." Breznican: "It conjures those emotions of those good times, right?" Pascal: "Absolutely." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Carano, Gina (29 November 2019). "Still Watching: The Mandalorian — "Chapter Four: Sanctuary" with Gina Carano" (Podcast). Vanity Fair. 該当時間: 56:02–56:45. 2020年1月29日閲覧Pedro, he said something earlier to me, he said, 'I play my characters how I feel sometimes.' In all of his other characters, Narcos, Games of Thrones, I don't know how to beat that big guy, and I'm going to let the audience know I don't know how to beat him, or I'm going to let them feel me on that. So he's very vulnerable in a beautiful way. So when he puts on this Mandalorian costume you can kind of feel a little bit of that vulnerability which is such a great contrast, and it just makes him that much more mysterious. You want to know who is this guy underneath here. You can feel his personality, you want to know more about him. He's so sexy.
  • Pascal & Breznican 2019, 62:51–63:35 Pascal: "Jon is a freak. He was just the other day noticing that my boots didn't have the appropriate level of frost, and then after a long conversation I couldn't help through my own exhaustion just thinking to myself, 'Now you're just going crazy.' I kept that thought to myself, which I'll now share with the world. And then I walk into my dressing room and the boots had been worked on and they looked exactly what my boots would've looked like after walking through a blizzard in New York City." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Pascal & Breznican 2019, 50:16–51:03 I'm not going to lie, it's really strange, but not altogether new. It's about reintroducing myself to all the things I learned in class and on stage. I remember doing commedia dell'arte and an entire portion of this one play where I had to do it in a mask and in very, very animated and exaggerated way, use your body to tell the story. This is very much like that but in the opposite tone of economical movements. Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Pascal & Breznican 2019, 47:10–47:35 Pascal: "It's been a really interesting improvisation in terms of figuring out what his posture is, how he moves, how he walks, how he communicates, how he makes a point, and how the voice exists under the mask. It's very detail-oriented." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Pascal & Breznican 2019, 51:46–52:20 Pascal: "That's like the dominant thing about it is figuring all of those details out, and all of the tricks or habits really that you develop, the way that you hold your head or, like, fidgets don't really work with this character so you have to be hyper vigilant bout that stuff. it's exhausting." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Pascal & Breznican 2019, 49:44–50:16 Breznican: "How much of your physicality is dictated by the costume, by the weight of it, by the boots, by the armor you're wearing on your body? Sometimes restriction is good, it helps you find a character." Pascal: "I would say only about 100%. It's all about weight distribution and using the design of the costume to share the character." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Pascal & Breznican 2019, 47:49–48:03 Pascal: "Once we capture the body language on camera, and obviously the voice being specifically connected to that body language, but then we can fine tune it, we can change it in post." Pascal, Pedro; Breznican, Anthony [in 英語] (15 November 2019). "Still Watching: The Mandalorian – "Chapter Two: The Child" with Pedro Pascal". Vanity Fair (Podcast). 2020年3月11日閲覧
  • Swallow & Regan 2020, 26:34–27:04 Swallow: "He's so down to earth. Actually, he and I go back several years because I know him through the New York theater scene, and then we were both on The Mentalist at the same time, because the season that I was on there, he was brought in to be a love interest for Robin's character. So that was really fun because we hadn't seen each other in a while when we got to do that, and then to get to do this which is so entirely different, it's just delightful when you get to come across people that you already know and like and then you get to say, 'Oh now we get to work together, this is awesome.'" Swallow, Emily; Regan, Henric (26 January 2020). "Emily Swallow – BONUS: The Mandalorian's Armorer" (Podcast). Spoiler Country. 2020年2月4日閲覧
  • Swallow, Emily (25 January 2020). "ITCAF Interview — Emily Swallow" (Podcast). Inside the Crazy Ant Farm. 該当時間: 10:59–11:09. 2020年2月5日閲覧We know each other from the New York theater scene, and then we got to work together on The Mentalist, totally randomly, so it was awesome to be able to work with him on this.
  • Swallow, Emily (12 November 2019). "Emily Swallow star of the Star Wars series The Mandalorian chats with Galaxy" (Podcast). Comic Con Radio. 該当時間: 25:31–25:55. 2020年2月6日閲覧Pedro and I, actually, I know him from the theater crowd in New York, but then we got to work together on The Mentalist, because he came in as a love interest for Robin's character while I was on the show. And that was so much fun because we knew each other from New York, and then we got to work together on that, and then finding out that I was going to get to work with him on The Mandalorian was really cool.
  • Swallow & Regan 2020, 27:10–27:35 Swallow: "I was so curious before this show came out to see how this was going to work, you know, having this central character who we never got to see who was so mysterious, but I sort of knew just based on who Pedro is that his goodness would come across. And I feel like that totally happened. So I guess I'm sort of not surprised because I feel like Pedro's exactly the person who could do that." Swallow, Emily; Regan, Henric (26 January 2020). "Emily Swallow – BONUS: The Mandalorian's Armorer" (Podcast). Spoiler Country. 2020年2月4日閲覧

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  • Pascal 2019, 3:35–4:06 I love the opportunity to make him as human and as accessible as possible, which is strange to say because it's impossible to get to him because he's covered in armor from head to toe. And yet the idea is, he's relatable. We're all kind of covered in our own armor and terrified of taking that armor off, and that's the thing that crosses him over into a character that we're really going to want to follow. Pascal, Pedro (12 November 2019). The Mandalorian: Pedro Pascal Official TV Interview – Disney Plus. ScreenSlam (YouTube). 2020年3月10日閲覧
  • Pascal 2019, 1:38–2:05 I remember getting a call from my agent saying Jon Favreau wants to meet you regarding a Star Wars project. And so I immediately said, 'When and where?' I wanted to meet Jon Favreau. I didn't care what he wanted me to do. I had no idea what it was, whether it was a feature or a cereal box, I had no idea. Pascal, Pedro (12 November 2019). The Mandalorian: Pedro Pascal Official TV Interview – Disney Plus. ScreenSlam (YouTube). 2020年3月10日閲覧
  • Isaac, Oscar; Pascal, Pedro (12 March 2019). Oscar Isaac & Pedro Pascal Answer the Web's Most Searched Questions. Wired (YouTube). 該当時間: 0:54–1:02. 2020年2月27日時点のオリジナルよりアーカイブ。2020年3月10日閲覧Isaac: "Is Pedro Pascal the Mandalorian?" Pascal: "Pedro Pascal is the Mandalorian." Isaac: "You're welcome. I convinced him to do it."
  • Filoni, Dave (14 November 2019). 'The Mandalorian' Episode 1 Behind the Scenes. Hollywood.com (YouTube). 該当時間: 0:37–1:09. 2020年3月4日時点のオリジナルよりアーカイブ。2020年3月11日閲覧The average person if you show them that helmet, if they say anything they'll say it's Boba Fett. So we immediately started to draw visual differences between the two characters. Our character's more bulked up than Boba ever was, his armor's actually quite different if you look at it. His helmet's actually different, little different traits to it. The colors of it. All these things point out at little differences. There are similarities, which are almost unavoidable, but we wanted to tell a story with somebody where we had kind of more of a blank page to write it.
  • Pascal, Pedro (24 August 2019). The Mandalorian. Wired (YouTube). 該当時間: 2:02–2:14. 2020年3月5日時点のオリジナルよりアーカイブ。2020年3月10日閲覧You'd think that we felt a lot of pressure but somehow Dave Filoni and Jon Favreau shielded us from that and made it just this environment where we could just come and create and play and work really, really, really hard.