“The Notebook Production Notes”. Movies Central. 2012年7月12日時点のオリジナルよりアーカイブ。2012年1月3日閲覧。 “It gave me an opportunity to play a character over a period of time - from 1940 to 1946 - that was quite profound and formative.”
Stone, Jay. “Ryan Gosling is Mr. TIFF”. Canada.com. 2012年6月29日時点のオリジナルよりアーカイブ。2012年1月26日閲覧。 “Dead Man's Bones is planning another album, but Gosling says this time, there will be no children involved. "If we're going to go on tour, you can't smoke, you can't swear, you can't get drunk," he says. "You have to make sure they have pizza and go to the bathroom. It's not very rock 'n' roll."”
“The Notebook Production Notes”. Movies Central. 2012年7月12日時点のオリジナルよりアーカイブ。2012年1月3日閲覧。 “It gave me an opportunity to play a character over a period of time - from 1940 to 1946 - that was quite profound and formative.”
“In Love with a Real Doll”. Beliefnet. p. 2 (2007年10月). 2012年1月26日閲覧。 “I grew up Mormon. I wasn't really Mormon, my parents were. My mom was really cool. She said, "This is an option, but this isn't the only option. This is an idea, but this isn’t the only idea. You have to find your own truth." I never really could identify with it. There's good things about going to church. [Being Mormon] socialized me at a young age. You have to pray in public, shake a lot of hands, talk in public, sing in church, stuff like that. It has definitely stayed with me.”
Lemire, Christy (2013年1月9日). “Review: 'Gangster Squad' is a numbing barrage”. Boston.com. 2013年1月9日時点のオリジナルよりアーカイブ。2017年5月3日閲覧。 “While the film wallows in period detail and has some sporadic moments of amusing banter, it’s mostly flashy, empty and cacophonous, and it woefully wastes a strong cast led by Josh Brolin, Ryan Gosling and Emma Stone in barely developed, one-note roles.[中略]His sidekick is the initially reluctant Sgt. Jerry Wooters (Gosling, chain smoking and speaking in a weird, whispery voice)”
Stone, Jay. “Ryan Gosling is Mr. TIFF”. Canada.com. 2012年6月29日時点のオリジナルよりアーカイブ。2012年1月26日閲覧。 “Dead Man's Bones is planning another album, but Gosling says this time, there will be no children involved. "If we're going to go on tour, you can't smoke, you can't swear, you can't get drunk," he says. "You have to make sure they have pizza and go to the bathroom. It's not very rock 'n' roll."”
Nashawaty, Chris (2015年12月7日). “The Big Short: EW Review”. Entertainment Weekly. 2016年7月15日閲覧。 “As our semi-trustworthy slickster narrator, Ryan Gosling oozes smarm and smartass charm, leading viewers through the ins and outs of a game that’s always been rigged against regular, hardworking folks.”
Bordelon, Jenna (2010年12月2日). “Ryan Gosling: Why Peter Jackson Fired Me From 'Lovely Bones'”. ハリウッド・レポーター. 2017年4月21日閲覧。 “"We didn't talk very much during the preproduction process, which was the problem," Gosling said. "It was a huge movie, and there's so many things to deal with, and he couldn't deal with the actors individually. I just showed up on set, and I had gotten it wrong. Then I was fat and unemployed."”
“Interview: Matthew Ryan Hoge & Ryan Gosling”. IGN. 2012年1月26日閲覧。 “It's this kind of character that's not in movies very often &#Array; characters that are emotionally disconnected for the whole film &#Array; so it's a tricky thing to tap into. I felt he was kind of interesting.”
incontention.com
Tapley, Kristopher (2006年11月28日). “Interview: Ryan Gosling”. In Contention.com. 2012年1月26日閲覧。
“Steve Carell and Gosling”. Interview. p. 3. 2010年11月23日時点のオリジナルよりアーカイブ。2017年4月11日閲覧。 “But then I got back from doing that show and did a movie called The Believer, which is the film that kind of gift-wrapped for me the career that I have now.”
Dargis, Manohla (2007年4月20日). “Fracture”. The New York Times. https://movies.nytimes.com/2007/04/20/movies/20frac.html2012年1月26日閲覧. "The glib entertainment “Fracture” offers an assortment of tasty treats, notably the spectacle of that crafty scene stealer Anthony Hopkins mixing it up with that equally cunning screen nibbler Ryan Gosling. [中略] Each actor is playing a pulp type rather than a fully formed individual, but both fill in the blanks with an alchemical mix of professional and personal charisma."
A.O. Scott (2017年10月2日). “Review: In ‘Blade Runner 2049,’ Hunting Replicants Amid Strangeness”. ニューヨーク・タイムズ. 2018年8月16日閲覧。 “This is impeccable casting. Mr. Gosling’s ability to elicit sympathy while seeming too distracted to want it — his knack for making boredom look like passion and vice versa — makes him a perfect warm-blooded robot for our time. He is also, in 2017, something close to what Harrison Ford was 35 years ago: the contemporary embodiment of Hollywood’s venerable ideal of masculine cool, a guy whose toughness will turn out to be the protective shell encasing a tender soul.”
“Dead Man's Bones”. Pitchfork Media. 2012年1月26日閲覧。 “So many ways for it to go wrong, but instead it's a unique, catchy and lovably weird record, with highlights (the electric piano singalong "Pa Pa Power", the Beck-ish "Werewolf Heart") that could hold their own with the best indie singles of the year.”
“Dead Man's Bones”. Prefix. 2012年1月26日閲覧。 “But even without a stage counterpart, Dead Man’s Bones evokes all the right images of a haunted October, and with such sensitivity and sincerity, it’s rarely kitschy and never inappropriate.”
“Drive”. rogerebert.com. (2011年9月14日). http://www.rogerebert.com/reviews/drive-20112012年1月26日閲覧. "Ryan Gosling is a charismatic actor, as Steve McQueen was. He embodies presence and sincerity. Ever since his chilling young Jewish neo-Nazi in "The Believer" (2001), he has shown a gift for finding arresting, powerful characters."
“The Big Short: Sound and Fury on Wall Street”. The Atlantic (2015年12月11日). 2016年7月15日閲覧。 “Gosling is smarmily funny, somehow simultaneously magnetic and repulsive; after years wandering the halls of mediocre art cinema, it’s wonderful to see him cut loose again.”
Orr, Christopher (2016年5月20日). “The Nice Guys: An Intoxicating Comic Noir”. The Atlantic. 2017年5月4日閲覧。 “But Gosling is the real revelation, alternating smoothly between sharp line deliveries and loopy physical comedy. (It’s not quite Robert Downey Jr.’s career-resuscitating turn in Kiss Kiss Bang Bang, but it will more than do.)”
Mueller, Matt (2008年3月14日). “Interview: Ryan Gosling”. London: The Guardian. https://www.theguardian.com/film/2008/mar/14/1. "Will the experience make him reassess how he approaches offers? "Yeah, I think so. It was nice to be believed in that much, but it was also an important realisation for me: not to let your ego get involved. It's OK to be too young for a role.""
Bradshaw, Peter (2014年5月20日). “Cannes review: Lost River - Ryan Gosling flounders with directorial debut”. The Guardian. 2017年5月3日閲覧。 “For "River" read "Opportunity" or "Any Sense Of Proportion Or Humility" or maybe just "Mind". [中略] It is colossally indulgent, shapeless, often fantastically and unthinkingly offensive and at all times insufferably conceited.”
McCarthy, Todd (2001年1月25日). “The Believer”. Variety. http://variety.com/2001/film/reviews/the-believer-1117797162/2017年6月11日閲覧. "But Gosling, who recently gained notice in “Remember the Titans,” could scarcely have been better as the rock-hard, mentally penetrating, well-spoken and impossibly conflicted Danny. It’s a dynamite performance in a unique, and uniquely troubling, role."
McCarthy, Todd (2002年4月12日). “Murder By Numbers”. Variety. http://www.variety.com/review/VE1117917458?refcatid=312012年1月26日閲覧. "But as strong and charismatic as Pitt and Gosling are playing these upper-class California devils, they are let down by the screenplay by Tony Gayton (“The Salton Sea”), which doesn’t explore the nature of their dubious collaboration deeply or convincingly."
Debruge, Peter (2017年9月29日). “Film Review: ‘Blade Runner 2049’”. Variety. 2018年8月16日閲覧。 “Considerably bulked up since last year’s “La La Land,” the naturally charismatic Gosling is back in the somewhat off-putting zero-emotion mode of “Drive” and “Only God Forgives,” channeling the nihilistic cool Alain Delon demonstrated in hit-man masterpiece “Le Samouraï” to create a character who’s every bit as cool, and twice as inscrutable.”
villagevoice.com
Scott Foundas (2013年3月29日). “Ryan Gosling Is Your Trailer Park Prince Valiant in The Place Beyond the Pines - Page 1 - Movies - New York”. Village Voice. 2013年8月1日時点のオリジナルよりアーカイブ。2013年7月25日閲覧。 “Gosling's character verges on parody ... Gosling uses a soft, wounded half-whisper that tells us this is all some kind of put-on ... It's a close variation on the role Gosling played to stronger effect in Nicolas Winding Refn's existential Hollywood thriller, Drive, where it was clear the character was meant to be an abstraction.”
vulture.com
Edelstein, David. “Movie Review: Only God Forgives”. Vulture. 2013年7月25日閲覧。 “Gosling looked like a major actor as a skinhead in The Believer and a star in Half Nelson. Then he stopped acting and started posing. His performance in Only God Forgives (would God forgive that title?) is one long, moist stare, although it’s hard to imagine he can see anything amid the crimson gloom or the rain that raineth.”
Yuan, Jada (2014年5月26日). “Cannes: Nicolas Winding Refn Defends Ryan Gosling Movie”. Vulture. 2017年5月3日閲覧。 “But Refn doesn't care, so why should you? "Because we're twins, we make the same movie," said Refn. "Separated at birth, we found each other. That's the thing about twins. We stick together."”
“Steve Carell and Gosling”. Interview. p. 3. 2010年11月23日時点のオリジナルよりアーカイブ。2017年4月11日閲覧。 “But then I got back from doing that show and did a movie called The Believer, which is the film that kind of gift-wrapped for me the career that I have now.”
Lemire, Christy (2013年1月9日). “Review: 'Gangster Squad' is a numbing barrage”. Boston.com. 2013年1月9日時点のオリジナルよりアーカイブ。2017年5月3日閲覧。 “While the film wallows in period detail and has some sporadic moments of amusing banter, it’s mostly flashy, empty and cacophonous, and it woefully wastes a strong cast led by Josh Brolin, Ryan Gosling and Emma Stone in barely developed, one-note roles.[中略]His sidekick is the initially reluctant Sgt. Jerry Wooters (Gosling, chain smoking and speaking in a weird, whispery voice)”
Scott Foundas (2013年3月29日). “Ryan Gosling Is Your Trailer Park Prince Valiant in The Place Beyond the Pines - Page 1 - Movies - New York”. Village Voice. 2013年8月1日時点のオリジナルよりアーカイブ。2013年7月25日閲覧。 “Gosling's character verges on parody ... Gosling uses a soft, wounded half-whisper that tells us this is all some kind of put-on ... It's a close variation on the role Gosling played to stronger effect in Nicolas Winding Refn's existential Hollywood thriller, Drive, where it was clear the character was meant to be an abstraction.”
