レボリューション9 (Japanese Wikipedia)

Analysis of information sources in references of the Wikipedia article "レボリューション9" in Japanese language version.

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allmusic.com

Athitakis, Mark (September–October 2013). “A Beatles Reflection”. Humanities (National Endowment of the Humanities) 34 (5). "The Beatles, by contrast, was scruffy and centerless, its thirty songs encompassing mock-Beach Boys vocal harmonies ('Back in the U.S.S.R.'), ... proto-punk ('Helter Skelter'), sound collage ('Revolution 9'), and plenty more besides."

“A Master's in Paul-Is-Definitely-Not-Dead”. The New York Times. The New York Times Company (2009年3月7日). 2021年11月1日閲覧。 “... the freedom they gave themselves to make experimental works like 'Revolution 9.'”

Kreps, Daniel (2009年2月27日). “The Beatles' Experimental "Revolution 1 (Take 20)" Surfaces”. Rolling Stone. 2021年11月1日閲覧。 “The track makes it clear why seemingly unrelated 'Revolution 1' and the maniacal 'Revolution 9' sound collage share the same name.”

“Notes on 'Revolution #9'”. Soundscapes.info. 2021年11月1日閲覧。 “As one of the more infamous achievements of the mid twentieth century avant garde, this form of musical composition challenges the listener on both psychological and philosophical grounds.”

“Crackle goes pop: how Stockhausen seduced the Beatles”. The Guardian. Guardian Media Group (2015年12月26日). 2021年11月1日閲覧。 “The Beatles' Revolution 9 brought experimental music to a global audience.”