Jamin, Jérôme (February 6, 2018). “Cultural Marxism: A survey”. Religion Compass12 (1–2): e12258. doi:10.1111/REC3.12258. https://onlinelibrary.wiley.com/doi/abs/10.1111/rec3.12258. "When looking at the literature on Cultural Marxism as a piece of cultural studies, as a conspiracy described by Lind and its followers, and as arguments used by Buchanan, Breivik, and other actors within their own agendas, we see a common ground made of unquestionable facts in terms of who did what and where, and for how long at the Frankfurt School. Nowhere do we see divergence of opinion about who Max Horkheimer, Theodor Adorno, and Herbert Marcuse really were, when they have met and in which universities. But this changes if we look at descriptions of what they wanted to do: conducting research or changing deeply the culture of the West? Were they working for political science or were they engaging with a hidden political agenda? Were they working for the academic community or obeying foreign secret services?"
“The 'Great Meme War:' the Alt-Right and its Multifarious Enemies”. Angles. New Perspectives on the Anglophone World (10). (April 1, 2020). doi:10.4000/angles.369. ISSN2274-2042. オリジナルのSeptember 27, 2020時点におけるアーカイブ。. https://web.archive.org/web/20200927071602/https://journals.openedition.org/angles/369November 4, 2020閲覧. "The Cultural Marxism narrative has particularly telling ancestors, since it is a mere contemporary update of Nazi Germany’s concept of “Cultural Bolshevism” used to foster anti-Soviet fears (not unlike the American anti-communist hysterias of the Red Scares). Maybe even more telling is its direct association with the like-minded “Jewish Bolshevism” concept, which professes the whimsical claim that a Jewish cabal is responsible for the creation and spread of communism, and more broadly for the “degeneracy” of traditional Western values, an infamous term which also surfaces in recent far-right arguments."
“Jordan Peterson and the Postmodern University”. Psychoanalysis, Politics and the Postmodern University. Critical Political Theory and Radical Practice. Cham: Springer International Publishing. (2020). pp. 129–156. doi:10.1007/978-3-030-34921-9_7. ISBN978-3-030-34921-9
“Cultural Marxism” (英語). Krisis: Journal for Contemporary Philosophy2018 (2): 32–34. (2018). hdl:11245.1/7b72bcec-9ad2-4dc4-8395-35b4eeae0e9e. https://hdl.handle.net/11245.1/7b72bcec-9ad2-4dc4-8395-35b4eeae0e9e. "The Cultural Marxist narrative attributes incredible influence to the power of the ideas of the Frankfurt School to the extent that it may even be read as a kind of 'perverse tribute' to the latter (Jay 2011). In one account, for example (Estulin 2005), Theodor Adorno is thought to have helped pioneer new and insidious techniques for mind control that are now used by the 'mainstream media' to promote its 'liberal agenda' – this as part of Adorno's work, upon first emigrating to the United States, with Paul Lazarsfeld on the famous Princeton Radio Research Project, which helped popularize the contagion theory of media effects with its study of Orson Welles' 1938 broadcast of The War of the Worlds. In an ironical sense this literature can perhaps be understood as popularizing simplified or otherwise distorted versions of certain concepts initially developed by the Frankfurt School, as well as those of Western Marxism more generally."
“The 'Great Meme War:' the Alt-Right and its Multifarious Enemies”. Angles. New Perspectives on the Anglophone World (10). (April 1, 2020). doi:10.4000/angles.369. ISSN2274-2042. オリジナルのSeptember 27, 2020時点におけるアーカイブ。. https://web.archive.org/web/20200927071602/https://journals.openedition.org/angles/369November 4, 2020閲覧. "The Cultural Marxism narrative has particularly telling ancestors, since it is a mere contemporary update of Nazi Germany’s concept of “Cultural Bolshevism” used to foster anti-Soviet fears (not unlike the American anti-communist hysterias of the Red Scares). Maybe even more telling is its direct association with the like-minded “Jewish Bolshevism” concept, which professes the whimsical claim that a Jewish cabal is responsible for the creation and spread of communism, and more broadly for the “degeneracy” of traditional Western values, an infamous term which also surfaces in recent far-right arguments."
“Breivik's Call to Arms”. Qantara.de. German Federal Agency for Civic Education & Deutsche Welle (August 11, 2011). July 25, 2015時点のオリジナルよりアーカイブ。July 25, 2015閲覧。
“Breivik's Call to Arms”. Qantara.de. German Federal Agency for Civic Education & Deutsche Welle (August 11, 2011). July 25, 2015時点のオリジナルよりアーカイブ。July 25, 2015閲覧。
“The 'Great Meme War:' the Alt-Right and its Multifarious Enemies”. Angles. New Perspectives on the Anglophone World (10). (April 1, 2020). doi:10.4000/angles.369. ISSN2274-2042. オリジナルのSeptember 27, 2020時点におけるアーカイブ。. https://web.archive.org/web/20200927071602/https://journals.openedition.org/angles/369November 4, 2020閲覧. "The Cultural Marxism narrative has particularly telling ancestors, since it is a mere contemporary update of Nazi Germany’s concept of “Cultural Bolshevism” used to foster anti-Soviet fears (not unlike the American anti-communist hysterias of the Red Scares). Maybe even more telling is its direct association with the like-minded “Jewish Bolshevism” concept, which professes the whimsical claim that a Jewish cabal is responsible for the creation and spread of communism, and more broadly for the “degeneracy” of traditional Western values, an infamous term which also surfaces in recent far-right arguments."
Jamin, Jérôme (February 6, 2018). “Cultural Marxism: A survey”. Religion Compass12 (1–2): e12258. doi:10.1111/REC3.12258. https://onlinelibrary.wiley.com/doi/abs/10.1111/rec3.12258. "When looking at the literature on Cultural Marxism as a piece of cultural studies, as a conspiracy described by Lind and its followers, and as arguments used by Buchanan, Breivik, and other actors within their own agendas, we see a common ground made of unquestionable facts in terms of who did what and where, and for how long at the Frankfurt School. Nowhere do we see divergence of opinion about who Max Horkheimer, Theodor Adorno, and Herbert Marcuse really were, when they have met and in which universities. But this changes if we look at descriptions of what they wanted to do: conducting research or changing deeply the culture of the West? Were they working for political science or were they engaging with a hidden political agenda? Were they working for the academic community or obeying foreign secret services?"
“The 'Great Meme War:' the Alt-Right and its Multifarious Enemies”. Angles. New Perspectives on the Anglophone World (10). (April 1, 2020). doi:10.4000/angles.369. ISSN2274-2042. オリジナルのSeptember 27, 2020時点におけるアーカイブ。. https://web.archive.org/web/20200927071602/https://journals.openedition.org/angles/369November 4, 2020閲覧. "The Cultural Marxism narrative has particularly telling ancestors, since it is a mere contemporary update of Nazi Germany’s concept of “Cultural Bolshevism” used to foster anti-Soviet fears (not unlike the American anti-communist hysterias of the Red Scares). Maybe even more telling is its direct association with the like-minded “Jewish Bolshevism” concept, which professes the whimsical claim that a Jewish cabal is responsible for the creation and spread of communism, and more broadly for the “degeneracy” of traditional Western values, an infamous term which also surfaces in recent far-right arguments."
