“Pieter Bruegel the Elder: The Harvesters (19.164)”. Heilbrunn Timeline of Art History. The Metropolitan Museum of Art. September 5, 2015時点のオリジナルよりアーカイブ。2014年5月20日閲覧。 “Through his remarkable sensitivity to nature’s workings, Bruegel created a watershed in the history of Western art, suppressing the religious and iconographic associations of earlier depictions of the seasons in favor of an un-idealised vision of landscape.”
“The Harvesters”. メトロポリタン美術館公式サイト (英語). 2015年10月3日時点のオリジナルよりアーカイブ。2014年5月20日閲覧。
“MetMedia: The Harvesters”. The Metropolitan Museum of Art. October 3, 2015時点のオリジナルよりアーカイブ。2014年5月20日閲覧。 “It’s a landscape that’s really the first modern landscape in Western art. Bruegel has inserted a completely coherent middle ground, and it increases both our engagement with the landscape—he puts us into the landscape along with the peasants walking down those paths—and the sense of a measurable distance.”
“Pieter Bruegel the Elder: The Harvesters (19.164)”. Heilbrunn Timeline of Art History. The Metropolitan Museum of Art. September 5, 2015時点のオリジナルよりアーカイブ。2014年5月20日閲覧。 “Through his remarkable sensitivity to nature’s workings, Bruegel created a watershed in the history of Western art, suppressing the religious and iconographic associations of earlier depictions of the seasons in favor of an un-idealised vision of landscape.”
“The Harvesters”. メトロポリタン美術館公式サイト (英語). 2015年10月3日時点のオリジナルよりアーカイブ。2014年5月20日閲覧。
“MetMedia: The Harvesters”. The Metropolitan Museum of Art. October 3, 2015時点のオリジナルよりアーカイブ。2014年5月20日閲覧。 “It’s a landscape that’s really the first modern landscape in Western art. Bruegel has inserted a completely coherent middle ground, and it increases both our engagement with the landscape—he puts us into the landscape along with the peasants walking down those paths—and the sense of a measurable distance.”
