Young, Helen (2015). Fantasy and Science Fiction Medievalisms: From Isaac Asimov to A Game of Thrones. Cambria Press, გვ. 55, note 37. ISBN978-1-62196-747-7. „The gender-role inversion in Arbo's painting does not last for long: later in the film, Éowyn takes the same position as the shield maiden Hervor in the painting, lying on a field strewn with dead bodies, where her brother, Éomer, finds her. The colors in Arbo's painting are the golds, reds, yellows, and blues found in Rohan in the film, down to the white of the steed that, in the painting, has survived its rider.“
McLeod, Shane (2011). „Warriors and women: the sex ratio of Norse migrants to eastern England up to 900 AD“. Early Medieval Europe. 19 (3): 332–353. doi:10.1111/j.1468-0254.2011.00323.x.
