Analysis of information sources in references of the Wikipedia article "2023년 미국작가조합 파업" in Korean language version.
We think streaming is going to be very profitable for us. We are unique. We have a lot of scale. We have the largest TV in motion picture library, and we have HBO some of the greatest creatives and we have all of our Discovery content
What went wrong – "The primary sticking points are 'mandatory staffing,' and 'duration of employment' — guild proposals that would require a company to staff a show with a certain number of writers for a specified period of time, whether needed or not," the statement concluded.
The WGA estimated that its proposals would gain writers about $429 million a year, but AMPTP's offer came out to a projected approximately $86 million. Big difference there, going by WGA math.
We think streaming is going to be very profitable for us. We are unique. We have a lot of scale. We have the largest TV in motion picture library, and we have HBO some of the greatest creatives and we have all of our Discovery content
According to the WGA's proposals chart, the guild's proposals would gain the writers about $429 million in total per year. The AMPTP's counter-proposal is an increase of about $86 million per year.
According to the WGA's proposals chart, the guild's proposals would gain the writers about $429 million in total per year. The AMPTP's counter-proposal is an increase of about $86 million per year.
The WGA estimated that its proposals would gain writers about $429 million a year, but AMPTP's offer came out to a projected approximately $86 million. Big difference there, going by WGA math.
What went wrong – "The primary sticking points are 'mandatory staffing,' and 'duration of employment' — guild proposals that would require a company to staff a show with a certain number of writers for a specified period of time, whether needed or not," the statement concluded.
The most divisive issues on the table include a WGA demand for a minimum number of writers per television show and guaranteed employment for those writers from conception to postproduction. In a statement Monday, AMPTP called those demands "a primary sticking point."
The most divisive issues on the table include a WGA demand for a minimum number of writers per television show and guaranteed employment for those writers from conception to postproduction. In a statement Monday, AMPTP called those demands "a primary sticking point."
