패드 가제트 (Korean Wikipedia)

Analysis of information sources in references of the Wikipedia article "패드 가제트" in Korean language version.

refsWebsite
Global rank Korean rank
12th place
65th place
631st place
3,589th place
312th place
2,538th place
7th place
36th place
25th place
144th place
32nd place
656th place
9th place
20th place
16th place
136th place
128th place
349th place
8,561st place
low place
678th place
3,899th place
1st place
1st place
low place
low place
917th place
4,005th place
2,301st place
7,268th place
2,248th place
low place

allmusic.com

  • Andy Kellman. “Fad Gadget”. 《Allmusic》. AllMusic, Netaktion LLC. 2020년 12월 21일에 확인함. While Fad Gadget's contemporaries included the likes of Cabaret Voltaire, the Human League, Wire, the Normal, and Soft Cell, Tovey and company's records never quite achieved the underground notoriety or the chart success enjoyed by his peers. Regardless of the level of recognition, Tovey's unique contribution to electronic music is undeniable, and so is his influence upon it. As the years go on, the recognition continues to gather steam. 

alternativenation.net

  • Greg Prato (2016년 5월 6일). “Information Society: ’90’s Industrial Rock Has Not Aged Well’”. 《Alternative Nation》. Alternative Nation. 2022년 3월 22일에 확인함. Paul Robb: "‘Orders of Magnitude’ grew organically over the year that we worked on it. One thing we wanted to make sure of was that none of the tracks were obvious choices. Even “Don’t You Want Me” by the Human League we even thought might be a surprise, because it’s the song most associated with that group, so who would dare to cover it? Most of the songs on the album were originally performed by artists that were influences on our own work, sometimes musically, sometimes just with their approach to pop. Snakefinger, for instance, was a weirdo-guitar god, so in that sense, we weren’t hugely influenced by him musically, but his style and his association with the Ralph Records empire made him a hero to us. Devo, Fad Gadget, and Heaven 17 were huge heroes of ours. The other songs were mostly spur of the moment decisions, based on hazy and sometimes terrifying memories from our teen years and childhoods." 

faroutmagazine.co.uk

ghostarchive.org

imdb.com

nme.com

nytimes.com

politico.com

popmatters.com

spin.com

  • Mike Rubin (2012년 6월 15일). “Liars Break Down the Electronic Influences That Shaped ‘WIXIW’”. 《SPIN》. SPIN. 2022년 3월 22일에 확인함. Hemphill: "One thing that inspired us to use more electronic instruments was we played a Mute Records festival. We’ve always been aware of the history of Mute, but I think we really sort of wanted to be more a part of that. Mute put out a compilation called Mute Audio Documents and it’s a collection of all their singles from 1978 to 1984 and that was really inspiring. It has to do with the scope of music produced over that time and how certain people used electronics, be it Robert Rental or Thomas Leer or Fad Gadget, all of whom we’re big fans of. There’s an excerpt from an album that Boyd Rice did with Frank Tovey, who is Fad Gadget, called Easy Listening for the Hard of Hearing, I think it’s track 2, but it’s really beautiful, and they made it in the studio without any instruments apparently, just made it on the spot." 

thefader.com

thefourohfive.com

  • Danny Wright (2012년 2월 10일). “Standing On Our Own // The 405 meets The Twilight Sad”. 《The 405》. 2018년 6월 28일에 원본 문서에서 보존된 문서. 2022년 3월 22일에 확인함. So where has this style come from? It seems to have been influenced by many things, though two stand out. Firstly, the influence of guitarist and chief songwriter Andy MacFarlane: "He's been going back to listen to old records as he doesn't like a lot of new music. He's always listened to the bands that have influenced his writing on this album but I think these bands have came to the forefront, Siouxsie And The Banshees, Can, PiL, Fad Gadget, Cabaret Voltaire, Wire, Bauhaus, Magazine, D.A.F. etc." 

theguardian.com

timesofmalta.com

web.archive.org

  • Danny Wright (2012년 2월 10일). “Standing On Our Own // The 405 meets The Twilight Sad”. 《The 405》. 2018년 6월 28일에 원본 문서에서 보존된 문서. 2022년 3월 22일에 확인함. So where has this style come from? It seems to have been influenced by many things, though two stand out. Firstly, the influence of guitarist and chief songwriter Andy MacFarlane: "He's been going back to listen to old records as he doesn't like a lot of new music. He's always listened to the bands that have influenced his writing on this album but I think these bands have came to the forefront, Siouxsie And The Banshees, Can, PiL, Fad Gadget, Cabaret Voltaire, Wire, Bauhaus, Magazine, D.A.F. etc." 

youtube.com