피아노 협주곡 15번 (모차르트) (Korean Wikipedia)

Analysis of information sources in references of the Wikipedia article "피아노 협주곡 15번 (모차르트)" in Korean language version.

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archive.org (Global: 6^th place; Korean: 18^th place)

Keefe, Simon P. (2001년 11월 4일). “'An Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation”. 《Music & Letters》 82 (4): 559–581. doi:10.1093/ml/82.4.559. JSTOR 3526277.
Eisen, Cliff; Mozart, Wolfgang Amadeus; Wolff, Christoph; Zacharias, Christian (1994). “Music Reviews: Wolfgang Amadeus Mozart: Klavierkonzerte für Klavier und Orchester. Ausgaben für zwei Klaviere. Urtext; hrsg von. Christoph Wolff und Christian Zacharias”. 《Notes》. Second Series (Music Library Association) 51 (2): 733–737. doi:10.2307/898906. JSTOR 898906.
McVeagh, Diana (April 1947). “The Concerto: Contest or Co-Operation?”. 《Music & Letters》 28 (2): 115–120. doi:10.1093/ml/XXVIII.2.115. JSTOR 855524.

doi.org (Global: 2^nd place; Korean: 3^rd place)

dx.doi.org

Keefe, Simon P. (2001년 11월 4일). “'An Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation”. 《Music & Letters》 82 (4): 559–581. doi:10.1093/ml/82.4.559. JSTOR 3526277.
Eisen, Cliff; Mozart, Wolfgang Amadeus; Wolff, Christoph; Zacharias, Christian (1994). “Music Reviews: Wolfgang Amadeus Mozart: Klavierkonzerte für Klavier und Orchester. Ausgaben für zwei Klaviere. Urtext; hrsg von. Christoph Wolff und Christian Zacharias”. 《Notes》. Second Series (Music Library Association) 51 (2): 733–737. doi:10.2307/898906. JSTOR 898906.
McVeagh, Diana (April 1947). “The Concerto: Contest or Co-Operation?”. 《Music & Letters》 28 (2): 115–120. doi:10.1093/ml/XXVIII.2.115. JSTOR 855524.
Portowitz, Adena (December 2001). “Art and Taste in Mozart's Sonata-Rondo Finales: Two Case Studies”. 《The Journal of Musicology》 18 (1): 129–149. doi:10.1525/jm.2001.18.1.129. ISSN 0277-9269. JSTOR 10.1525/jm.2001.18.1.129.

jstor.org (Global: 26^th place; Korean: 70^th place)

Keefe, Simon P. (2001년 11월 4일). “'An Entirely Special Manner': Mozart's Piano Concerto No. 14 in E Flat, K.449, and the Stylistic Implications of Confrontation”. 《Music & Letters》 82 (4): 559–581. doi:10.1093/ml/82.4.559. JSTOR 3526277.
Eisen, Cliff; Mozart, Wolfgang Amadeus; Wolff, Christoph; Zacharias, Christian (1994). “Music Reviews: Wolfgang Amadeus Mozart: Klavierkonzerte für Klavier und Orchester. Ausgaben für zwei Klaviere. Urtext; hrsg von. Christoph Wolff und Christian Zacharias”. 《Notes》. Second Series (Music Library Association) 51 (2): 733–737. doi:10.2307/898906. JSTOR 898906.
McVeagh, Diana (April 1947). “The Concerto: Contest or Co-Operation?”. 《Music & Letters》 28 (2): 115–120. doi:10.1093/ml/XXVIII.2.115. JSTOR 855524.
Portowitz, Adena (December 2001). “Art and Taste in Mozart's Sonata-Rondo Finales: Two Case Studies”. 《The Journal of Musicology》 18 (1): 129–149. doi:10.1525/jm.2001.18.1.129. ISSN 0277-9269. JSTOR 10.1525/jm.2001.18.1.129.

worldcat.org (Global: 5^th place; Korean: 11^th place)

Portowitz, Adena (December 2001). “Art and Taste in Mozart's Sonata-Rondo Finales: Two Case Studies”. 《The Journal of Musicology》 18 (1): 129–149. doi:10.1525/jm.2001.18.1.129. ISSN 0277-9269. JSTOR 10.1525/jm.2001.18.1.129.