Orestes (Euripides) (Latin Wikipedia)

Analysis of information sources in references of the Wikipedia article "Orestes (Euripides)" in Latin language version.

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Notationis musicalis fragmentum in papyro reperta est. Cf Charles Wessely et Charles-Emile Ruelle, "Le Papyrus musical d'Euripide", Revue des Études Grecques, 1892ː 265-280. Emile Martin, Trois documents de musique grecque, Klincksieck, 1953 Recensio critica. Douglas D. Feaver, "The Musical Setting of Euripides' Orestes", The American Journal of Philology, 1960ː 1-15. Jon Solomon, "Orestes 344-45: Colometry and Music", 1977ː 71-83. G. A. Longman, "The Musical Papyrus: Euripides, Orestes 332-40", The Classical Quarterly, 1962ː 61-66.

Notationis musicalis fragmentum in papyro reperta est. Cf Charles Wessely et Charles-Emile Ruelle, "Le Papyrus musical d'Euripide", Revue des Études Grecques, 1892ː 265-280. Emile Martin, Trois documents de musique grecque, Klincksieck, 1953 Recensio critica. Douglas D. Feaver, "The Musical Setting of Euripides' Orestes", The American Journal of Philology, 1960ː 1-15. Jon Solomon, "Orestes 344-45: Colometry and Music", 1977ː 71-83. G. A. Longman, "The Musical Papyrus: Euripides, Orestes 332-40", The Classical Quarterly, 1962ː 61-66.

Notationis musicalis fragmentum in papyro reperta est. Cf Charles Wessely et Charles-Emile Ruelle, "Le Papyrus musical d'Euripide", Revue des Études Grecques, 1892ː 265-280. Emile Martin, Trois documents de musique grecque, Klincksieck, 1953 Recensio critica. Douglas D. Feaver, "The Musical Setting of Euripides' Orestes", The American Journal of Philology, 1960ː 1-15. Jon Solomon, "Orestes 344-45: Colometry and Music", 1977ː 71-83. G. A. Longman, "The Musical Papyrus: Euripides, Orestes 332-40", The Classical Quarterly, 1962ː 61-66.

Notationis musicalis fragmentum in papyro reperta est. Cf Charles Wessely et Charles-Emile Ruelle, "Le Papyrus musical d'Euripide", Revue des Études Grecques, 1892ː 265-280. Emile Martin, Trois documents de musique grecque, Klincksieck, 1953 Recensio critica. Douglas D. Feaver, "The Musical Setting of Euripides' Orestes", The American Journal of Philology, 1960ː 1-15. Jon Solomon, "Orestes 344-45: Colometry and Music", 1977ː 71-83. G. A. Longman, "The Musical Papyrus: Euripides, Orestes 332-40", The Classical Quarterly, 1962ː 61-66.

Dionysius Halicarnassensis musicae huius parodi commentarium reliquit (De verborum compositione XI), indicans poetam non syllabas verborum secutum esse sed eas ad melodiam aptasse.