Pic (muzik) (Malay Wikipedia)

Analysis of information sources in references of the Wikipedia article "Pic (muzik)" in Malay language version.

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8books.google.com

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1google.at

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books.google.com

Anssi Klapuri and Manuel Davy (2006). Signal processing methods for music transcription. Springer. m/s. 8. ISBN 978-0-387-30667-4.
Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. For the purposes of this book we decided to take a conservative approach, and to focus on the relationship between pitch and musical melodies. Following the earlier ASA definition, we define pitch as 'that attribute of sensation whose variation is associated with musical melodies.' Although some might find this too restrictive, an advantage of this definition is that it provides a clear procedure for testing whether or not a stimulus evokes a pitch, and a clear limitation on the range of stimuli that we need to consider in our discussions. Unknown parameter |coauthors= ignored (|author= suggested) (bantuan)
Randel, Don Michael, penyunting (2003). The Harvard Dictionary of Music (ed. 4). Harvard University Press. m/s. 499. ISBN 978-0-674-01163-2. Melody: In the most general case, a coherent succession of pitches. Here pitch means a stretch of sound whose frequency is clear and stable enough to be heard as not noise; succession means that several pitches occur; and coherent means that the succession of pitches is accepted as belonging together.
Roy D. Patterson, Etienne Gaudrain, and Thomas C. Walters (2010). "The Perception of Family and Register in Musical Tones". Dalam Mari Riess Jones, Richard R. Fay, and Arthur N. Popper (penyunting). Music Perception. Springer. m/s. 37–38. ISBN 978-1-4419-6113-6.CS1 maint: multiple names: authors list (link)
Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. Unknown parameter |coauthors= ignored (|author= suggested) (bantuan)
Robert A. Dobie and Susan B. Van Hemel (2005). Hearing loss: determining eligibility for Social Security benefits. National Academies Press. m/s. 50–51. ISBN 978-0-309-09296-8.
E. Bruce Goldstein (2001). Blackwell handbook of perception (ed. 4th). Wiley-Blackwell. m/s. 381. ISBN 978-0-631-20683-5.
Richard Lyon and Shihab Shamma (1996). "Auditory Representation of Timbre and Pitch". Dalam Harold L. Hawkins and Teresa A. McMullen (penyunting). Auditory Computation. Springer. m/s. 221–223. ISBN 978-0-387-97843-7.

google.at

books.google.at

Hartmann, William Morris (1997). Signals, Sound, and Sensation. Springer. m/s. 145, 284, 287. ISBN 1-56396-283-7.

wikipedia.org

en.wikipedia.org

Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. For the purposes of this book we decided to take a conservative approach, and to focus on the relationship between pitch and musical melodies. Following the earlier ASA definition, we define pitch as 'that attribute of sensation whose variation is associated with musical melodies.' Although some might find this too restrictive, an advantage of this definition is that it provides a clear procedure for testing whether or not a stimulus evokes a pitch, and a clear limitation on the range of stimuli that we need to consider in our discussions. Unknown parameter |coauthors= ignored (|author= suggested) (bantuan)
Plack, Christopher J. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. Unknown parameter |coauthors= ignored (|author= suggested) (bantuan)