(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 9 juli 2021. “However, it’s impossible to fully understand hyperpop without considering its Extremely Online context and its significance among LGBTQ+ youth”
(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 10 juli 2021. “(...) and Apple by AG Cook, a long-time collaborator with XCX, and considered the “godfather” of the genre with his label PC Music.”
(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 10 juli 2021. “Then there’s musical duo 100 gecs, whose rapid rise has been a focal point for hyperpop pontificating. Considered the new overlords of the genre (...)”
pitchfork.com
(en) Ravens, Chal, A. G. Cook: 7G. Pitchfork (13-08-2020). Gearchiveerd op 26 juni 2021. Geraadpleegd op 10 juli 2021. “the whole enterprise has ended up as a foundational influence on the current strand of hyperpop bubbling up at the limits of the mainstream, including neon-brushed characters like Dorian Electra, Rina Sawayama, and 100 gecs, who credit PC Music as one of their biggest influences.”
(en) Enis, Eli, This is Hyperpop: A Genre Tag for Genre-less Music. Vice (27 oktober 2020). Gearchiveerd op 6 juli 2021. Geraadpleegd op 9 juli 2021. “In August 2019, the official Spotify “hyperpop” playlist launched with 100 gecs on its cover, and it’s currently the primary engine for promoting, popularising and codifying hyperpop writ large.”
(en) Enis, Eli, This is Hyperpop: A Genre Tag for Genre-less Music. Vice. Gearchiveerd op 6 juli 2021. Geraadpleegd op 14 juli 2021. “Another central aspect of hyperpop is its association with the LGBTQ+ community. Throughout our conversation, Fraxiom, who identifies as non-binary, repeatedly states that “queerness and hyperpop are inseparable.””
(en) Dandrige-Lemco, Ben, How Hyperpop, a Small Spotify Playlist, Grew Into a Big Deal. The New York Times (10 november 2020). Gearchiveerd op 10 november 2020. Geraadpleegd op 9 juli 2021. “The microgenre — fueled by teen upstarts like osquinn and glaive, and more established names like 100 gecs and A.G. Cook — has a modest but dedicated following, and many different kinds of sounds. (...) the forerunners of the distorted pop sound that’s become associated with the term (...) For our categorization purposes it was mostly a matter of waiting to see if enough artists would coalesce around a similar ebullient electro-maximalism”
(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 9 juli 2021. “However, it’s impossible to fully understand hyperpop without considering its Extremely Online context and its significance among LGBTQ+ youth”
(en) Enis, Eli, This is Hyperpop: A Genre Tag for Genre-less Music. Vice (27 oktober 2020). Gearchiveerd op 6 juli 2021. Geraadpleegd op 9 juli 2021. “In August 2019, the official Spotify “hyperpop” playlist launched with 100 gecs on its cover, and it’s currently the primary engine for promoting, popularising and codifying hyperpop writ large.”
(en) Ravens, Chal, A. G. Cook: 7G. Pitchfork (13-08-2020). Gearchiveerd op 26 juni 2021. Geraadpleegd op 10 juli 2021. “the whole enterprise has ended up as a foundational influence on the current strand of hyperpop bubbling up at the limits of the mainstream, including neon-brushed characters like Dorian Electra, Rina Sawayama, and 100 gecs, who credit PC Music as one of their biggest influences.”
(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 10 juli 2021. “(...) and Apple by AG Cook, a long-time collaborator with XCX, and considered the “godfather” of the genre with his label PC Music.”
(en) Pritchard, Will, Hyperpop or overhyped? The rise of 2020’s most maximal sound. The Independent (17 december 2020). Gearchiveerd op 29 april 2021. Geraadpleegd op 10 juli 2021. “Then there’s musical duo 100 gecs, whose rapid rise has been a focal point for hyperpop pontificating. Considered the new overlords of the genre (...)”
(en) Enis, Eli, This is Hyperpop: A Genre Tag for Genre-less Music. Vice. Gearchiveerd op 6 juli 2021. Geraadpleegd op 14 juli 2021. “Another central aspect of hyperpop is its association with the LGBTQ+ community. Throughout our conversation, Fraxiom, who identifies as non-binary, repeatedly states that “queerness and hyperpop are inseparable.””
