Andrew Wallace Chamings. «Canon in the 1990s: From Spiritualized to Coolio, Regurgitating Pachelbel's Canon». DrownedInSound(engelsk). Arkivert fra originalen 11. august 2017. Besøkt 2. oktober 2022. «Some artists have acknowledged the plagiarism explicitly in their composition: Coolio’s 'C U When U Get There' actually starts with a ten second sample of the original string piece before the sound of a record being scratched followed by a hip-hop beat, and a continuation of the same chords. Music lawyers contend that simply reusing a four-chord structure is fair game, and too common to infringe copyright, but an exact progression of over six to eight chords, as is the case here, is harder to defend as chance.»
Olerud, Torstein Fonstad (8. februar 2008). «ERIK OG KRISS: Verden Vil Bedras». Oppland Arbeiderblad(norsk). Besøkt 6. april 2023. «En overraskelse for oss som husker den gamle slageren Gangsta’s Paradise som ble spilt overalt på midten av 90-tallet og fortsatt er mulig å høre på radio her til lands: På førstelåta Hva er det du venter på gjester Coolio. Men dessverre er det nesten ikke mulig å gjenkjenne den gode gamle Coolio, som slenger seg på til slutt med et slapt og fantasiløst vers.»
Andrew Wallace Chamings. «Canon in the 1990s: From Spiritualized to Coolio, Regurgitating Pachelbel's Canon». DrownedInSound(engelsk). Arkivert fra originalen 11. august 2017. Besøkt 2. oktober 2022. «Some artists have acknowledged the plagiarism explicitly in their composition: Coolio’s 'C U When U Get There' actually starts with a ten second sample of the original string piece before the sound of a record being scratched followed by a hip-hop beat, and a continuation of the same chords. Music lawyers contend that simply reusing a four-chord structure is fair game, and too common to infringe copyright, but an exact progression of over six to eight chords, as is the case here, is harder to defend as chance.»
