Find a Grave, oppført som Michael A. Musmanno, Find a Grave-ID 3370, besøkt 9. oktober 2017[Hentet fra Wikidata]
forces.gc.ca
journal.forces.gc.ca
Bertosa, Brian (2012). «Canadian Military Journal». www.journal.forces.gc.ca (på engelsk). Besøkt 28. oktober 2018.
foreignaffairs.com
«Ten Days to Die». Foreign Affairs (på engelsk). juli 1951. ISSN0015-7120. Besøkt 12. september 2020. «jurist at the Nuremberg trials, who interviewed many of Hitler's associates, gives a flamboyant account of the Führer's last days in the bunker--substantially the same story as that told more sedately by Trevor-Roper.»
jstor.org
von Keitz, Ursula; Magshamrain, Rachel Leah (2007). «Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s». New German Critique. 102: 45–60. ISSN0094-033X. Besøkt 12. september 2020. «The film The Last Ten Days (1955), directed by Pabst, is based on the 1950 book Ten Days to Die, by Michael A. Musmanno, a military judge at the Nuremberg trials who wanted to lay to rest the myth that Hitler was still alive. The author relied heavily on the statements of witnesses in the trials, but Pabst's film was far from a purely documentary activity. (...) The producer Carl Szokoll did not like the treatment and approached Erich Maria Remarque, author of All Quiet on the Western Front, to write the screenplay.»
von Moltke, Johannes (2007). «Sympathy for the Devil: Cinema, History, and the Politics of Emotion». New German Critique. 102: 17–43. ISSN0094-033X. Besøkt 12. september 2020. «Billed as "the first German feature film to stage the last days of the NS regime and the person Adolf Hitler," Der Untergang was marketed as "a unique project in the history of German film."20 As claims about the film's plot, such statements are historically shortsighted at best, willfully mislead ing at worst, and probably just good marketing. In fact, the historical events depicted in Der Untergang have inspired numerous films to date, among them G W. Pabst's Der letzte Akt (The Last Ten Days) from 1955.21 Subse quently, the Italian director Ennio De Concini directed Hitler: The Last Ten Days (1973), and Anthony Hopkins took an Emmy in 1980 for his role in the Franco-American TV production The Bunker (dir. George Schaefer). Like Der Untergang, these three films all draw on the same books by Michael A. Musmanno and Hugh Trevor-Roper that Joachim Fest used for his much touted "historical sketch," Der Untergang.»
«Nemesis of Nazis; Michael A. Musmanno». The New York Times (på engelsk). 16. mai 1961. ISSN0362-4331. Besøkt 12. september 2020. «FIFTEEN years ago, Justice Michael A. Musmanno of the Pennsylvania Supreme Court, who testified yesterday for the prosecution in the Adolf Eichmann trial, proposed that a world court be set up to try "international criminals" responsible for "crimes against humanity."»
post-gazette.com
newsinteractive.post-gazette.com
«Michael A. Musmanno shouts, ‘I will be heard!’». Post-Gazette (på engelsk). 11. oktober 2013. Besøkt 12. september 2020. «In an Oct. 14 editorial, the Post-Gazette described him as “one of the state’s most colorful and controversial public figures [who] brought to every major public issue a passionate, if at times quixotic, concern for the underdog,”»
spiegel.de
Kloft, Michael. «SPIEGEL TV-Dokumentation: Interviews mit Hitlers engstem Umfeld - DER SPIEGEL - Geschichte». www.spiegel.de (på tysk). Besøkt 12. september 2020. «Sie sprechen über Hitlers Lieblingslied, sein Testament und die Vergiftung seines Hundes Blondi: 1948 begann ein Richter Vertraute des "Führers" nach den letzten Tagen in dessen Leben zu befragen - und filmte die Gespräche. In einer SPIEGEL TV-Dokumentation werden die Aufnahmen nun erstmals gezeigt.»
«SPIEGEL TV Reportage: Die verschollenen Interviews von 1948 - DER SPIEGEL - Panorama». www.spiegel.de (på tysk). Besøkt 12. september 2020. «Musmannos Fazit war klar, eindeutig und geeignet, jeden Zweifel über den Selbstmord des Diktators zu zerstreuen; die Erkenntnisse und Quellen des amerikanischen Richters bilden bis heute die Grundlage jeder Arbeit über Hitlers Untergang.»
state.pa.us
legis.state.pa.us
«MICHAEL A. MUSMANNO». The official website for the Pennsylvania General Assembly. (på engelsk). Besøkt 12. september 2020.
worldcat.org
«Nemesis of Nazis; Michael A. Musmanno». The New York Times (på engelsk). 16. mai 1961. ISSN0362-4331. Besøkt 12. september 2020. «FIFTEEN years ago, Justice Michael A. Musmanno of the Pennsylvania Supreme Court, who testified yesterday for the prosecution in the Adolf Eichmann trial, proposed that a world court be set up to try "international criminals" responsible for "crimes against humanity."»
von Keitz, Ursula; Magshamrain, Rachel Leah (2007). «Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s». New German Critique. 102: 45–60. ISSN0094-033X. Besøkt 12. september 2020. «The film The Last Ten Days (1955), directed by Pabst, is based on the 1950 book Ten Days to Die, by Michael A. Musmanno, a military judge at the Nuremberg trials who wanted to lay to rest the myth that Hitler was still alive. The author relied heavily on the statements of witnesses in the trials, but Pabst's film was far from a purely documentary activity. (...) The producer Carl Szokoll did not like the treatment and approached Erich Maria Remarque, author of All Quiet on the Western Front, to write the screenplay.»
«Ten Days to Die». Foreign Affairs (på engelsk). juli 1951. ISSN0015-7120. Besøkt 12. september 2020. «jurist at the Nuremberg trials, who interviewed many of Hitler's associates, gives a flamboyant account of the Führer's last days in the bunker--substantially the same story as that told more sedately by Trevor-Roper.»
von Moltke, Johannes (2007). «Sympathy for the Devil: Cinema, History, and the Politics of Emotion». New German Critique. 102: 17–43. ISSN0094-033X. Besøkt 12. september 2020. «Billed as "the first German feature film to stage the last days of the NS regime and the person Adolf Hitler," Der Untergang was marketed as "a unique project in the history of German film."20 As claims about the film's plot, such statements are historically shortsighted at best, willfully mislead ing at worst, and probably just good marketing. In fact, the historical events depicted in Der Untergang have inspired numerous films to date, among them G W. Pabst's Der letzte Akt (The Last Ten Days) from 1955.21 Subse quently, the Italian director Ennio De Concini directed Hitler: The Last Ten Days (1973), and Anthony Hopkins took an Emmy in 1980 for his role in the Franco-American TV production The Bunker (dir. George Schaefer). Like Der Untergang, these three films all draw on the same books by Michael A. Musmanno and Hugh Trevor-Roper that Joachim Fest used for his much touted "historical sketch," Der Untergang.»
