Bernt Erik Pedersen (27. april 2010). «Her er Oslos disco-sjefer»Arkivert 4. november 2013 hos Wayback Machine., Dagsavisen.no: «Scenen er delt omtrent midtveis mellom plateselskapene Full Pupp og Smalltown Supersound, og artistene spiller på hverandres plater, remikser hverandres låter, og DJ-er sammen på klubbkvelder.» (lest 1. november 2013):
Bernt Erik Pedersen (27. april 2010): «Her er Oslos disco-sjefer»Arkivert 4. november 2013 hos Wayback Machine., Dagsavisen.no. «Med Full Pupp ville jeg bygge en norsk profil og gi ut musikk med alle oss likesinnede, istedenfor at vi skulle spres på utenlandske labeler.»
djbroadcast.net
Adrian McCavour (12. mai 2014). «Norway's Electronic Music Origins» (side 3)Arkivert 19. mai 2014 hos Wayback Machine., DJ Broadcast: «Hermansen moved to Oslo a year later, a decision that cemented his career. He began playing regularly in Oslo with occasional sets in Bergen. Strangefruit put him in touch with Bjørn Torske and visiting acts like the Idjut Boys, Maurice Fulton and DJ Harvey. Through these regular sets and digging through local record stores, Hermansen also met his most important contemporary: Hans-Peter Lindstrøm. (...) It was the trail forged by Hermansen, Lindstrøm and others that brought likeminded musicians like Terje Olsen to the table.» (lest 12. mai 2014)
Adrian McCavour (12. mai 2014). «Norway's Electronic Music Origins» (side 3)Arkivert 19. mai 2014 hos Wayback Machine., DJ Broadcast. «Polishing off his first single—the hypnotic, glittering “Eurodans”—he signed it to UK label Soul Jazz Records, but broke off his deal with the label due to contract terms. It is rumored that only 60 copies were pressed before the two parties fell out.»
factmag.com
Chal Ravens (27. august 2014). «A Decade of Space Disco: What's eating Oslo's club scene?» (side 2), Factmag.com: «While international attention was focused on Bergen following the success of Röyksopp’s 2001 debut Melody AM, Oslo’s producers were left to “piece things together very naturally,” says (Prins) Thomas. “I met Lindstrøm, he introduced me to (Todd) Terje, I already knew people like Blackbelt Andersen, Magnus International, Kalle Sandaas – there was something bubbling under.»
Adrian McCavour (12. mai 2014). «Norway's Electronic Music Origins» (side 3)Arkivert 19. mai 2014 hos Wayback Machine., DJ Broadcast: «Hermansen moved to Oslo a year later, a decision that cemented his career. He began playing regularly in Oslo with occasional sets in Bergen. Strangefruit put him in touch with Bjørn Torske and visiting acts like the Idjut Boys, Maurice Fulton and DJ Harvey. Through these regular sets and digging through local record stores, Hermansen also met his most important contemporary: Hans-Peter Lindstrøm. (...) It was the trail forged by Hermansen, Lindstrøm and others that brought likeminded musicians like Terje Olsen to the table.» (lest 12. mai 2014)
Bernt Erik Pedersen (27. april 2010). «Her er Oslos disco-sjefer»Arkivert 4. november 2013 hos Wayback Machine., Dagsavisen.no: «Scenen er delt omtrent midtveis mellom plateselskapene Full Pupp og Smalltown Supersound, og artistene spiller på hverandres plater, remikser hverandres låter, og DJ-er sammen på klubbkvelder.» (lest 1. november 2013):
Adrian McCavour (12. mai 2014). «Norway's Electronic Music Origins» (side 3)Arkivert 19. mai 2014 hos Wayback Machine., DJ Broadcast. «Polishing off his first single—the hypnotic, glittering “Eurodans”—he signed it to UK label Soul Jazz Records, but broke off his deal with the label due to contract terms. It is rumored that only 60 copies were pressed before the two parties fell out.»
Bernt Erik Pedersen (27. april 2010): «Her er Oslos disco-sjefer»Arkivert 4. november 2013 hos Wayback Machine., Dagsavisen.no. «Med Full Pupp ville jeg bygge en norsk profil og gi ut musikk med alle oss likesinnede, istedenfor at vi skulle spres på utenlandske labeler.»
