«Opfergang and Veit Harlan’s sexual subversions | Bradlands | Sight & Sound». British Film Institute (på engelsk). 19. desember 2016. Besøkt 20. mars 2020. «What makes this more than just a random reference is the fact that Kubrick was married to Harlan’s niece, Christiane Harlan, and once considered directing a film about the making of Jew Suss. (Christiane relates a story about an awkward meeting between Kubrick and her uncle in Felix Moeller’s documentary Harlan: Im Schatten von Jud Süß.)»
«Melodramatische Todessehnsucht: NS-Vorzeigeregisseur Veit Harlan | DW | 10.01.2017». Deutsche Welle (på tysk). 10. januar 2017. Besøkt 21. mars 2020. «Schon 1994, als man das Jubiläum "100 Jahre Kino" feierte, veröffentlichte "Der Spiegel" eine Liste der "100 besten Filme aller Zeiten", "Opfergang" belegte damals - als "bester deutscher Film" - einen erstaunlichen sechsten Rang. Natürlich sind solche Listen immer stark von den subjektiven Geschmacksurteilen einer bestimmten Jury abhängig (im Falle der "Spiegel"-Liste waren nur vier deutsche Kritiker beteiligt) und man darf sicher sein, dass der Harlan-Film in anderen Ländern weit weniger prominent auftaucht - doch bleibt festzuhalten: Harlans Filme jenseits von "Jud Süß" und "Kolberg" erfreuen sich inzwischen einer starken Neubewertung und Wertschätzung.»
enciklopedija.hr
Hrvatska enciklopedija, Hrvatska enciklopedija-ID 24421[Hentet fra Wikidata]
jstor.org
David Bathrick (2016). Felix Moeller's Harlan - Im Schatten von Jud Süss as Family Drama. I: Persistent Legacy: The Holocaust and German Studies, redigert av Erin McGlothlin og Jennifer M. Kapczynski. Boydell & Brewer, Camden House, s. 214-226. https://www.jstor.org/stable/10.7722/j.ctt1kzcc33
munzinger.de
Munzinger Personen, Munzinger IBA 00000001272, besøkt 9. oktober 2017[Hentet fra Wikidata]
nytimes.com
«VEIT HARLAN, 64, A FILM DIRECTOR; Creator of Anti‐Semitic ‘Jud Suss’ for Nazis Is Dead». The New York Times (på engelsk). 14. april 1964. ISSN0362-4331. Besøkt 20. mars 2020. «Veit Harlan, the motion‐picture director who gained international notoriety with his anti‐Semitic film “Jud Süss,” died of cancer in a hospital on Capri today. He was 64 years old.... Because of his work on the film, he was tried twice after the war on charges of crimes against humanity but was acquitted in both trials.»
Rohter, Larry (1. mars 2010). «Nazi Film Still Pains Relatives». The New York Times (på engelsk). ISSN0362-4331. Besøkt 21. mars 2020. «Veit Harlan, left, directing Werner Krauss playing a rabbi in the 1940 film “Jew Süss.”»
Hoberman, J. (7. mai 2015). «‘Forbidden Films’ Exhumes Nazi Poison From the Movie Vaults». The New York Times (på engelsk). ISSN0362-4331. Besøkt 21. mars 2020. «Forty-four of the Murnau Foundation’s films, as well as others held by the German Federal Archives, remain prohibited there and can be shown only under special circumstances, which include the presence of an expert to furnish context. In addition to well-known propagandist works like the Nazi martyrdom film “Hitler Youth Quex” (1933), Leni Riefenstahl’s staged documentary “Triumph of the Will” (1935) and “Jew Süss,” forbidden films include the virulently anti-British “Uncle Kruger,” the pro-euthanasia melodrama “I Accuse,” and the gung-ho bomber-pilot celebration “Stukas,” all released in 1941.»
nzz.ch
«Sohn und Sühne | NZZ». Neue Zürcher Zeitung (på tysk). 6. august 2011. Besøkt 21. mars 2020. «Veit Harlan ist der einzige Künstler, der sich in Deutschland seiner Vergangenheit wegen nach dem Krieg vor Gericht verantworten musste. Zweimal sah er sich der Anklage gegenüber, «Jud Süss» habe den Judenmord befördert, beide Male sprach ihn ein Richter frei, der als NS-Jurist Bagatelldelikte mit Todesstrafen geahndet hatte und nun in der Bundesrepublik weiterwirkte. Harlans Anhänger trugen den Freigesprochenen im Triumph auf den Schultern aus dem Saal.»
Noack, Frank (29. august 2007). «Von Beruf Sohn: Ein Film über Thomas Harlan». DIE WELT. Besøkt 22. mars 2020. «Mit allen Mitteln hat er versucht, das Gegenteil des erst berühmten, dann berüchtigten "Jud Süß"-Regisseurs zu werden. Und doch überwiegen die Ähnlichkeiten zwischen Vater und Sohn.»
worldcat.org
«VEIT HARLAN, 64, A FILM DIRECTOR; Creator of Anti‐Semitic ‘Jud Suss’ for Nazis Is Dead». The New York Times (på engelsk). 14. april 1964. ISSN0362-4331. Besøkt 20. mars 2020. «Veit Harlan, the motion‐picture director who gained international notoriety with his anti‐Semitic film “Jud Süss,” died of cancer in a hospital on Capri today. He was 64 years old.... Because of his work on the film, he was tried twice after the war on charges of crimes against humanity but was acquitted in both trials.»
Rohter, Larry (1. mars 2010). «Nazi Film Still Pains Relatives». The New York Times (på engelsk). ISSN0362-4331. Besøkt 21. mars 2020. «Veit Harlan, left, directing Werner Krauss playing a rabbi in the 1940 film “Jew Süss.”»
Hoberman, J. (7. mai 2015). «‘Forbidden Films’ Exhumes Nazi Poison From the Movie Vaults». The New York Times (på engelsk). ISSN0362-4331. Besøkt 21. mars 2020. «Forty-four of the Murnau Foundation’s films, as well as others held by the German Federal Archives, remain prohibited there and can be shown only under special circumstances, which include the presence of an expert to furnish context. In addition to well-known propagandist works like the Nazi martyrdom film “Hitler Youth Quex” (1933), Leni Riefenstahl’s staged documentary “Triumph of the Will” (1935) and “Jew Süss,” forbidden films include the virulently anti-British “Uncle Kruger,” the pro-euthanasia melodrama “I Accuse,” and the gung-ho bomber-pilot celebration “Stukas,” all released in 1941.»
