Pre-Code Hollywood (Polish Wikipedia)

Jeff Clabaugh: Valenti Retires, Glickman Named Hollywood’s Washington Man. Washington Business Journal. [dostęp 2023-02-15]. [zarchiwizowane z tego adresu (2013-06-28)]. (ang.).

books.google.pl (Global: 1,333^rd place; Polish: 23^rd place)

Anne Helen Petersen: Skandale złotej ery Hollywood. Monika Skowron (tłum.). Społeczny Instytut Wydawniczy „Znak”, 2015. ISBN 978-83-240-3055-2. (pol.).
Siegel i Siegel 2004 ↓, s. 190. Scott Siegel, Barbara Siegel: The Encyclopedia of Hollywood. Checkmark Books, 2004. ISBN 978-0-8160-4622-5. (ang.).
Eric Gardner. The Czar of Hollywood. Indianapolis Monthly. „Indianapolis Monthly”, s. 92, 2005. ISSN 0899-0328. [dostęp 2020-02-02]. (ang.).
Doherty 1999 ↓, s. 6. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Prince 2003 ↓, s. 20. Stephen Prince: Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. Rutgers University Press, 2003. ISBN 978-0-8135-3281-3. (ang.).
Bernstein 1999 ↓, s. 16. Matthew Bernstein: Controlling Hollywood: Censorship and Regulation in the Studio Era. Rutgers University Press, 1999. ISBN 978-0-8135-2707-9. (ang.).
Butters 2007 ↓, s. 149. Gerald R. Butters: Banned in Kansas: Motion Picture Censorship, 1915–1966. University of Missouri Press, 2007. ISBN 978-0-8262-6603-3. (ang.).
Smith 2005 ↓, s. 38. Sarah Smith: Children, Cinema and Censorship: From Dracula to the Dead End Kids. Wiley-Blackwell, 2005. ISBN 978-1-85043-812-0. (ang.).
Jacobs 1997 ↓, s. 108. Lea Jacobs: The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. University of California Press, 1997. ISBN 978-0-520-20790-5. (ang.).
Prince 2003 ↓, s. 21. Stephen Prince: Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. Rutgers University Press, 2003. ISBN 978-0-8135-3281-3. (ang.).
Doherty 1999 ↓, s. 8. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 7. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 11. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Butters 2007 ↓, s. 188. Gerald R. Butters: Banned in Kansas: Motion Picture Censorship, 1915–1966. University of Missouri Press, 2007. ISBN 978-0-8262-6603-3. (ang.).
Doherty 1999 ↓, s. 107. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Jacobs 1997 ↓, s. 27. Lea Jacobs: The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. University of California Press, 1997. ISBN 978-0-520-20790-5. (ang.).
Doherty 1999 ↓, s. 111–112. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 2. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Butters 2007 ↓, s. 148. Gerald R. Butters: Banned in Kansas: Motion Picture Censorship, 1915–1966. University of Missouri Press, 2007. ISBN 978-0-8262-6603-3. (ang.).
Vieira 1999 ↓, s. 7–8; LaSalle 2002 ↓, s. 62. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.). Mick LaSalle: Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man. Thomas Dunne Books, 2002. ISBN 0-312-28311-3. (ang.).
Butters 2007 ↓, s. 187. Gerald R. Butters: Banned in Kansas: Motion Picture Censorship, 1915–1966. University of Missouri Press, 2007. ISBN 978-0-8262-6603-3. (ang.).
Vieira 1999 ↓, s. 8. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Prince 2003 ↓, s. 31. Stephen Prince: Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. Rutgers University Press, 2003. ISBN 978-0-8135-3281-3. (ang.).
Butters 2007 ↓, s. 189. Gerald R. Butters: Banned in Kansas: Motion Picture Censorship, 1915–1966. University of Missouri Press, 2007. ISBN 978-0-8262-6603-3. (ang.).
Siegel i Siegel 2004 ↓, s. 379. Scott Siegel, Barbara Siegel: The Encyclopedia of Hollywood. Checkmark Books, 2004. ISBN 978-0-8160-4622-5. (ang.).
Black 1996 ↓, s. 27–29; Parkinson 1996 ↓, s. 42. Gregory D. Black: Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge University Press, 1996. ISBN 0-521-56592-8. (ang.). David Parkinson: History of Film. Thames & Hudson, 1996. ISBN 978-0-500-20277-7. (ang.).
Jeff i Simmons 2001 ↓, s. 6. Leonard L. Jeff, Jerold L Simmons: The Dame in the Kimono: Hollywood, Censorship, and the Production Code. University Press of Kentucky, 2001. ISBN 978-0-8131-7107-4. (ang.).
Doherty 1999 ↓, s. 16. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 24–26. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 16–17. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 22. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 22–23. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 23. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 26–27. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 40. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 17. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 18; McElvaine 2004 ↓, s. 448. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.). Robert S. McElvaine: Encyclopedia of The Great Depression Volume 1 (A–K). Macmillan Reference, 2004. ISBN 0-02-865687-3. (ang.).
Doherty 1999 ↓, s. 34. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 41–44. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 45. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 46. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 49. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 59. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 49, 54, 79. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 50. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 51. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 50–51. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 60. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 60–61. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 56. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 63. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 64. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 73–75. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 76. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 77. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 89. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 85. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 92. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Black 1996 ↓, s. 144; Doherty 1999 ↓, s. 75. Gregory D. Black: Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge University Press, 1996. ISBN 0-521-56592-8. (ang.). Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 97. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 98–99. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 100–101. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 101. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Siegel i Siegel 2004 ↓, s. 165. Scott Siegel, Barbara Siegel: The Encyclopedia of Hollywood. Checkmark Books, 2004. ISBN 978-0-8160-4622-5. (ang.).
Shadoian 2003 ↓, s. 29. Jack Shadoian: Dreams & Dead Ends: the American Gangster Film. Oxford University Press, 2003. ISBN 978-0-19-514292-1. (ang.).
Leitch 2002 ↓, s. 22. Thomas Leitch: Crime Films. Cambridge University Press, 2002. ISBN 978-0-521-64671-0. (ang.).
Siegel i Siegel 2004 ↓, s. 178. Scott Siegel, Barbara Siegel: The Encyclopedia of Hollywood. Checkmark Books, 2004. ISBN 978-0-8160-4622-5. (ang.).
Leitch 2002 ↓, s. 23. Thomas Leitch: Crime Films. Cambridge University Press, 2002. ISBN 978-0-521-64671-0. (ang.).
John Izod: Hollywood and the Box Office, 1895–1986. Palgrave Macmillan, 1988, s. 70. ISBN 978-1-349-19324-0. (ang.).
Hughes 2006 ↓, s. xii. Howard Hughes: Crime Wave: The Filmgoers’ Guide to the Great Crime Movies. I.B. Tauris, 2006. ISBN 978-0-85773-048-0. (ang.).
Prince 2003 ↓, s. 23. Stephen Prince: Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. Rutgers University Press, 2003. ISBN 978-0-8135-3281-3. (ang.).
Prince 2003 ↓, s. 23–28. Stephen Prince: Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968. Rutgers University Press, 2003. ISBN 978-0-8135-3281-3. (ang.).
Doherty 1999 ↓, s. 139. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 140. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 137. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 142. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 137–138. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Siegel i Siegel 2004 ↓, s. 165, 359. Scott Siegel, Barbara Siegel: The Encyclopedia of Hollywood. Checkmark Books, 2004. ISBN 978-0-8160-4622-5. (ang.).
Shadoian 2003 ↓, s. 31. Jack Shadoian: Dreams & Dead Ends: the American Gangster Film. Oxford University Press, 2003. ISBN 978-0-19-514292-1. (ang.).
Leitch 2002 ↓, s. 24. Thomas Leitch: Crime Films. Cambridge University Press, 2002. ISBN 978-0-521-64671-0. (ang.).
Patrick McGilligan: Cagney: The Actor as Auteur. A.S. Barnes, 1975, s. 33. ISBN 978-0-498-01462-8. (ang.).
Doherty 1999 ↓, s. 150. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Smith 2005 ↓, s. 51. Sarah Smith: Children, Cinema and Censorship: From Dracula to the Dead End Kids. Wiley-Blackwell, 2005. ISBN 978-1-85043-812-0. (ang.).
Doherty 1999 ↓, s. 148. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 149–150. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Vieira 1999 ↓, s. 69. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Schatz 2004 ↓, s. 159. Thomas Schatz: Hollywood: Social Dimensions: Technology, Regulation and the Audience. Taylor & Francis, 2004. ISBN 978-0-415-28134-8. (ang.).
Doherty 1999 ↓, s. 151. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 153. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 158. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 159. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 159–160. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 160. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 170. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 169. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 163. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 164. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 166. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 162. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 167. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Ruth Vasey: The World According to Hollywood, 1918–1939. University of Wisconsin Press, 1997, s. 114. ISBN 978-0-85989-553-8. (ang.).
Doherty 1999 ↓, s. 103. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 104. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Vieira 1999 ↓, s. 130. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Doherty 1999 ↓, s. 107–110. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Smith 2005 ↓, s. 56. Sarah Smith: Children, Cinema and Censorship: From Dracula to the Dead End Kids. Wiley-Blackwell, 2005. ISBN 978-1-85043-812-0. (ang.).
Doherty 1999 ↓, s. 110–111. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 110. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 111. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 107, 110–112. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 112–113. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Jacobs 1997 ↓, s. 10; Doherty 1999 ↓, s. 106–107; Massey 2000 ↓, s. 71. Lea Jacobs: The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. University of California Press, 1997. ISBN 978-0-520-20790-5. (ang.). Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.). Anne Massey: Hollywood Beyond the Screen: Design and Material Culture. Berg Publishers, 2000. ISBN 978-1-85973-321-9. (ang.).
Doherty 1999 ↓, s. 126. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 127. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Vieira 1999 ↓, s. 118. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Doherty 1999 ↓, s. 113. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 124–125. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 113–114. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 114. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 117–118. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 128. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Vieira 1999 ↓, s. 148–149. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Doherty 1999 ↓, s. 131. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Doherty 1999 ↓, s. 132. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
LaSalle 2000 ↓, s. 127. Mick LaSalle: Complicated Women: Sex and Power in Pre-Code Hollywood. St. Martin’s Press, 2000. ISBN 978-0-312-25207-6. (ang.).
Doherty 1999 ↓, s. 130. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Smith 2005 ↓, s. 53. Sarah Smith: Children, Cinema and Censorship: From Dracula to the Dead End Kids. Wiley-Blackwell, 2005. ISBN 978-1-85043-812-0. (ang.).
Doherty 1999 ↓, s. 133. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
Vieira 1999 ↓, s. 132–133. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
Doherty 1999 ↓, s. 121. Thomas Patrick Doherty: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930–1934. Columbia University Press, 1999. ISBN 978-0-231-50012-8. (ang.).
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Vieira 1999 ↓, s. 133. Mark A. Vieira: Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams, 1999. ISBN 978-0-8109-4475-6. (ang.).
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filmsite.org (Global: 2,951^st place; Polish: 1,916^th place)

Tim Dirks: Little Cesar (1930). [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2012-07-30)]. (ang.).
The History of Sex in Cinema. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2012-08-03)]. (ang.).

greencine.com (Global: low place; Polish: low place)

Mick LaSalle: Pre-Code Hollywood. GreenCine. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2009-06-18)]. (ang.).

jta.org (Global: 1,385^th place; Polish: 2,448^th place)

Charges Nazis Here Using Threats to Halt Production of “Mad Dog of Europe”. Jewish Telegraphic Agency. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2013-06-28)]. (ang.).

latimes.com (Global: 32^nd place; Polish: 116^th place)

Kenneth Turan. Back When Hollywood Played it Fast and Sassy. „Los Angeles Times”. ISSN 0742-4817. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2010-02-02]. (ang.).

motionpictures.org (Global: low place; Polish: low place)

Motion Picture Association of America: G is for Golden: The MPAA Film Ratings at 50. [dostęp 2023-02-15]. [zarchiwizowane z tego adresu (2023-02-15)]. (ang.).

mountainx.com (Global: low place; Polish: low place)

Ken Hanke. Island of Lost Souls/White Zombie. „Mountain Xpress”. OCLC 30694746. [dostęp 2020-01-26]. [zarchiwizowane z adresu 2012-12-16]. (ang.).

nytimes.com (Global: 7^th place; Polish: 32^nd place)

Jennifer Schuessler. Scholar Asserts That Hollywood Avidly Aided Nazis. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-06-28]. (ang.).
Dave Kehr. New DVDs: Forbidden Hollywood. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-01-30]. (ang.).
Dave Kehr. Hollywood Treasures, Boxed, Tinned and Ready for Viewers. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2012-09-06]. (ang.).
Dave Kehr. On the William Wellman Depression Express. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2012-09-06]. (ang.).

rogerebert.com (Global: 287^th place; Polish: 1,184^th place)

Roger Ebert: Scarface Movie Review & Film Summary. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2013-09-20)]. (ang.).

sfgate.com (Global: 248^th place; Polish: 1,164^th place)

blog.sfgate.com

Mick LaSalle: Bruce Goldstein Introduces “The Tingler”. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2018-09-21)]. (ang.).
Mick LaSalle: A Gift Idea – An Interview with Rialto’s Bruce Goldstein. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2018-09-21)]. (ang.).

sfgate.com

Mick LaSalle: ‘Baby Face’ Now Better (and Racier) Than Ever Before. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2012-12-16)]. (ang.).

silentfilm.org (Global: low place; Polish: low place)

Underworld, 1927: Silent Film Festival. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2020-01-17)]. (ang.).

telegraph.co.uk (Global: 40^th place; Polish: 127^th place)

Philip Horne. Hollywood Behaving Badly: The Outrageous Films of the Early-talkie Era. „The Daily Telegraph”. ISSN 0307-1235. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2017-04-26]. (ang.).

time.com (Global: 84^th place; Polish: 260^th place)

Cinema: The New Pictures: Apr. 18, 1932. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-04-17]. (ang.).
Religion: Legion of Decency. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-06-10]. (ang.).

web.archive.org (Global: 1^st place; Polish: 1^st place)

Mick LaSalle: Pre-Code Hollywood. GreenCine. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2009-06-18)]. (ang.).
Underworld, 1927: Silent Film Festival. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2020-01-17)]. (ang.).
Cinema: The New Pictures: Apr. 18, 1932. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-04-17]. (ang.).
Religion: Legion of Decency. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-06-10]. (ang.).
Ron Hutchinson: The Ciseler – Where is „Convention City” Hiding?. [dostęp 2023-02-15]. [zarchiwizowane z tego adresu (2015-04-10)]. (ang.).
Mick LaSalle: Bruce Goldstein Introduces “The Tingler”. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2018-09-21)]. (ang.).
Mick LaSalle: A Gift Idea – An Interview with Rialto’s Bruce Goldstein. [dostęp 2020-02-02]. [zarchiwizowane z tego adresu (2018-09-21)]. (ang.).

worldcat.org (Global: 4^th place; Polish: 2^nd place)

Ben Yagoda. Hollywood Cleans Up Its Act. „American Heritage”. ISSN 0002-8738. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2017-08-06]. (ang.).
Eric Gardner. The Czar of Hollywood. Indianapolis Monthly. „Indianapolis Monthly”, s. 92, 2005. ISSN 0899-0328. [dostęp 2020-02-02]. (ang.).
Jonathan Rosenbaum. Employees’ Entrance. „Chicago Reader”. ISSN 1096-6919. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-04-10]. (ang.).
Jennifer Schuessler. Scholar Asserts That Hollywood Avidly Aided Nazis. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-06-28]. (ang.).
Dave Kehr. Underworld. „Chicago Reader”. ISSN 1096-6919. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-04-10]. (ang.).
Cinema: The New Pictures: Apr. 18, 1932. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-04-17]. (ang.).
Ken Hanke. Island of Lost Souls/White Zombie. „Mountain Xpress”. OCLC 30694746. [dostęp 2020-01-26]. [zarchiwizowane z adresu 2012-12-16]. (ang.).
Barbara Gill. Lindbergh Kidnapping Rocked the World 50 Years Ago. „The Hunterdon County Democrat”, 1981. OCLC 1097118910.
Religion: Legion of Decency. „Time”. ISSN 0040-781X. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2019-06-10]. (ang.).
United Press. Movie Critic Asks Film Czar to Quit. „The Pittsburgh Press”, s. 4, 7 lipca 1934. OCLC 9208497.
Associated Press. Church Critics of Movies Call for Ousting of Will Hays. „The Gettysburg Times”, s. 2, 10 lipca 1934. OCLC 12443209.
Dave Kehr. New DVDs: Forbidden Hollywood. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2013-01-30]. (ang.).
United Press. Will Hays Confers with Film Leaders. „Berkeley Daily Gazette”, s. 8, 10 lipca 1934. OCLC 18729752.
Stir in Hollywood. „The Evening Post”, 21 lipca 1934. ISSN 0113-9428.
Associated Press. Eric Johnston to Rule Movies. „The Spokesman-Review”, s. 15, 20 września 1945. OCLC 11102529.
Motion Picture Code Made ‘More Flexible’. „Eugene Register-Guard”, 17 grudnia 1956. ISSN 0739-8557.
United Press International. Eric Johnston Dies at 66. „St. Petersburg Times”, 23 sierpnia 1963. ISSN 2327-9052.
United Press International. Film Ratings System Adopted by Industry. „St. Petersburg Times”, s. 5D, 8 października 1968. ISSN 2327-9052.
Kenneth Turan. Back When Hollywood Played it Fast and Sassy. „Los Angeles Times”. ISSN 0742-4817. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2010-02-02]. (ang.).
Philip Horne. Hollywood Behaving Badly: The Outrageous Films of the Early-talkie Era. „The Daily Telegraph”. ISSN 0307-1235. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2017-04-26]. (ang.).
Peter M. Nichols. Home Entertainments/Video: Fast Forward; Rent Now, Buy Later. „The New York Times”, s. 20, 24 marca 1991. ISSN 0362-4331.
Caryn James. Movies Used to Be Really Good by Being Bad. „The New York Times”, s. 20, 30 maja 1993. ISSN 0362-4331.
Dave Kehr. Hollywood Treasures, Boxed, Tinned and Ready for Viewers. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2012-09-06]. (ang.).
Dave Kehr. On the William Wellman Depression Express. „The New York Times”. ISSN 0362-4331. [dostęp 2020-02-02]. [zarchiwizowane z adresu 2012-09-06]. (ang.).

Pre-Code Hollywood (Polish Wikipedia)

americanheritage.com (Global: 3,518th place; Polish: 8,393rd place)

archive.is (Global: 76th place; Polish: 4th place)

bizjournals.com (Global: 396th place; Polish: 3,031st place)

books.google.pl (Global: 1,333rd place; Polish: 23rd place)

chicagoreader.com (Global: 1,976th place; Polish: 4,338th place)

chiseler.org (Global: low place; Polish: low place)

edgemedianetwork.com (Global: low place; Polish: low place)

filmsite.org (Global: 2,951st place; Polish: 1,916th place)

greencine.com (Global: low place; Polish: low place)

jta.org (Global: 1,385th place; Polish: 2,448th place)

latimes.com (Global: 32nd place; Polish: 116th place)

motionpictures.org (Global: low place; Polish: low place)

mountainx.com (Global: low place; Polish: low place)

nytimes.com (Global: 7th place; Polish: 32nd place)

rogerebert.com (Global: 287th place; Polish: 1,184th place)

sfgate.com (Global: 248th place; Polish: 1,164th place)

blog.sfgate.com

sfgate.com

silentfilm.org (Global: low place; Polish: low place)

telegraph.co.uk (Global: 40th place; Polish: 127th place)

time.com (Global: 84th place; Polish: 260th place)

web.archive.org (Global: 1st place; Polish: 1st place)

worldcat.org (Global: 4th place; Polish: 2nd place)

americanheritage.com (Global: 3,518^th place; Polish: 8,393^rd place)

archive.is (Global: 76^th place; Polish: 4^th place)

bizjournals.com (Global: 396^th place; Polish: 3,031^st place)

books.google.pl (Global: 1,333^rd place; Polish: 23^rd place)

chicagoreader.com (Global: 1,976^th place; Polish: 4,338^th place)

filmsite.org (Global: 2,951^st place; Polish: 1,916^th place)

jta.org (Global: 1,385^th place; Polish: 2,448^th place)

latimes.com (Global: 32^nd place; Polish: 116^th place)

nytimes.com (Global: 7^th place; Polish: 32^nd place)

rogerebert.com (Global: 287^th place; Polish: 1,184^th place)

sfgate.com (Global: 248^th place; Polish: 1,164^th place)

telegraph.co.uk (Global: 40^th place; Polish: 127^th place)

time.com (Global: 84^th place; Polish: 260^th place)

web.archive.org (Global: 1^st place; Polish: 1^st place)

worldcat.org (Global: 4^th place; Polish: 2^nd place)