Academicismo (Portuguese Wikipedia)

Pevsner, Nikolaus. Academias de arte: passado e presente. Companhia das Letras, 2005. pp. 69-72; 76-78
Pevsner, pp. 97-98
Pevsner, pp. 89-94
Pevsner, pp. 110-111
Pevsner, pp. 118-119
Barasch, Moshe. Theories of Art: From Plato to Winckelmann. Routledge, 2000. p. 320
Barasch, pp. 321-322
Klein, Robert. A Forma e o Inteligível: escritos sobre o Renascimento e a Arte Moderna. EdUSP, 1998. p. 365
Grenfell, Michael & Hardy, Cheryl. Art rules: Pierre Bourdieu and the visual arts. Berg Publishers, 2007. pp. 110-111
Pevsner, pp. 112-113; 120-133
Yates, Frances Amelia. The French academies of the sixteenth century. Taylor & Francis, 1988. pp. 140-141; 275-279
Barasch, pp. 330-333
Barasch, pp. 333-334
Driskel, Michael Paul. Representing belief: religion, art, and society in nineteenth-century France, Volume 1991. Pennsylvania State University Press, 1992. pp. 47-49
Nevile, Jennifer. Dance, spectacle, and the body politick, 1250-1750. Indiana University Press, 2008. pp. 97-98
Hilton, Wendy. Dance and music of court and theater: selected writings. Pendragon Press, 1997. pp. 45-54
Lee, Carol. Ballet in western culture: a history of its origins and evolution. Routledge, 2002. pp. 68-72
Cowart, Georgia. The triumph of pleasure: Louis XIV & the politics of spectacle. University of Chicago Press, 2008. pp. 80-83
Foster, Susan Leigh. Dancing the Body Politic. IN Melzer, Sara E. & Norberg, Kathryn. From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France. University of California Press, 1998. pp. 169-170
Hilton, pp. 23-54
Lee, pp. 80-89
Hilton, pp. 27-32
Lang, Paul Henry. Introduction. IN Anthony, James R. & Heyer, John Hajdu. Jean-Baptiste Lully and the music of the French Baroque: essays in honor of James R. Anthony. Cambridge University Press, 1989. pp. 3-4
Lee, p. 74
Bianconi, Lorenzo. Music in the seventeenth century. Cambridge University Press, 1987. pp. 66-68
Taft, R. F. Eastern Saints' Lives and Liturgy. IN Skira, Jaroslav Z. & Attridge, Michael S. In God's hands: essays on the Church and ecumenism in honour of Michael A. Fahey, S.J.. Peeters Publishers, 2006. p. 50
Miller, Timothy S. The orphans of Byzantium: child welfare in the Christian empire. California University Press, 2003. pp. 214-217
Mallgrave, Harry Francis. An Anthology from Vitruvius to 1870. Wiley-Blackwell, 2006. pp. 70-82
Goode, Patrick. The Oxford companion to architecture. Oxford University Press, 2009. Volume 1, pp. 134-135
Connelly, Frances S. The sleep of reason: primitivism in modern European art and aesthetics, 1725-1907. Pennsylvania State University Press, 1999. p. 31
Connelly, p. 32
Ledbury, Mark. Denis Diderot. IN Murray, Chris. Key Writers on Art: From antiquity to the nineteenth century. Routledge, 2003. pp. 108-109
Lavin, Sylvia. Quatremère de Quincy and the invention of a modern language of architecture. Massachusetts Institute of Technology Press, 1992. pp. 159-167
Rosenblum, Robert. Transformations in late eighteenth century art. Princeton University Press, 1970. p.p 102-103
Doy, Gen. Hidden from Histories: women history painters in the early ninetheenth-century France. IN Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. pp. 71-85
Millais, Malcolm. Exploding the Myths of Modern Architecture. Frances Lincoln Ltd., 2009. pp. 63-65
Kimball, Fiske & Edgell, George Harold. History of Architecture. Research & Education Assoc., 2001. pp. 498-499
Kaufmann, Thomas DaCosta. Toward a geography of art. University of Chicago Press, 2004. pp. 54-55
Mount, Harry. Joshua Reynolds IN Murray, Chris. Key Writers on Art: From antiquity to the nineteenth century. Routledge, 2003. pp. 116-119
Fyfe, Gordon. Auditing the RA: official discourse and the ninetheenth-century Royal Academy. IN Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. pp. 117-128
Barlow, Paul. Fear and loathing of the academic, or just what is it that makes the avant-garde so different, so appealing? IN Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century]. Manchester University Press, 2000. p. 17
Dulap, William. A History of the Rise and Progress of the Arts of Design in the United States. C. E. Goodspeed & Co., 1918. Vol. 3, pp. 52–57. http://books.google.com/books?id=0FJLAAAAMAAJ&pg=PA52
Caffin, Charles H. The Story of American Painting. Kessinger Publishing, 1999. pp. 76-77
Born, Wolfgang. Still Life Painting in America. Kessinger Publishing, 2005. p. 38
Corbett, David Peters. Beyond the Borders: nineteenth-century British and American art in comparative perspective. IN Groseclose, Barbara S. & Wierich, Jochen. Internationalizing the history of American art: views. Pennsylvania State University Press, 2009. p. 84
Lindvall, Terry. Sanctuary cinema: origins of the Christian film industry. New York University Press, 2007. pp. 38; 207; 220; 235 (nota 87)
Clark, Gregory; Halloran, Michael & Woodford, Allison. Thomas Cole's Vision of "Nature" and the Conquest Theme in American Culture. IN Herndl, Carl George & Brown, Stuart Cameron. Green Culture: Environmental Rhetoric in Contemporary America. University of Wisconsin Press, 1996. p. 261
Boime, Albert. Art in an Age of Civil Struggle, 1848-1871. University of Chicago Press, 2008. p. 448
Carmel-Arthur, Judith. Canova and Scarpa in Possagno. IN Bryant, Richard; Carmel-Arthur, Judith & Scarpa, Carlo (eds). Carlo Scarpa: Museo Canoviano, Possagno. Volume 22 de Opus Series. Axel Menges, 2002. pp. 6-12
Cicognara, conde Leopoldo. Biographical Memoir. IN Bohn, Henry G. (ed). The Works of Antonio Canova, in Sculpture and Modelling, engraved in Outline by Henry Moses; with Descriptions by Countess Albrizzi, and a Biographical Memoir by Count Cicognara. Londres: Henry G. Bohn, 1823. Vol. I, pp. i-vi
Scott, William B. & Rutkoff, Peter M. New York Modern: The Arts and the City. Johns Hopkins University Press, 2001. pp. 8-9]
Scott & Rutkoff, p. 7
Zurier, Rebecca. Picturing the city: urban vision and the Ashcan School. University of California Press, 2006. pp. 1-6; 305-310
Mitter, Partha. Art and nationalism in colonial India, 1850-1922: occidental orientations. Cambridge University Press, 1994. pp. 12-45
Mitter, pp. 261-356
Guha-Thakurta, Tapati. Lineages of the Modern in Indian Art. IN Ganesh, Kamala & Thakkar, Usha. Culture and the making of identity in contemporary India. Sage, 2005. pp. 83-93
Vaugham, William. Cultivation and Control: the "Masterclass" and the Düsseldorf Academy in the nineteenth centrury. Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. pp. 150-152
West, Shearer. The visual arts in Germany 1890-1937: Utopia and despair. Manchester University Press, 2000. pp. 1-10; 181-182
Denis, Rafael. Academicism, Imperialism and national identity: the case of Brazil's Academia Imperial de Belas Artes. In Denis, Rafael & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. p. 63
Biasoli, Carmen Lúcia Abadie. A Formação do Professor de Arte: do ensaio... à encenação. Papirus Editora, 1999. pp. 61-67
Amaral, Aracy. Artes plásticas na Semana de 22. Editora 34, 1998. 5ª ed., pp. 21-22
Harris, Jonathan P. et alii. Writing back to modern art: after Greenberg, Fried, and Clark. Routledge, 2005. pp. 17-20
Rosenblum, pp 102-107
Melo e Castro, Ernesto Manuel de. O fim visual do século XX e outros textos críticos. Editora da Universidade de São Paulo, 1993. p. 77
Thompson, James Matheson. Twentieth century theories of art. McGill-Queen's Press, 1990. pp. 101-102
Barlow, pp. 16-17
Bell, Clive. Art. BiblioBazaar, LLC, reimpressão de 2007. p. 114
Barlow, p. 18
De Duve, Thierry. When Form Has Become Attitude - And Beyond. IN Kocur, Zoya & Leung, Simon. Theory in contemporary art since 1985. Wiley-Blackwell, 2005. pp. 20-21
Millais, p. 65
Kimball & Edgell, p. 593
Cunningham, Lawrence S. & Reich, John J. Culture & Values, Volume II: A Survey of the Humanities with Readings. Cengage Learning, 2009. pp. 486-488
Chase, Gilbert. The Artist. IN Johnson, John J. Continuity and Change in Latin America. Stanford University Press, 1964. p. 106
Pevsner, pp. 309-336
Snider, Alfred & Schnurer, Maxwell. Many sides: debate across the curriculum. Idea, 2002. pp. 164-169
Fehr, Dennis E. Real-World Readings in Art Education: Things Your Professor Never Told You. Taylor & Francis, 1999. pp. 51-52
Salles, Paulo de Tarso.´Aberturas e impasses: o pós-modernismo na música e seus reflexos no Brasil, 1970-1980. Editora da Universidade do Estado de São Paulo, 2005. p. 104
Ehrenzweig, Anton. The hidden order of art: a study in the psychology of artistic imagination. University of California Press, 1967. p. 146
Millon, Henry. Art and Architectural History in the Twentieth Century. IN Bearn, Alexander G. Useful Knowledge: the American Philosophical Society millennium program. Diane Publishing, 1999. pp. 219-222
Barlow, p. 29
Barlow, pp. 18-23

catholicity.com

Willmann, Otto. The Seven Liberal Arts. The Catholic Encyclopedia

daheshmuseum.org

Critic's Turn Arquivado em 4 de abril de 2010, no Wayback Machine.. Dahesh Museum of Art

dezenovevinte.net

Biscardi, Afrânio & Rocha, Frederico Almeida. O Mecenato Artístico de D. Pedro II e o Projeto Imperial. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume I, n. 1, maio de 2006.
Fernandes, Cybele Vidal Neto. O Ensino de Pintura e Escultura na Academia Imperial das Belas Artes. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume II, n. 3, julho de 2007
Valle, Arthur. Pensionistas da Escola Nacional de Belas Artes na Academia Julian (Paris) durante a 1ª República (1890-1930) Arquivado em 21 de fevereiro de 2008, no Wayback Machine.. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume I, n. 3, novembro de 2006.
Vale, Vanda Arantes do. A pintura brasileira do século XIX - Museu Mariano Procópio. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume I, n. 1, maio de 2007
Cardoso, Rafael. Ressuscitando um Velho Cavalo de Batalha: Novas Dimensões da Pintura Histórica do Segundo Reinado. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume II, n. 3, julho de 2007

google.com.br

books.google.com.br

Kleiner, Fred. Gardner's Art Through the Ages: The Western Perspective. Cengage Learning, 2009. Vol. II, 13ª ed. p. 655
Kulka, Tomáš. Kitsch and art. Pennsylvania State University Press, 1996. p. 60, nota 23
Greenberg, Clement & John O'Brian (editor). The Collected Essays and Criticism: Modernism with a vengeance, 1957-1969. University of Chicago Press, 1995. p. 299
Duro, Paul. Academic Theory: 1550-1800. IN Smith, Paul & Wilde, Carolyn. A companion to art theory. Wiley-Blackwell, 2002. pp. 89-90
Tanner, Jeremy. The sociology of art: a reader. Routledge, 2003. p. 4
Duro, pp. 90-93
Collingwood, W. G. The Art Teaching of John Ruskin. Read Books, 2008. p. 71
Kemp, Martín. The Oxford history of Western art. Oxford University Press US, 2000. pp. 218-219
Tanner, p. 5
Collingwood, pp. 73-74
Denis, Rafael Cardoso & Trodd, Colin. Introduction: academic narratives. IN Denis, Rafael Cardoso & Trodd, Colin. Art and the academy in the nineteenth century. Manchester University Press, 2000. pp. 2-3
Farmer, J. David. Foreword. IN Weisberg, Gabriel P. Against the modern: Dagnan-Bouveret and the transformation of the academic tradition. Rutgers University Press, 2002. pp. xi-xii
Alexander, Victoria D. Sociology of the arts: exploring fine and popular forms. Wiley-Blackwell, 2003. pp. 83-86
Elkins, James et alii. Second Roundtable IN Elkins, James & Newman, Michael (eds). The state of art criticism. Routledge, 2007. pp. 243-244
Denis & Trodd, pp. 4-9
Tanner, pp. 5-7
Preziosi, Donald. The Art of Art History: A Critical Anthology. Oxford University Press, 2009. pp. 214-216
Denis & Trodd, p. 9
Kulka, p. 60
Elkins, James. Why art cannot be taught: a handbook for art students. University of Illinois Press, 2001. pp. 43-45
Denis & Trodd, pp. 3-5
Schneider, Andrea Kupfer. Creating the Musée d'Orsay: the politics of culture in France. Pennsylvania State University Press, 1998. pp. 61-64
Greenberg, Clement. Homemade Esthetics: Observations on Art and Taste. Oxford University Press US, 1999. p. 118

hollistaggart.com

Albert Bierstadt Arquivado em 30 de outubro de 2009, no Wayback Machine.. Hollis Taggart Galleries

itaucultural.org.br

Academicismo. Enciclopédia Itaú Cultural de Artes Visuais. Atualizado em 29/12/2008
Academicismo. Enciclopédia Itaú Cultural

metmuseum.org

Jaffee, David. Art and Identity in the British North American Colonies, 1700–1776. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Jaffee, David. Post-Revolutionary America: 1800–1840. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Avery, Kevin J. The Hudson River School. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Tolles, Thayer. American Neoclassical Sculptors Abroad. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Tolles, Thayer. American Bronze Casting. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Peck, Amelia. American Revival Styles, 1840–1876. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Weinberg, H. Barbara. American Impressionism. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000.
Murrell, Denise. African Influences in Modern Art. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000
Jaffee, David. America Comes of Age: 1876–1900. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000

nationalacademy.org

History of the School Arquivado em 6 de julho de 2009, no Wayback Machine.. National Academy Museum and School of Fine Arts

nga.gov

American Portraits of the Late 1700s and Early 1800s Arquivado em 11 de abril de 2010, no Wayback Machine.. National Gallery of Art, Washington, DC. 2009
'William Stanley Haseltine Arquivado em 5 de outubro de 2008, no Wayback Machine.. National Gallery of Art
Realists of the Early 1900s Arquivado em 14 de abril de 2010, no Wayback Machine.. National Gallery of Art, Washington, DC. 2009

thenational.ae

Kino, Carol. Returning the gaze Arquivado em 4 de março de 2016, no Wayback Machine.. The National. August 20. 2009 11:11AM GMT

visual-arts-cork.com

Academic Art Style. Encyclopedia of Irish and World Art
Academy of Art in Rome. Encyclopedia of Irish and World Art
Hierarchy of the Genres. Encyclopedia of Irish and World Art

web.archive.org

Kino, Carol. Returning the gaze Arquivado em 4 de março de 2016, no Wayback Machine.. The National. August 20. 2009 11:11AM GMT
Critic's Turn Arquivado em 4 de abril de 2010, no Wayback Machine.. Dahesh Museum of Art
Cenni storici Arquivado em 3 de junho de 2009, no Wayback Machine.. Accademia delle Arti del Disegno
Storia Arquivado em 8 de março de 2010, no Wayback Machine.. Accademia Nazionale di San Luca
American Portraits of the Late 1700s and Early 1800s Arquivado em 11 de abril de 2010, no Wayback Machine.. National Gallery of Art, Washington, DC. 2009
History of the School Arquivado em 6 de julho de 2009, no Wayback Machine.. National Academy Museum and School of Fine Arts
'William Stanley Haseltine Arquivado em 5 de outubro de 2008, no Wayback Machine.. National Gallery of Art
Albert Bierstadt Arquivado em 30 de outubro de 2009, no Wayback Machine.. Hollis Taggart Galleries
Realists of the Early 1900s Arquivado em 14 de abril de 2010, no Wayback Machine.. National Gallery of Art, Washington, DC. 2009
Valle, Arthur. Pensionistas da Escola Nacional de Belas Artes na Academia Julian (Paris) durante a 1ª República (1890-1930) Arquivado em 21 de fevereiro de 2008, no Wayback Machine.. In: 19&20 - A revista eletrônica de DezenoveVinte. Volume I, n. 3, novembro de 2006.